Nick Herman (25 results)

Hardcover. Condition: Fine. First Edition. [PAINTING]. Nick Herman, Yunhee Min. "Yunhee Min, 16 March - 22 April 2023." New York: Miles McEnery Gallery, 2023. First edition. English language. Pictorial hardcover. Text with full-color reproductions of artwork and artist's CV. 10 1/2 x 9 1/4 inches. 22 oz. 48 pp. Text clean. No issues. Like New to Fine. ISBN: 9780985018412. "Yunhee Min?s painting process is predominantly horizontal. Laid across the ground of her studio, her linen canvases come alive with her chosen medium of low-viscosity acrylic paints. She pours, sponges, brushes, and rolls pigments across the surface in various stages. Each gestural form mimics the bodily movement Min expresses; cascading sponge marks reflect the varying weight of her hand and vertical swaths record her use of a paint roller, all extending the artist?s own physical reach. The resulting body of work holds an undeniably choreographic quality, with each individual mark integrated into the whole. As Nick Herman synthesizes in the essay: 'In Min?s new paintings, recording [her] animating principle produces a liberating effect, inspiring not only a vocabulary of relationality but of mystery and the unexpected. It is this humming attunement that governs the paintings on display, each of which can be understood as containing this insistent liquid desire.'". …

Hardcover. multi-color pictorial boards w/ reflective white printing. 47 w/ color plates throughout. Exhibition held March 16-April 22, 2023. "Yunhee Min's painting process is predominantly horizontal. Laid across the ground of her studio, her linen canvases come alive with her chosen medium of low-viscosity acrylic paints. She pours, sponges, brushes, and rolls pigments across the surface in various stages. Each gestural form mimics the bodily movement Min expresses; cascading sponge marks reflect the varying weight of her hand and vertical swaths record her use of a paint roller, all extending the artist's own physical reach. The dynamic compositions become further animated by her choices in each palette. Employing vibrant hues, the inorganic colors clash and ease into each other at once. Appearing unnatural at first glance, the contrasts soften and blend out to create an enticing environment of washes that welcomes the viewer in. The resulting body of work holds an undeniably choreographic quality, with each individual mark integrated into the whole. As Nick Herman synthesizes in the essay, "In Min's New Paintings, recording [her] animating principle produces a liberating effect, inspiring not only a vocabulary of relationality but of mystery and the unexpected It is this humming attunement that governs the paintings on display, each of which can be understood as containing this insistent liquid desire."--Publisher. VG (spine ends bumped w/ creasing or rubbing. corners bumped & creased).…

Soft cover. Condition: Very Good. 78 pages. Poems by: Robert Gray, Sheenagh Pugh, Andrew Motion, Lucy Tunstall, John Peck, Roger Garfitt, Andrew McNeillie, Moe Way, Maung Pyiyt Min, ko ko thett, Erico Noguiera, Sophie Hannah, Jennie Feldman, David Herd, Patrick McGuinness, James Womack, Rory Waterman,David Herman reads the reviews, Michael Alexander remembers Peter Whigham,Nick Liptrot almost discovers modernism, Jason Guriel observes Logan the poet,Clive Wilmer addresses the responsibilities of poets,Kevin Gardner ferrets through Peter Scupham's basement. (U.P.).…

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Clean copy with well-bound, unmarked and undamaged pages. No apparent signs of shelf wear despite missing dust jacket.

Hardcover without dustjacket as issued, 48 pages; as new condition; clean and crisp; no internal marks. The isbn 9780985018412 mismatches with another book. Foreign shipping may be extra.

Soft cover. Condition: Fine. 1st Edition. 103pp., b/w ills. Exhibition catalogue for Rowe's "On Returning" at D'Amelio Terras. 2007. Essay by Roger White entitled "Wood, Carpet, Drywall, Mirrors". Essay by Nick Herman entitled "Ornament Bears Repeating". Condition: FINE. Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. Binding is tight and structurally sound. Pages are clean and are not marred by notes or folds of any kind. Actual book is pictured. See images provided.…

Hardcover. Condition: As New. 1st Edition. Clean, pristine ex-cat that remains in original shrink wrap. BP/Artists/M.

Soft cover. Condition: Very Good. 1st Edition. Includes work by Jean Loup Sieff ; Larry Herman ; Nick Lawrence ; M. E. Brugsch. Paginated pages 261-292, illustrations. Slight shelf wear to edges, no inscriptions. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Hardcover. Condition: Fine. 2nd Edition. Clean Inside With No Highlights Or Remarks. Includes The Index. Hardcover Still Sealed.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

Hardcover. Condition: Fine. 2nd Edition. Clean Inside With No Highlights Or Remarks. Includes The Index. Hardcover Still Sealed.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

Condition: Very Good.

Cloth. Condition: Fine Condition. Dust Jacket Condition: No Jacket, As Issued. 48 pages. Hardcover. Texts in English. Minimal shelfwear to the edges, with a tight binding and clean interior. Bound in illustrated paper covered boards and issued without a dustjacket. Published on the occasion of the exhibition held from March 16-April 22, 2023. Exhibition announcement/reception invitation card laid in at front. Book.…

Condition: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condition: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Condition: New. Brand New Original US Edition. Customer service! Satisfaction Guaranteed.

Condition: New. pp. viii + 501.

Condition: New. pp. viii + 501 Illus.

Condition: New. pp. viii + 501.

Hardcover. Condition: Very Good. Beautiful copy of this out of print and sought after catalogue which gathers artists and works from this movement of artist in Korea in the 70's. 180 pages with really well produced high quality color reproductions, text in English and Korean, in cloth boards with no DJ as issued. Binding solid, tight, sturdy, square. Interior is bright, clean, free of marks or damage of any kind. Boards are clean and firm with just a couple of lightly rubbed spots, but really sharp and now in mylar.…

Hardcover. Condition: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condition: New. Brand New! Fast Delivery This is an International Edition and ship within 24-48 hours. Deliver by FedEx and Dhl, & Aramex, UPS, & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India, United states & United Kingdom. Depending on your location and availability.…

Hardcover. Condition: New.

Condition: Good. 8vo. Hard cover. 35 pp. Like new, in original shrinkwrap. Color plates.

Condition: Good. 8vo. Hard cover. Like new, in original shrinkwrap. 47 pp. Color plates.

Hardcover. Condition: Gut bis sehr gut. 1. Auflage. Z : 240 Seiten/pp., 193 Abbildungen/ills. hardcover - The contents of The Box are the actual items from McCarthy's studio in Los Angeles, California, containing approximately three thousand objects, from a steel cabinet to a pencil, drawings and artworks. Only one thing is amiss, the box is tipped ninety degrees on its side, its contents, fixed to their surfaces, appear to defy gravity and taunt the viewer's perception of right-side-up. This radical displacement is repeated in the design of the catalog, thereby creating an object that functions as yet another haptic inversion. The aesthetic of disorientation is reflected in the volume, which was developed in close consultation with the artist.…