Nicholas Round (54 results)

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Paperback. Condition: new. Paperback. `I have made a terrible discovery . I have not yet been born . I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolateYerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. Insuch figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmicnew translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s—unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: Fair. Volume 192. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:1855660865.

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Soft cover. Condition: Very Good. 56 pages. Leonard Duck "On Choosing a Dictionary of Music" / Maurice J E Brown "Schubert's 'Wanderer' Fantasy" / Frank Dawes "Nicholas Carlton and the Earliest Keyboard Duet" / Frances Collingwood "The Ballad-Monger" / John Lade "A Belgian Enterprise" / Lang-Jordan "Let us drink and be merry (sheet-music)" / W R Anderson "Round about Radio" / Charles Wilson "Shield's 'An Introduction to Harmony" (M13).

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Hardcover. Condition: Fine. 1st Edition. Coleccion Tamesis, Serie A: Monografias, 192. Volume is bound in green cloth, with stamped gilt lettering to spine and printed label to front cover. Book is in fine condition. Binding is firm. Pages are clean and bright. 166 pages.

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Paperback. Condition: new. Paperback. `I have made a terrible discovery . I have not yet been born . I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolateYerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. Insuch figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmicnew translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s—unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condition: new. Paperback. `I have made a terrible discovery . I have not yet been born . I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolateYerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. Insuch figures Lorca addresses the cultural and political ferment of his time with a fiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmicnew translations that lend themselves admirably to performance. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. In his four last plays (Blood Wedding, Yerma, The House of Bernarda Alba, Dona Rosita the Spinster) Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s—unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The authentic sense of danger of Lorca's theatre is finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirably to performance. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condition: Very Good. Tamesis Books April 2003 Binding: Hardcover.

Hardcover. Condition: As New. No Jacket. Hbk 166pp no dj as issued an unread copy excellent clean tight unmarked as new.

Hardcover. Condition: New. xxiv, 231 pages : 24 cm. Summary:Essays in honour of Nicholas Round, one of the most significant figures of contemporary Hispanism. Contents: Acknowledgements; Introduction: Celebrating Nick Round; PUBLICATIONS OF NICHOLAS GRENVILLE ROUND; MEDIEVAL STUDIES; '¿Rei otro sobre mí?': The Exile of the True King in Thirteenth-Century Castilian Literature; The Role of Women in Some Medieval Spanish Epic and Chronicle Texts; Chronicle as Precedent: Some Aspects of Quotation from Late Medieval Chronicles in an Eighteenth-Century Crisis Memorandum; 'El omne con bondad . acrecenta las riquezas': Juan Manuel and Money; THE NINETEENTH-CENTURY NOVEL; From Socartes to Madrid: The Continuity between Marianela and El doctor Centeno The Recovery of the Knight: Myth and Regeneration in Galdós's El caballero encantadoRegeneración and Philosophy in the Torquemada Novels; The Illusion of Realism: Reflections on El amigo Manso; On Realism, Now and Then: Martha Stewart Meets Ana Ozores; TRANSLATION STUDIES AND PEGAGOGY; Illustrating the Language: The Cultural Role of Translation in the Spanish Renaissance; The Sense of an Ending: Leandro Fernández de Moratín's El viejo y la niña and its Italian Translation; A Poem For All Seasons: Gil Vicente in Translation Knocked Down with a (Vulture's) Feather: Some Issues of Everyday Argumentation, Humour and TranslationAssessing Assessment; Civilization and Barbarism: The Perpetual Question; INDEX; TABULA CONGRATULATORIA.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First Edition. Book condition: VG with bump/tiny crease to top of spine; light dust/smudges to closed page edges; faint smudge to front blank end-paper. Jacklet: Good with some rubbing to edges and corners; 2cm tear to one corner; small area of price sticker shadow to front panel; smudges and a few light marks. A tight copy. **Heavy book. Shipping cost may be higher than stated for buyers outside of the UK.**.

Condition: Good. Volume 192. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:1855660865.