Noe Montez (99 results)

Condition: Very Good. A bright, square, and overall a nice copy.

paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condition: Good. In Memory, Transitional Justice, and Theatre in Postdictatorship Argentina, author Noe Montez considers how theatre, as a site of activism, can produce memory narratives that change the public?s reception to governmental policies that address a previous regime?s human rights violations. Drawing on contemporary research in transitional justice strategies, memory studies, and theatre history, Montez examines the Argentine theatre?s responses to the numerous changes in the country?s transitional justice policies ? truth and reconciliation hearings, trials, amnesties and pardons, and memorial events and spaces ? that have taken place in the last decade of the twentieth century and the first two decades of the twenty-first century.Montez explores how the sociohistorical phenomenon of Argentina?s Teatroxlaidentidad ? an annual showcase staged with the support of Argentina?s Grandmothers of the Plaza de Mayo ? acted as a vehicle for drawing attention to the hundreds of children kidnapped from their families during the dictatorship and why memory narratives regarding the Malvinas Islands (also known as the Falklands) range from ideological appropriations of the islands to absurdist commentaries about the failed war that signaled the dictatorship?s end, to the islands? heavily contested status today. Plays studied include El Periférico de Objetos?s Máquina Hamlet (1995), Mariana Eva Perez?s Instrucciones para una collecionista de mariposas (2002), Lola Arias?s Mi vida después (2009), and Patricio Abadi?s Isla flotante (2015).,br>This book fills an important gap in Latin American theatre history and performance studies, exploring theatrical engagement in postdictatorship Argentina, analyzing plays by artists who have not yet been addressed in English-language articles and books, and exploring the practicalities of staging performances in Latin America.…

Paperback. Condition: Good. In Memory, Transitional Justice, and Theatre in Postdictatorship Argentina, author Noe Montez considers how theatre, as a site of activism, can produce memory narratives that change the public?s reception to governmental policies that address a previous regime?s human rights violations. Drawing on contemporary research in transitional justice strategies, memory studies, and theatre history, Montez examines the Argentine theatre?s responses to the numerous changes in the country?s transitional justice policies ? truth and reconciliation hearings, trials, amnesties and pardons, and memorial events and spaces ? that have taken place in the last decade of the twentieth century and the first two decades of the twenty-first century.Montez explores how the sociohistorical phenomenon of Argentina?s Teatroxlaidentidad ? an annual showcase staged with the support of Argentina?s Grandmothers of the Plaza de Mayo ? acted as a vehicle for drawing attention to the hundreds of children kidnapped from their families during the dictatorship and why memory narratives regarding the Malvinas Islands (also known as the Falklands) range from ideological appropriations of the islands to absurdist commentaries about the failed war that signaled the dictatorship?s end, to the islands? heavily contested status today. Plays studied include El Periférico de Objetos?s Máquina Hamlet (1995), Mariana Eva Perez?s Instrucciones para una collecionista de mariposas (2002), Lola Arias?s Mi vida después (2009), and Patricio Abadi?s Isla flotante (2015).,br>This book fills an important gap in Latin American theatre history and performance studies, exploring theatrical engagement in postdictatorship Argentina, analyzing plays by artists who have not yet been addressed in English-language articles and books, and exploring the practicalities of staging performances in Latin America.…

Condition: New.

Condition: New.

Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condition: New.

Condition: new.

Condition: New.

Paperback. Condition: New. The first anthology of Latin American drama to uniquely focus on the important Argentine dramatist, Santiago Loza."Nothing to Do with Love:" And Other Plays brings together, for the first time in English, several of Argentine playwright Santiago Loza's major works, along with visual documentation of the playwright's productions and their historical and thematic contexts. For nearly twenty years, Loza has written scripts that document the experiences of marginalized individuals who live outside Buenos Aires or in its overlooked barrios, exploring how rural, working-class, and otherwise marginal individuals inhabit a reality different from many of the urban audiences who flock to the nation's theater. Loza focuses his dramaturgy on individuals who lead lives as seamstresses, orphans, ranch hands, or disaffected adults talking about their problems without any expectation of resolution. His plays provide a sense of the richness of Argentina's contemporary theater by giving voice to individuals whose lives are complicated by the economic fallout caused by Argentina's adoption of neoliberal policies and the economic crash of 2001, as well as by the nation's rapidly changing viewpoints on race, gender identity, and sexuality.   The first anthology of Latin American drama to uniquely focus on the important Argentine dramatist, Santiago Loza, this book will draw attention anew to the contemporary theaters of Argentina, Mexico, Panama, Uruguay, and Venezuela.…

Condition: As New. Unread book in perfect condition.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: new.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. 2022. Paperback. . . . . .

