Neagle John (39 results)

No Binding. Condition: Very Good. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

Paper. Condition: Fine. Good paper copy exhibition catalog April 12 - May 13, 1925 at The Pennsylvania Academy of the Fine Arts, Philadelphia, PA. 158 pp with B/W illus. and text throughout.

Condition: New. Pratt, Matthew; Neagle, John (illustrator).

Paperback or Softback. Condition: New. Pratt, Matthew; Neagle, John (illustrator). Dictionary Of American Painters, Sculptors And Engravers. Book.

Softcover. Condition: Very Good. First Edition. Lightly read if read at all. No markings in book. Binding is fine. B&W images. Shelf wear to overlaping cover edges. 158pp.

Condition: As New. Pratt, Matthew; Neagle, John (illustrator). Unread book in perfect condition.

No Binding. Condition: Near Fine. 1st Edition. Original Engraving. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

Loose Leaf. Condition: New. Reproduction. Original title: View of Grand Cairo German: Blick auf Groß-Kairo French: Vue du Grand Caire Spanish: Vista del Gran Cairo High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1828). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: London German: ZEITSCHRIFT French: Londres Spanish: Londres High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1828). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: Winter's Tale, Act 3, Scene 3 German: Winter's Tale, Akt 3, Szene 3 French: Tale d'hiver, Acte 3, Scène 3 Spanish: Cuento de Invierno, Acto 3, Escena 3 High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 19th century (1803). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condition: New. Reproduction. Original title: "The Stag Repells Each Bold Assault" German: "Der Stag verwirft jeden Bold Assault" French: "Le bâton repousse chaque assaut gras" Spanish: "El atraco rechaza cada asalto audaz" High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1796). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Condition: As New. Pratt, Matthew; Neagle, John (illustrator). Unread book in perfect condition.

Condition: New. Pratt, Matthew; Neagle, John (illustrator).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. [1st edition, 1st printing] 240 pages : illustrations (some color) ; 34 cm ; ISBN 9780883633373, 088363337X OCLC 49846577 ; LC E184.I6 G7393 1998 ; Dewey 973.049162 ; Contents: Ireland and the Irish -- A Habit of going abroad -- The distant magnet -- The famine era -- America learns to cope with the Irish -- The Irish learn to cope with America -- The vanishing Irish -- The American Irish Renaissance -- The Immigrant experience and the quest for identity -- Irish genealogy on the internet ; Series statement on jacket; Colored illustrations on lining papers ; green cloth in pictorial dustjacket ; Lavishly illustrated with paintings and vintage photographs, this coffee-table book tells the story of the seven million Irish who immigrated to America and their more than 40 million living descendants; Tells the story of those seven million Irish men, women and children who left their native land and sailed to America, hoping for a chance at a better life. Many came searching for the streets they had heard were paved with gold and found that not only were they not paved with gold, the streets were not paved at all, and the Irish were expected to pave them. And so they did. Through moving text and more than 200 extraordinary images, THE IRISH IMMIGRANT EXPERIENCE pays tribute to the Irish in America, to their courage, their trials and their successes. We are given tangible proof of the grace, spirit, strength and passion of these remarkable people. The story of the Irish American is sometimes amazing, often amusing, frequently distressing, but always inspiring. It tells us not only who are the Irish in America, but what America itself is all about. ; FINE/FINE. Book.

Condition: Very Good. Original stapled illustrated souvenir theatre programme 8½'' x 6''. 20 printed pages of text with monochrome photographs. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

leather. Condition: Very Good. Neagle, John (illustrator). Hardcover fully bound in brown leather with gilt lettered title piece to spine. Includes wood engraved frontis and three plates, all by John Neagle. Board edges and spine ends are rubbed and worn, front lower leading corner is chipped. Pencilled annotation to FEP and previous owner's name penned to half-title page.The frontis and plates all have a watermark to the lower leading corner and the endpapers are tanned. Text pages are clean and unmarked. Spine is tight and straight. AD. Used.

Condition: Good. Stipple and line engraving. 24.5 x 16 cm. (sheet). Facsimile signature below image. Very Good. Minor toning along sheet edges.

