Negus K (15 results)

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780415174008.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780415174008.

Condition: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780745613185.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780340762486.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780340762486.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780745613185.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780761970767.

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:9780761970767.

Condition: Good. Paperback, 8vo.

Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:041517399X.

Condition: Poor. Volume 291. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pen & pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,400grams, ISBN:0805724052.

Condition: New. aeo This is a clear and straightforward introduction to the main issues raised by the study of popular music, written by a leading authority in the field. aeo It is wide--ranging and covers the main studies and theoretical contributions to the field, inclu.

Soft cover. Condition: Very Good. NO CHIPPING & NO SPLITTING to CLEAN covers. Internally CLEAN with a number of pencil annotations (could be easily removed with rubber). TIGHT textblock. NO LOOSE & NO MISSING leaves. This title is part of a large Nottinghamshire Collection which we recently purchased from a life long Collector. Please view our other titles under our Nottinghamshire or Local History & UK Topography Section.

Softcover. Condition: gut. Auflage: 1 (13. Juni 2003). Soziale Bewegungen, Subkulturen, künstlerische und politische Avantgarden, aber auch die vielfältigen Mikropolitiken des Alltags demonstrieren, dass die Apparate der Machtausübung den Eigensinn der Subjekte nicht vollständig absorbieren können. Was aber, wenn "Anti-Disziplin" selbst zur Norm wird? Die Kritik am patriarchalen Familienzusammenhang und die sexuelle Revolution haben alternative Lebensweisen hervorgebracht, in denen sich neue Subjektivitäts- und Beziehungsmodelle entwickelten. Die damit einhergehende soziale Ungebundenheit harmoniert indes trefflich mit den Mobilitäts- und Flexibilitätszumutungen, die den Individuen heute auferlegt werden. Begehrensstrukturen und Praxismodelle ehemals subkultureller Gegenwelten sind heute fester Bestandteil der sich globalisierenden Ökonomie. Wenn Dissidenz, Kritik und Subversion zum Motor der Modernisierung eben jener Verhältnisse werden, die zu unterminieren sie einmal angetreten waren, verkehrt sich das Verhältnis von Norm und Abweichung. Marion von Osten ist Professorin für künstlerische Praxis an der Hochschule für Gestaltung und Kunst Zürich. Marion von Osten ist Künstlerin, Autorin und Ausstellungsmacherin und lebt in Berlin und Zürich. Sie studierte Malerei an der Akademie der bildenden Künste Karlsruhe. 19961998 war sie Kuratorin an der Shedhalle Zürich und initiierte dort u.a. die Ausstellungen "Sex & Space" und "MoneyNations". Sie schreibt für die Kunstzeitschriften "Texte zur Kunst" und "Springerin" und ist Mitherausgeberin von "Das Phantom sucht seinen Mörder: Ein Reader zur Kulturalisierung der Ökonomie" (Berlin 1999). Seit 2001 ist sie wissenschaftliche Mitarbeiterin am Institut für Theorie der Gestaltung und Kunst Zürich (ith) und hat seit 2002 eine Professur für künstlerische Praxis an der Hochschule für Gestaltung und Kunst Zürich (HGKZ). Marion von Osten organisierte für das Museum für Gestaltung Zürich. (MfGZ) die transdisziplinäre Ausstellung "Be Creative! Der kreative Imperativ" (zusammen mit Peter Spillmann und Beatrice von Bismarck, 2002). Einleitung (Marion von Osten) Technologien Bakunin Consulting, Inc.: Anarchismus, Management und die Kunst, nicht regiert zu werden (Ulrich Bröckling) Magic Business Times: Spirituelle Entwicklung am Arbeitsplatz (Karen Lisa Goldschmidt Salamon) Die Arbeit der Kritik und der normative Wandel (Luc Boltanski / Eve Chiapello) Produktionssysteme Kuratorisches Handeln: Immaterielle Arbeit zwischen Kunst und Managementmodellen (Beatrice von Bismarck) I was knitting away day and night: Die Bedeutung von Kunst und Handwerk im Modedesign (Angela McRobbie) Kreativität und die Kulturen der Produktion (Keith Negus) Ohne Dogma: Time Code als Allegorie der gesellschaftlichen Fabrik Insert Be Creative! der kreative Imperativ Ökonomien Affektive Arbeit (Michael Hardt) Phantome der Norm und Heuristiken des Schlauseins: Die kulturelle Dimension kognitiver Arbeit (Tom Holert) Kollektive Instandhaltung: Ein performativer Vortrag (Faith Wilding) Neue Grenzziehungen in der Politischen Ökonomie (Yann Moulier Boutang) Anhang Autorinnen und Autoren Co-Autor B. v. Bismarck, L. Boltanski, Ulrich Bröckling, E. Chiapello, H. Draxler, K.L. Goldschmidt-Salamon, M. Hardt, A. McRobbie, T. Holert, Y.M. Boutang, K. Negus, F. Wilding Sprache deutsch Einbandart Paperback Naturwissenschaften Abweichendes Verhalten Gesellschaftstheorie Naturwissenschaften Geisteswissenschaften Naturwissenschaften Kulturwissenschaft Managementtheorie Medientheorie Philosophie Wirtschaftsgeschichte ISBN-10 3-211-40411-2 / 3211404112 ISBN-13 978-3-211-40411-9 / 9783211404119 Norm der Abweichung Marion von Osten Verhalten Cultural Studies Kulturwissenschaften Wissenschaft Mikropolitiken Subkulturen Avantgarden Machtausübung Eigensinn Anti-Disziplin Norm künstlerische Praxis Hochschule für Gestaltung und Kunst Zürich HGKZ Institut Abweichendes Verhalten Gesellschaftstheorie Kulturwissenschaft Managementtheorie Medientheorie Philosophie Wirtschaftsgeschichte In deutscher Sprache. 281 pages. 24 x 15,6 x 2,4 cm.