Paperback or Softback. Condition: New. Critical University Studies and Performance. Book.

Soft cover. Condition: Very Good. Reprint. Xeroxed copy bound with library tape. Expedited or International shipping may cost more.

Paperback. Condition: New. Critical University Studies and Performance explores how we contend with issues of power, race, class, and gender in higher education, specifically as they relate to the complexities of theater and performance studies programs. In what ways might the fields of theater, performance, and dance studies, as they operate in institutions of higher education, support hegemonic logics as well as model reparative practices, given their perhaps unique disciplinary relationships to staging representation and their shared emphasis on embodiment as a practical and theoretical area of engagement?Montez and Nereson bring together scholars with a diverse range of career experiences and embodied positions inside of higher learning in order to deepen the field's theoretical inquiry using an ethnic studies framework. By participating in the interdisciplinary discourse of critical university studies, the volume aims to explore how to conduct ethical research that critiques the university while remaining mindful of our always contingent place within it. The contributors examine the ways the university commodifies minoritarian knowledge, tokenizes the arts, and reproduces inequality. This book offers strategic ways to build liberatory communities and revolutionary networks among students and faculty alike in order to envision futures within and beyond the academy. …

Paperback. Condition: New. Critical University Studies and Performance explores how we contend with issues of power, race, class, and gender in higher education, specifically as they relate to the complexities of theater and performance studies programs. In what ways might the fields of theater, performance, and dance studies, as they operate in institutions of higher education, support hegemonic logics as well as model reparative practices, given their perhaps unique disciplinary relationships to staging representation and their shared emphasis on embodiment as a practical and theoretical area of engagement?Montez and Nereson bring together scholars with a diverse range of career experiences and embodied positions inside of higher learning in order to deepen the field's theoretical inquiry using an ethnic studies framework. By participating in the interdisciplinary discourse of critical university studies, the volume aims to explore how to conduct ethical research that critiques the university while remaining mindful of our always contingent place within it. The contributors examine the ways the university commodifies minoritarian knowledge, tokenizes the arts, and reproduces inequality. This book offers strategic ways to build liberatory communities and revolutionary networks among students and faculty alike in order to envision futures within and beyond the academy. …

Paperback. Condition: new. Paperback. Critical University Studies and Performance explores how we contend with issues of power, race, class, and gender in higher education, specifically as they relate to the complexities of theater and performance studies programs. In what ways might the fields of theater, performance, and dance studies, as they operate in institutions of higher education, support hegemonic logics as well as model reparative practices, given their perhaps unique disciplinary relationships to staging representation and their shared emphasis on embodiment as a practical and theoretical area of engagement? Montez and Nereson bring together scholars with a diverse range of career experiences and embodied positions inside of higher learning in order to deepen the field's theoretical inquiry using an ethnic studies framework. By participating in the interdisciplinary discourse of critical university studies, the volume aims to explore how to conduct ethical research that critiques the university while remaining mindful of our always contingent place within it. The contributors examine the ways that the university commodifies minoritarian knowledge, tokenizes the arts, and reproduces inequality. This book offers strategic ways to build liberatory communities and revolutionary networks among students and faculty alike in order to envision futures within and beyond the academy. How we contend with issues of power, race, class, and gender in higher education, specifically as they relate to the complexities of theater and performance studies programs Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condition: new. Paperback. The first anthology of Latin American drama to uniquely focus on the important Argentine dramatist, Santiago Loza.Nothing to Do with Love: And Other Plays brings together, for the first time in English, several of Argentine playwright Santiago Lozas major works, along with visual documentation of the playwrights productions and their historical and thematic contexts. For nearly twenty years, Loza has written scripts that document the experiences of marginalized individuals who live outside Buenos Aires or in its overlooked barrios, exploring how rural, working-class, and otherwise marginal individuals inhabit a reality different from many of the urban audiences who flock to the nations theater. Loza focuses his dramaturgy on individuals who lead lives as seamstresses, orphans, ranch hands, or disaffected adults talking about their problems without any expectation of resolution. His plays provide a sense of the richness of Argentinas contemporary theater by giving voice to individuals whose lives are complicated by the economic fallout caused by Argentinas adoption of neoliberal policies and the economic crash of 2001, as well as by the nations rapidly changing viewpoints on race, gender identity, and sexuality. The first anthology of Latin American drama to uniquely focus on the important Argentine dramatist, Santiago Loza, this book will draw attention anew to the contemporary theaters of Argentina, Mexico, Panama, Uruguay, and Venezuela. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condition: Brand New. 252 pages. 7.50x6.00x0.75 inches. In Stock.

Condition: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Condition: New.

Condition: New. In English.

Condition: New.