Newman Marvin E (45 results)

hardcover. Condition: Good.

Hardcover. Condition: Good.

Hardcover. Condition: Fine. Looks brand new. May have minor cosmetic defects such as marks, wears, cuts, bends, orcrushes, on the cover, spine, pages or dust cover. Binding is tight and the pages are clean and intact. Ships fast and direct from Amazon. Buy with confidence - satisfaction guaranteed.; 9 X 0.885 X 11 inches; 208 pages.

Soft cover. Condition: Good. 1st Edition. Minor edge and corner wear; lightly scuffed and scratched; spine is gently creased; some light shelf wear; ex-library with the usual library markings; overall a nice used copy! Brown wrapper with black and brown lettering. 332 historical and informative pages! "Comparative Deviance represents a systematic attempt to survey public perceptions of deviant behavior cross-culturally: in India, Indonesia, Iran, Italy, Yugoslavia, and the United States. There is extensive diversity in both law and perception concerning such deviances as taking drugs, homosexuality, and abortion, yet there is evidence for a basically invariant structure in perception of deviance across all cultures. Within the countries studied in this volume, Graeme Newman discovers that the strength of religious belief and urban rural background accounted for major differences in the perception of deviance--when differences were identified. Contrary to popular academic opinion in the United States, Newman finds that those countries with the most liberal laws on deviance (i.e., the least punitive sanctions) are also those highly economically developed and least totalitarian (United States and Italy). But when public opinion is considered, the public favors harsher punishments than the law provides. In contrast, in the developing countries of India, Iran and Indonesia, where penal sanctions are more severe, public opinion is much more liberal. The crucial question is the role criminal law plays in the process of modernization: whether law is a stable cultural influence, round which public opinion wavers in a startling fashion, depending on the stage of modernization. These findings challenge many assumptions of conflict theory in sociology, of cultural relativism in anthropology, and of ethical relativism in moral philosophy. All findings are examined in relation to research on modernization, social development, and the evolution of law. These fundamental issues are thus important to many different disciplines across the board.".

paperback. Condition: Very Good. Stapled gallery catalogue Very Good paperback with light shelfwear - NICE! Standard-sized.

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: As New. 1st Edition. 1st Printing. 50 pages. Published in 2019. Exhibition Catalog. One of the most beautiful catalogs ever published on the photographic art and achievement of Marvin E. Newman. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. A brilliant production by Stephen Daiter Gallery: Regular-sized volume format. Pictorial softcovers with wraparound photographic reproduction and black titles on the cover, as issued. Photographs by Marvin E. Newman. Introduction by Stephen Daiter. Printed on pristine-white, glossy stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago from May through July, 2019. Presents Marvin E. Newman's "On The Avenues". Some of the finest and most representative images by the one photographer who mastered the aesthetics and practice of two radically different schools of art photography: The Photo League (its documentary, moral humanism) and the Institute of Design (its Bauhaus-principled, experimental formalism). Newman, who received the very first Master's Degree from ID, "embodies the best characteristics of these institutions: A compassion for his human subjects and an exceptional sense of space and design in his experimental photographs" (Stephen Daiter). "Celebrates Newman's career with over forty vintage black-and-white and color pieces. Features experimental images of inverted sidewalk shadows and manhole covers as well as documentary work from his time in Chicago and upon his return to New York. On view are two more poetic Series from his travels in 1960, of Paris prostitutes and of a small Alaskan village" (Publisher's blurb). 2019 was a Milestone Year for the photographer: It marked the 20th year of his inaugural exhibition at Stephen Daiter Gallery, the 70th year since he arrived at the Institute of Design, and the 100th-Year Anniversary of the founding of Bauhaus in Germany (the latter leading to major retrospectives, newly published books in Europe and the United States, and full-fledged profiles in the New York Times and New Yorker Magazine). Marvin E. Newman also turned 92 years old on December 5, 2019. An absolute "must-have" title for Marvin E. Newman collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a 46-plate Catalog, NOT a full-fledged monograph. But its exemplary production values make it eminently collectible for completists. A scarce copy thus. 46 black-and-white and color plates. One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER MARVIN E. NEWMAN TITLES IN OUR CATALOG). no.