Hard Cover. Condition: Good. Charles Alexander Lesueur; J. Peale Jr.; J. Neagle; A. Rider; W.W. Wood; C. Burton, C.W. Peale; W. Scoresby (artists) (illustrator). Third Edition, second printing. Hard cover, in Two Volumes (complete.) Third Edition, second printing; (first printing was 1842.) Copyright page seen in both books: 1836 by R.W. Pomeroy (printer) Additional illustrated title page in Vol. II: Philadelphia: Stoddart and Atherton, 1828. [As listed in Worldcat.] 8vo, in full sheepskin, xxvi +337; 288 pp. with two engraved title pp. The spine of Vol. I with four raised bands containing the title in gilt to a red onlaid leather label, all edges marbled, marbled paste downs, rolled gilt pattern to board edges, two prior owner's labels (one engraved). Physical description Vol. II: full sheep, no raised bands, gilt fillet to spine and rolled along board edges similar but not matching Vol. 1. Similar but not identical marbled endpapers. All edges marbled.** CONDITION: Overall, Good. Vol. I: Scuffing to exterior surfaces. Rear cover detached; front hinge fragile. The plates are generally clean and bright with minimal foxing, however area adjacent to text is browned, and animal-shaped browning appears across from the plates onto the text. Vol II: better condition, with brighter, less browned text. Spine labels worn away, scuffing to exterior edges and corners, loss of some gilt and exterior title labels. Interior is generally brighter, and mildly foxed, including plates. This may be a married set of books: however, matching bookplates of the noted collector Emmet Field Horine, M.D. of High Acres Brooks Kentucky appear in both books. Additionally, Volume I contains the earlier engraved bookplate and pencilled signature to the ffep. of Charles W. Ridgely. **Collector EMMET FIELDS HORINE (1885-1964) was a Kentucky cardiologist, bibliophile and philanthropist who donated much of his 20,000 item book collection to various institutions after his death. In addition, his family donated more than one thousand acres of land for scouting and wilderness enjoyment, becoming part of the Jefferson Memorial Forest. (Hartley, Courier-Journal, 7/17/2015.) **Collector CHARLES W. RIDGELY of Maryland (1801-1849) was the earliest owner of at least the first volume of this set. It is believed he may have been a Baltimore-area forebear of the more recent collector mentioned above, as Ridgely's mother's name was Mary Emmet.**Some of many beautiful full page intaglio prints in these volumes were produced by artist and engraver Frenchman CHARLES ALEXANDRE LESUEUR (1778-1846.) Lesueur was himself a full-fledged naturalist and explorer, having journeyed to "New Holland" (now Australia) with Napoleon's Baudin Expedition of 1801, upon which the artist aided in the collection and documentation of more than 100,00 natural history specimens. After a few decades in America, Lesueur returned to France with a large collection of fossils and other specimens, thereafter becoming curator of the Musée d'Histoire Naturelle du Havre. Other notable Philadelphia-area artists such as members of the Peale family were also involved. Baltimore-born Author JOHN DAVIDSON GODMAN, M.D. (1794-1830,) married the daughter of the artist Rembrandt Peale, and benefitted from the proximity of the taxidermy exhibits of the Peale's Philadelphia Museum for some of his natural history observations. (Ashworth, Lindahalldotorg). Godman also published a number of purely medical texts. His unique upbringing defines a questing, persistent intellect, as told in the Memoir of his life in his final book, Rambles of a Naturalist , (essays included in the present publication.) Godman was orphaned, losing his mother at two years old and his father by the age of 5. Thereafter he was cared for by an aunt, defrauded of his estate, and left to apprentice with a printer. His natural genius luckily attracted the attention of a series of patrons who encouraged his pursuit of medical study--but from boyhood he always had an understanding and passion to exceed even this path, determined at the age of eight to master Latin, Greek and French, all of which he achieved by self-study. He died at only 36 years of age. OCLC 191226651. Sabin 27663. Shaw and Shoemaker [1842 edit.,42-2017] The first edition, (1826) appears in the Collection of the British Museum (Stevens, p. 221.) RARE. Book.