Melbourne : National Gallery of Victoria, 2008. Quarto,black Brillianta linen with debossed Rennie Ellis signature and clear foil finish, hand crafted slip case, pp. 135, extensively illustrated. The deluxe edition, limited to 110 copies (of which 100 were for sale) with an original Rennie Ellis photograph Dino Ferrari, Toorak Road 1976(20.3 cm x 25.4 cm) signed by his widow Kerry Oldfield Ellis. Mint copy, as new, in shrinkwrap. Rare. ?Art or not art, that is immaterial ? I continue on my way, seeking my own truth, ever affirming today.? In 1977 Rennie Ellis used this quote, by the American photographer Alfred Stieglitz, to explain the rationale for his own photography. When he began to photograph, Ellis aspired to work as a photojournalist, but within a few years he had moved away from the more detached and objective position of a reporter. Rennie Ellis was wholeheartedly engaged with life, with the absurdities, the ironies, the passion and the small dramas of the everyday. Rennie was renowned for his candid documentary images of contemporary Australian life. He was best known for his photographs of social events, such as music festivals, fashion parades or nightclubs. But his oeuvre also encompassed the grittier side of life. During his career he photographed life on the streets, sometimes showing the darker aspects of society such as his Kings Cross series. Ultimately, Ellis? vision of the world was celebratory; his photographs in this exhibition document the richness and diversity of contemporary life from the 1970s and 1980s. In a career that spanned forty years he avidly photographed people from all walks of life doing all manner of things. His legacy is a vast collection of photographs that celebrate life. The warmth of the man and his non-judgemental approach to the people he encountered is evident in his work. His photographs remain as a lasting affirmation of his times. In the years since the unexpected and untimely death of Rennie Ellis in 2003, the National Gallery of Victoria has been engaged in a major project, working with the Rennie Ellis Photographic Archive to exhibit and publish his work. While Ellis may be known primarily for the books of photographs that he published, this is really only a fraction of the vast body of work that he produced during his prolific life. This exhibition, and the accompanying catalogue, focus on Ellis?s work in the 1970s and 1980s and brings together almost two hundred photographs, which, to paraphrase Stieglitz, affirm the importance of the everyday and show how wonderful and surprising life can be. The title of the exhibition, No Standing, Only Dancing, comes from one of Rennie?s own works and was chosen because it seems to encapsulate something essential of the man himself. He was tirelessly energetic, eager for new experiences and a prodigious worker, but he never forgot about enjoying life along the way. - NGV website.