Soft cover. Condition: As New. 1st Edition. 1st Printing. 14 pages. Published in 2002. Exhibition Catalog. One of the most beautiful catalogs ever published on the subject. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. A brilliant production by Stephen Daiter Gallery: Pictorial softcovers that show a boxer in motion, as issued. Photographs by Marvin E. Newman. Essay by Al Silverman. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name held at the Stephen Daiter Gallery Chicago in 2002. Presents Marvin E. Newman's "The Face of Sport". Some of the photographer's finest and most representative images. One of the toughest photographic projects anyone could possibly undertake, the appeal of taking photographs of athletes in action is that it allows the photographer to show how a still medium can capture and communicate, convincingly and compellingly, movement, motion, and rhythm. Marvin E. Newman's classic, "Uppercut, Blurred Motion, 1960", the photograph on the cover, is a great example of how one feels the force, energy, and vitality of movement, a virtual ballet. The British Renaissance Man, Jonathan Miller, devoted a significant portion of his book, "On Reflection", to the way our eyes are trained to see, not just imagine, movement in art and photography, and ascribes the dramatic changes to our way of seeing to the technical as well as creative advances of photography. An absolute "must-have" title for Marvin E. Newman collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a Catalog, NOT a full-fledged volume. But its production values and rarity make it eminently collectible for completists. A rare copy thus. Illustrated with color plates and black-and-white reproductions. One of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER MARVIN E. NEWMAN TITLES IN OUR CATALOG).

Soft cover. Condition: As New. 1st Edition. 1st Printing. 14 pages. Published in 1999. Exhibition Catalog. One of the most beautiful catalogs ever published on the subject. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now rare. A brilliant production by Stephen Daiter Gallery: Pictorial softcovers, as issued. Photographs by Marvin E. Newman and Yasuhiro Ishimoto. Brief Introductory text. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of the exhibition of the same name at the Stephen Daiter Gallery from April 30 through June 12, 1999. Presents "Newman & Ishimoto: Reunion In Chicago: Photographs From 1949-1952". Some of the two photographers' finest and most representative work. Celebrates the 50th anniversary of their close friendship and fruitful collaboration. Their photographs remain some of the finest examples of the "New Vision In Photography", retaining their vitality, formal rigor, and evocative beauty. An absolute "must-have" title for Marvin E. Newman and Yasuhiro Ishimoto collectors. This title is a contemporary art photography classic. As far as we know, this is the only copy of the Exhibition Catalog available online and is in especially fine condition: Clean, crisp, and bright. Please note: This is a Catalog, NOT a full-fledged volume. But its production values and rarity make it eminently collectible. A rare copy thus. Lavishly illustrated with duotone plates. Two of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER MARVIN E. NEWMAN AND YASUHIRO ISHIMOTO TITLES IN OUR CATALOG). no.

Softcover staple-bound, 22 pages, very good condition; clean and crisp; no internal marks.