1795 edition. Minor tear with half inch loss to front prelim. Contemporary full anilie calf, very good. Recased in matching calf with gilt-blocked titles and cross-bands; very impressively finished. Scans &c. On request. ; 152 pages; [4], 152 p. , [4] leaves of plates : ill. (engravings) . Plates signed: "T. Stothard R. A. Del. T" and either "J. Neagle, Sculp. T", "J. Heath, Sculp. T" or "I. Parker, Sculp. T". Signatures: AÂ B-K8 L4. 3 Kg.

1795 edition. Minor tear with half inch loss to front prelim. Contemporary full anilie calf, very good. Recased in matching calf with gilt-blocked titles and cross-bands; very impressively finished. Scans &c. On request. ; 152 pages; [4], 152 p. , [4] leaves of plates : ill. (engravings) . Plates signed: "T. Stothard R. A. Del. T" and either "J. Neagle, Sculp. T", "J. Heath, Sculp. T" or "I. Parker, Sculp. T". Signatures: AÂ B-K8 L4. 1 Kg.

hardcover. Condition: very good. Blake, William & Neagle, G. (illustrator). 2 volumes. Frontispiece and title page with engraved vignette. Embellished with 70 very fine engraved plates, offsetting to facing pages. Tall 8vo, older 3/4 brown calf with marbled boards, top edges gilt (hinges & joints repaired, spine chipped). London: John Stockdale, 1793. Overall very good. A finely printed work, famous for the 12 plates engraved by William Blake, as well as the work of many other artists and engravers. This copy contains the "Gay Monument" frontispiece, which is often lacking.

Hard Cover. Condition: Very Good. George B. Ellis, John B. Neagle, Asher Brown Durand, Francis Kearny, Clarkson Stanfield, Williams Collins, Charles Robert Leslie, Samuel Finley Morse, John Burnet, William Frederick Witherington (illustrator). Original red embossed calf, gilt dentelles; all edges gilt. Paper spine label; cover corners very slightly worn; spine edges and cover edges a little rubbed; foxing. [v], viii-xiii, 362 pp. 12 plates.

Condition: Good. Line engraving on wove paper. 28.5 x 43 cm (sheet). Good, specks of foxing throughout.Ref: Essick and La Belle, 1977, pp. V-XVI.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Lithograph. In fair condition with the exception of being trimmed. Missing publication details. Foxing in the margins. Mounted onto contemporary backing sheet. Crease in upper right margin. Image size: 11 5/8 x 9 3/4 inches. A wonderful lithograph of the famous American doctor William Dewees, who changed the history of obstetrics. A name destined to become famous in American medicine was Dr. William Potts Dewees. He graduated from the University of Pennsylvania in 1789 and began to practice medicine at Abington. A yellow fever outbreak in Philadelphia brought Dewees back to the city where he continued to practive after the crisis had passed. He devoted himself especially to obstetrics, which was at that time a new branch of professional medicine in the United States. Dewees became one of the great midwives of his day and among the first to contend with the professional prejudice against physicians' delivering babies. Through perseverance and dedication, Dewees helped make obstetrics a respected branch of medicine and secured a place for the discipline in the college curriculum. This striking print by the accomplished lithographer M. E. D. Brown is after a portrait by the Philadelphian artist John Neagle. Neagle earned a reputation as an artist of skill and beauty and soon became one of the most famous portrait painters in Philadelphia. His commanding portrait of Dewees is considered one of his best paintings for the forceful way it illustrates the character and determination of its subject.

Original hand-coloured engraving. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and tearing to outer margins only. A wonderful scene by John Nost Sartorius illustrating a late 18th century British fox hunt, in rich, clear engravings by J. Neagle and J. Peltro. Plate I shows the beginning of the hunt as the team of riders and hounds embark into the wooded grounds. The lines of verse from William Somerville's 'The Chase' (1735) read as follows: "Delightful Scene! / Where all around is gay, Men, Horses, Dogs; / And in each smiling countenance appears, / Fresh blooming health and universal joy. / See! how they range / Dispers'd, how busily this way and that, / They cross; examining with curious nose / Each likely haunt." Further inscription reads: 'To Osgood Hanbury, Esqr, of Coggeshall, Essex: This Print is dedicated by his most humble and obedient Servant John Harris.' John Nost Sartorius (17551828),] was an English painter of horses, horse-racing and hunting scenes. He is considered the best-known and prolific of the Sartorius family of artists. (Wikipedia).

