Nova Alessandro (178 results)

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. 100 Illus, 32 in Color (illustrator). First Thus edition; 224 clean, unmarked pages dj w/unclipped price.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Very Good. Octavo, 224 pages, illustrated. A Near Fine copy in a Very Good dust jacket.

Hardcovers. Condition: Very Good. Dust Jacket Condition: Very Good. 224 Pages, 105 illustrations, 32 in colour. A Very Good clean copy in a Very Good dust jacket.

Softcover. Condition: Very Good with no dust jacket. Sound binding. Pages clean and bright. Wrappers have light handling wear and a few small soiled spots on front. ; Contents: A range of critical perspectives: the subject in/of art history (Whitney Davis, Alice T. Friedman, Rosalind Krauss, Linda Seidel, Richard Shiff, Lowery Stokes Sims, David Summers, Richard Vinograd). Chave, New encounters with Les Demoiselles d'Avignon: gender, race, and the origins of cubism. Wagner, Why Monet gave up figure painting. Worley, The image of Ganymede in France, 1730-1820: the survival of a homoerotic myth. Dunn, Piety and patronage in seicento Rome: two noblewomen and their convents. Nova, Folengo and Romanino: the Questione della Lingua and its eccentric trends. Zeitler, Cross-Cultural interpretation of imagery in the Middle Ages. Cohen, From bowman to clubman,Herakles and Olympia. Reviews. Abstracts of articles. Index to volume 76, 1994. ; 11.5" tall; 170 pages.

Condition: As New. Unread book in perfect condition.

paperback. Condition: Sehr gut. 160 Seiten; Ge68,83 Sprache: Deutsch Gewicht in Gramm: 500.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Hardback. Condition: New. From the late 15th to the mid-16th century, an impressive corpus of architecture, sculpture, and painting was created to embellish monastic sites affiliated with the Benedictine Cassinese Congregation of Italy. A religious order of humanistically trained monks, the Cassinese engaged with the most eminent artists and architects of the early modern period, supporting the production of imagery and architecture that was often highly experimental in nature: from Raphael's Sistine Madonna in Piacenza to Andrea Riccio's Moses/Zeus Ammon, from Andrea Palladio's church of San Giorgio Maggiore (Venice) to the superbly crafted choirstalls of San Severino and Sossio (Naples).Applying a network framework to the congregation's infrastructure of monasteries makes clear that the circulation of sophisticated Renaissance art and architecture constituted only a segment of the monks' investment in the arts. Monks also served as custodians of an antique monumental heritage and popular votive images, assuring the survival of ancient buildings and artifacts of limited aesthetic value that supplied opportunities for early modern masters to confront an array of artworks for the reinvention of reformed Christian art and architecture.Text in English, Italian and German.

Paperback. Condition: New. Although Robert Klein (1918-1967), well known for his erudition and the originality of his research, was an important, even paradigmatic figure for the field of art history in the twentieth century, no sustained study has yet been dedicated to his work.Klein undertook to rethink Renaissance art and its history from the Aristotelian notion of techne as early as the 1950s, long before anyone was interested in this other genealogy of Renaissance art. For him, the Mannerist work is intended to create awe and wonder, inviting the viewer to question the technical process, a combination of intelligence and manual skill, that made it possible to realize in this specific form.As his newly discovered papers and unpublished manuscripts testify, techne and Mannerism are far from being Klein's only preoccupations. Other concepts have been studied with great originality by Klein, such as mnemonic art, paragone, dream, and responsibility.This book, proceeding from a conference organized by Villa I Tatti, Kunsthistorisches Institut in Florence, and the Institut national d'histoire de l'art (INHA) in Paris, sheds light on Klein's investigations as well as on the intellectual journey of an important art historian and philosopher of the past century.

Paperback. Condition: new. Paperback. Although Robert Klein (19181967), well known for his erudition and the originality of his research, was an important, even paradigmatic figure for the field of art history in the twentieth century, no sustained study has yet been dedicated to his work.Klein undertook to rethink Renaissance art and its history from the Aristotelian notion of technYYYY as early as the 1950s, long before anyone was interested in this other genealogy of Renaissance art. For him, the Mannerist work is intended to create awe and wonder, inviting the viewer to question the technical process, a combination of intelligence and manual skill, that made it possible to realize in this specific form.As his newly discovered papers and unpublished manuscripts testify, technYYYY and Mannerism are far from being Klein's only preoccupations. Other concepts have been studied with great originality by Klein, such as mnemonic art, paragone, dream, and responsibility.This book, proceeding from a conference organized by Villa I Tatti, Kunsthistorisches Institut in Florence, and the Institut national d'histoire de l'art (INHA) in Paris, sheds light on Klein's investigations as well as on the intellectual journey of an important art historian and philosopher of the past century. Although Robert Klein (19181967), well known for his erudition and the originality of his research, was an important, even paradigmatic figure for the field of art history in the twentieth century, no sustained study has yet been dedicated to his work. Robert Klein: A Meteor in Art History and Philosophy sheds light on his intellectual journey. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

27 x 19,5 cm. Condition: Gut. 1. Edition. 224 Seiten ; With 105 Illustrations, 32 in colour Original Hardboard in very good condition, inside and outside. Dust jacket rubbed. In English. Please note our pictures PG-3 Sprache: Englisch Gewicht in Gramm: 938.

gebundene Ausgabe. Condition: Gut. 199 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Original-Schutzumschlag vorhanden (siehe Foto). Sprache: Deutsch Gewicht in Gramm: 610.

