Noll Thomas E (34 results)

Language: English
Published by CreateSpace Independent Publishing Platform 2012
- Softcover
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Language: English
Published by CreateSpace Independent Publishing Platform 2012
- Softcover
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Language: English
Published by CreateSpace Independent Publishing Platform 2012
- Softcover
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Language: English
Published by CreateSpace Independent Publishing Platform 2012
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- Softcover
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- Softcover
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Language: English
Published by Springer 2009
Series: Communications in Computer and Information Science, Book 19 of 578. Book 19 of 578 - Communications in Computer and Information Science
- Softcover
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- Softcover
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- Softcover
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- Softcover
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Language: English
Published by Springer 2009
Series: Communications in Computer and Information Science, Book 19 of 578. Book 19 of 578 - Communications in Computer and Information Science
- Softcover
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Language: English
Published by CreateSpace Independent Publishing Platform 2012
- Softcover
- Print on Demand
Seller: California Books, Miami, FL, U.S.A.California Books
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- Softcover
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- Softcover
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Published by Agis / Sandkorn (1990)., Linz: 1990
- Softcover
Seller: Antiquariat Steinwedel, Betzendorf, , GermanyAntiquariat Steinwedel
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weicher Einband. 221 Seiten, mit Abbildungen, O.Kart., 8° (Einband berieben, Vorderdeckel mit Knickspur; innen gut) Österreichische Staatspolizei.

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- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
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- Hardcover
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Published by Exit Art New York, NY 1993
- Softcover
Seller: Specific Object / David Platzker, New York, NY, U.S.A.Specific Object / David Platzker
Contact seller5-star seller12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herli…n, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Language: German
Published by De Gruyter Akademie Forschung 2019
Series: Abhandlungen der Akademie der Wissenschaften zu Göttingen. Neue Folge, Book 51 of 57. Book 51 of 57 - Abhandlungen der Akademie der Wissenschaften zu Göttingen. Neue Folge
- Hardcover
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