Original hand-coloured engraving. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good condition. Some minor traces of browning and paper imperfections to outer margins only. A wonderful scene by John Nost Sartorius illustrating a late 18th century British fox hunt, in rich, clear engravings by J. Neagle and J. Peltro. Plate III shows the beginning of the hunt as the team of riders and hounds have lost the scent. The lines of verse from William Somerville's 'The Chase' (1735) read as follows: "Here, Huntsman from the height / Observe you Birds of prey; if I can judge, / 'Tis there the villain lurks; they hover round / And claim him as their own. / Was I not right? / See! there he creeps along: Ha! yet he flies, / Nor yields to black despair, but one loose more, / And all his wiles are vain." Further inscription reads: 'To William Bowman, Esqr, of Clapton. This Print from the original Picture in his Poessession is most respectfully Inscribed by his much obliged and obedient Servant John Harris.' John Nost Sartorius (17551828),] was an English painter of horses, horse-racing and hunting scenes. He is considered the best-known and prolific of the Sartorius family of artists. (Wikipedia).

Original hand-coloured engraving. Plate Size: 61 cm x 46.5 cm. Frame Size: 77 cm x 63 cm. In very good- condition. Minor abrasion with slight tear to upper part of engraving. A wonderful scene by John Nost Sartorius illustrating a late 18th century British fox hunt, in rich, clear engravings by J. Neagle and J. Peltro. Plate IV shows the bad/good culmination of the hunt (one's opinion depending on whose side one takes - the hunters or the hunted) as the team of riders and excited hounds have captured the fox. The differing expressions on the riders' faces are fascinating. The accompanying lines of verse from William Somerville's 'The Chase' (1735) read as follows: "A chosen few / Alone the sport enjoy, nor droop beneath / Their pleasing toils. The unerring hounds / With peals of echoing vengeance close pursue. / Listen! now they are at him again. Now Reynard / Look to yourself. It is just up with him. / What a crash they make; the whole wood resounds. / That turn was very short. There now; / Aye; now they have him. Who-hoop. Further inscription reads: 'To Charles Boldero, Esqr, of Aspeden Hall Herts. This Print is dedicated by his much obliged and obedient Servant John Harris.' John Nost Sartorius (17551828),] was an English painter of horses, horse-racing and hunting scenes. He is considered the best-known and prolific of the Sartorius family of artists. (Wikipedia).

No Binding. Condition: Good. Scene in Daily Life ( (antique engraving) engraved by John Neagle Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", c1790's. plate impression approx 3 1/2 x 4 1/2 ins. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity) sculptures. Some of the engravings in his volume, made by great masters of the time, are still considered today as graphic masterpieces. "very good for age, a couple of margin marks and spots" SEE OTHER NEAGLE ENGRAVINGS TOO.

No Binding. Condition: Good. A Cherub or an Angel (antique engraving) engraved by John Neagle Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", c1790's. Johann Caspar Lavater was a swiss theologian and philosopher known throughout Europe for his studies on physiognomy. Following the physiognomy tradition of Della Porta and of many Renaissance and Baroque philosophers, he believed that the character of a person could be elucidated through examining their lines of countenance" i.e. tracing a profile outline portrait. Being able to "read outside" was the key to "know the inside". Lavater's thought largely influenced Art in the late 18th and early 19th century, as in the case of Johann Fuseli and William Blake (who realized two etchings for Lavater's English edition of his Essay). Lavater was convinced that he could show his theories by analyzing the portraits of some of the main historical figures of the past, in some cases taken from paintings or (mainly for antiquity) sculptures. Some of the engravings in his volume, made by great masters of the time, are still considered today as graphic masterpieces. "very good for age" SEE OTHER NEAGLE ENGRAVINGS TOO.