Hardcover, gebunden. Condition: Wie neu. 199 Minimale Lager- und Gebrauchsspuren, ansonsten sehr guter Zustand. Sprache: Deutsch.

paperback. Condition: Wie neu. 512 Seiten; Ge220,1 Sprache: Deutsch Gewicht in Gramm: 1.

Paperback. Condition: Brand New. multilingual edition. 335 pages. 9.00x6.50x1.00 inches. In Stock.

Condition: As New. Unread book in perfect condition.

Brossura. Condition: new. Testo Italiano e Inglese.Milano, 2021; br., pp. 334, ill. b/n, cm 16x24. I saggi di questo libro sono centrati su una questione fondamentale per tutte le discipline umanistiche: qual è il rapporto tra la lingua predominante in una disciplina di studi e lo sviluppo della disciplina stessa. La storia dell'arte, per esempio, ha come prima lingua il latino (a partire da Plinio il Vecchio), ma presto vede l'affermazione del volgare (prima e dopo Vasari) per poi approdare al francese e al tedesco, soprattutto per la teoria estetica. Quali dinamiche artistiche, intellettuali e storiche hanno guidato la diffusione e la preminenza di una particolare lingua nelle pubblicazioni storico artistiche nei secoli? Nel mondo globalizzato contemporaneo è l'inglese che si è affermato come la lingua principale degli studi storico-artistici. L'utilizzo di una nuova lingua franca ha modificato i principi e i concetti storico-artistici, oppure questi sono rimasti invariati sotto la veste di nuovi termini? Quali conseguenze ha avuto e ha l'utilizzo di un linguaggio condiviso, con finalità pratiche di immediatezza comunicativa? A queste domande fondamentali per lo status della storia dell'arte si tenta di dare risposta nei saggi di importanti specialisti contenuti nel volume. Libro.

Condition: New.

Condition: New. In English.

Condition: New. 2024. paperback. . . . . .

Condition: New.

30 x 21,5 cm. Condition: Gut. 1. Auflage. 194 Seiten, 1 Blatt Zum Verhältnis von mentalen und realen Bildern in der Kunst der frühen Neuzeit. Mit zahlreichen Abbildungen im Text. - Innen sauberer, guter Zustand. Hardcover, Pappeinband, mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. Sehr gutes Bibliotheksexemplar. B06-03-05D|A7 Sprache: Englisch Gewicht in Gramm: 1250.

Rilegato. Condition: new. A cura di Nova A. e Periti G.Milano, 2021; ril., pp. 343, 182 ill. b/n, 15 ill. col., cm 16,5x24.(Saggi in Officina). Dalla fine del Quattrocento alla metà del Cinquecento viene realizzato un incredibile corpus di opere di architettura, scultura e pittura per ornare i monasteri della Congregazione cassinese dell'Ordine di san Benedetto in Italia. La congregazione era stata fondata dall'abate Ludovico Barbo, dell'abbazia di Santa Giustina a Padova, e ad essa aderirono altri giovani umanisti di nobili famiglie veneziane come Antonio Correr e Gabriele Condulmer.I Cassinesi commissionarono opere ai maggiori artisi del momento, supportando la creazione di immagini e architetture dal carattere sperimentale: dalla Madonna sistina di Raffaello a Piacenza al Mosè/Zeus Ammone di Andrea Riccio, dalla chiesa di San Giorgio Maggiore a Venezia di Palladio al superbo coro dei Santi Severino e Sossio a Napoli.Tuttavia la circolazione delle opere più sofisticate e dell'architettura più innovativa costituiva solo una parte dell'impegno dei monaci nell'arte. Erano anche i custodi di un antico patrimonio monumentale e di immagini votive popolari, e assicurarono la sopravvivenza di antichi edifici e manufatti magari di valore estetico minore, ma che offrirono l'opportunità agli artisti rinascimentali di confrontarsi con una serie di opere d'arte che sarebbero state poi alla base della reinvenzione di un'arte e un'architettura cristiane riformate. Libro.

Condition: New.

Hardcover. Condition: Brand New. multilingual edition. 272 pages. Italian language. 9.50x6.75x1.50 inches. In Stock.

Hardback. Condition: New. Public places provide the stage for the social life of a city, and this is why they have always been the preferred site for the display of sculptural works. Reaching beyond artistic claims and in concert with the surrounding architecture, they mark social, political, legal, and ritual spaces. Like chess pieces, they are placed, realized, and replaced strategically, some slipping from their assigned role and taking on transformed meaning under new rulers. The 14 contributions of this anthology shine a light on the spatial interplay of sculpture and urban environments from the Early Modern Age to the present.

paperback. Condition: Wie neu. 192 Seiten; 2005. Umschlag wie. Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! Altersbedingt minimal nachgedunkelt! KEIN Mängelexemplar! Versand aus München 1546-HOLZ Sprache: Deutsch Gewicht in Gramm: 500.

Condition: New. 2024. paperback. . . . . . Books ship from the US and Ireland.