Soft cover. Condition: Fine. 1st Edition. 1st Printing. 50 pages. Published in 2018. Memorial Gallery Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. None of the copies was sold to the public. There is no ISBN. The Catalog is now scarce. An austerely elegant production by Stephen Daiter Gallery: Regular-sized volume format. Pictorial softcovers with titles on the cover and spine, as issued. Photographs by various contributors. Text by Stephen Daiter. Printed on pristine-white, thick uncoated stock paper in the United States to the highest standards. Without DJ, as issued. Published on the occasion of Marvin E. Newman's 90th Birthday and Morris Engel's Centenary Year in 2018 (Engel died in 2005 at the age of 87). Presents "Noted Photos: A Collection of Vintage Photographs From The Photo League". The gallery's third publication on the latter, preceded by the landmark "This Was The Photo League" (2001) and "The Photo League At 75" (2010). Some of the finest and most representative images of The Photo League by such artists as Berenice Abbott, Lewis Hine, Marion Palfi as well as Marvin E. Newman and Morris Engel, among many others. Over the years, Stephen Daiter Gallery Chicago patiently collected these unjustly forgotten vintage prints and then facilitated their becoming The Permanent Collection of the Columbus Museum of Art. The initial acquisition of 170 prints has grown to more than 250 as of 2010. Began in 1936 to document the Great Depression, the League lasted for three decades, inspired by its belief in the power of photography to influence and effect social change by presenting "a true image of the world as it is". It was hounded for the same reason during the McCarthy-era witch hunt, its eventual demise sealed by the ensuing Cold War. But the photographs live on as they "resonate not only as stories from the past but also as striking works of art that transcend the written record. They are potent reminders that many of the issues depicted burden our world today" (Catherine Evans). An absolute "must-have" title for Photo League collectors. This Memorial Gallery Catalog is now collectible. Featuring some of the finest and most representative images of The Photo League by such artists as Berenice Abbott, Lewis Hine, Marion Palfi as well as Marvin E. Newman and Morris Engel, this is the gallery's third publication, preceded by the landmark "This Was The Photo League" (2001) and "The Photo League At 75" (2010). As far as we know, this is the only copy of the First Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. Please note: None of the copies was sold to the public. A rare copy thus. Lavishly illustrated with black-and-white plates. Some of the greatest photographers of the 20th century. A fine copy. (SEE ALSO "THIS WAS THE PHOTO LEAGUE", HELEN LEVITT, MARVIN NEWMAN, AARON SISKIND, WEEGEE, AND MAX YAVNO TITLES IN OUR CATALOG). no.

Hardcover. Condition: Brand New. 144 pages. 7.75x0.50x5.75 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title!

Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In.

Paperback. Condition: New.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. 1st Printing. 176 pages. Published in 2001. Landmark Exhibition Monograph. One of the most important photography books of our time. The first and only edition. Published in a small and limited print run (of 2000 copies) as a hardcover original only that is now sold out. There is no ISBN. The First Edition is now scarce. An austerely elegant production by David W. Williams: Oversize-volume format. Gray cloth boards with silver titles embossed on cover and spine, as issued. Photographs by various contributors. Edited and curated by Stephen Daiter. Essay by Anne Wilkes Tucker. New Compilations of Photographer Biographies, Listings of Photo League Exhibitions, Workgroups, and Courses by Claire Cass. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. In pictorial DJ with titles on the cover and spine, as issued. Published on the occasion of the landmark travelling exhibition in 2001. The collection has since been acquired by The Columbus Art Center Ohio University and is on display as part of its Permanent Collection. Presents "This Was The Photo League: Compassion And The Camera From The Depression To The Cold War". The enduring quality and lasting significance of the organization called "The Photo League of New York" (1936-1951). A nonprofit organization of dedicated photographers, the League wanted to have fun, create art, and also change the world in the process. Most members were united in their belief in the transformative power of photography to effect social change during what was a tumultuous period in American history. Lavishly illustrated with the now-classic work of Berenice Abbott, Morris Engel, Lewis W. Hine, Arnold Newman, Marvin E. Newman, Ruth Orkin, Aaron Siskind, Paul Strand, Max Yavno, and Weegee, among so many other great names in photography. An absolute "must-have" title for Photo League and photography book collectors. This title is a contemporary art photography classic. This is one of few copies of the First Hardcover Edition/First Printing still available online, is still in the publisher's original shrinkwrap, and is in especially fine condition: Clean, crisp, and bright. Please note: Published in a small and limited print run (of 2000 copies) that is now sold out. A scarce copy thus. 169 plates. Some of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER COPY OF THIS TITLE IN OUR CATALOG). no.

Hardcover. Condition: Fine. 1st Edition. 1st Printing. Signed. 270 pages. Published in 2002. Landmark Exhibition Monograph. One of the most important photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover/stiff-backed original only. A brilliant production by the Art Institute of Chicago: Oversize-volume format. Stiff pictorial boards with titles on the cover and spine, as issued. Photographs by various contributors, a Who's Who of American photographic history. Edited by David Travis and Elizabeth Siegel. Essays by Keith F. Davis, Lloyd C. Engelbrecht, John Grimes, Hattula Moholy-Nagy, Elizabeth Siegel, and Larry Viskochil. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at the Art Institute of Chicago in 2002. Presents "Taken By Design: Photographs From The Institute of Design, 1937-1991". The best book on the photographic art, aesthetics, and achievement of the Institute of Design, popularly known as ID, and now universally recognized as the greatest school of photography ever established in the United States. "Examines the changing nature of photography over the critical period of the American century. Traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Thomas Knudtson, Nathan Lerner, Ray K. Metzker, Marvin E. Newman, Richard Nickel, Arthur Siegel, Art Sinsabaugh, among many others. An essential work for anyone interested in the history of American photography" (Publisher's blurb). An absolute "must-have" title for Institute of Design and photography book collectors. This copy is very prominently, neatly, and beautifully signed in black ink-pen on the title page by the curator/editor David Travis, photographer Marvin E. Newman, and co-curator/editor Elizabeth Siegel. They all signed directly on the page itself, not on a tipped-in page. It is also very prominently and beautifully signed in black ink-pen underneath his photographic plates (on Pages 76 and 183) by Thomas Knudtson. This is the first and only copy he double-signed as such. It is not an exaggeration to say that their signatures represent a permanent trace of the Institute of Design, their deceased colleagues, and a whole era of American photographic history. This title is a contemporary photography classic. As far as we know, this is the only such multi-signed copy (with Souvenir Materials) of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 300 plates. Some of the greatest photographers of the 20th century. A fine copy. (SEE ALSO OTHER COPY OF THIS TITLE IN OUR CATALOG) ISBN 0226811670. Signed by Author.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Fine. 1st Edition. 1st Printing. Signed. 270 pages. Published in 2002. Landmark Exhibition Monograph. One of the most important photography books of our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover/stiff-backed original only. A brilliant production by the Art Institute of Chicago: Oversize-volume format. Stiff pictorial boards with titles on the cover and spine, as issued. Photographs by various contributors, a Who's Who of American photographic history. Edited by David Travis and Elizabeth Siegel. Essays by Keith F. Davis, Lloyd C. Engelbrecht, John Grimes, Hattula Moholy-Nagy, Elizabeth Siegel, and Larry Viskochil. Printed on pristine-white, thick coated stock paper in Italy to the highest standards. Without DJ, as issued. Published on the occasion of the landmark retrospective exhibition of the same name held at the Art Institute of Chicago in 2002. Presents "Taken By Design: Photographs From The Institute of Design, 1937-1991". The best book on the photographic art, aesthetics, and achievement of the Institute of Design, popularly known as ID, and now universally recognized as the greatest school of photography ever established in the United States. "Examines the changing nature of photography over the critical period of the American century. Traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Thomas Knudtson, Nathan Lerner, Ray K. Metzker, Marvin E. Newman, Richard Nickel, Arthur Siegel, Art Sinsabaugh, among many others. An essential work for anyone interested in the history of American photography" (Publisher's blurb). An absolute "must-have" title for Institute of Design and photography book collectors. This copy is very prominently and beautifully signed in various pens on the title page by (from top to bottom) : David Travis, Barbara Crane, Marvin E. Newman, Yasuhiro Ishimoto, Keith F. Davis, Ray K. Metzker, Kenneth Josephson, Joseph D. Jachna, Elizabeth Siegel, Thomas Rago, Joseph Sterling, Alan Cohen, and Roslyn Banish. They all signed directly on the page itself, not on a tipped-in page. The ten photographers were some of the surviving and most distinguished graduates of ID at the time of the book's publication. It is not an exaggeration to say that their signatures represent a permanent trace of the Institute of Design, their deceased colleagues, and a whole era of American photographic history. Fifteen years later, in 2017, many of them (notably Ishimoto, Metzker, Jachna, and Sterling) have since died. This title is a contemporary art photography classic. As far as we know, this is the only such multi-signed copy (with Souvenir Material) of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean, crisp, and bright. A rare signed copy thus. 300 plates. Some of the greatest photographers of the 20th century. A fine collectible copy. (SEE ALSO OTHER COPY OF THIS TITLE IN OUR CATALOG) ISBN 0226811670. Signed by Author.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.