Nusberg Lev (5 results)

203 pp.; 29.5 x 21 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph of new art and artists selected by fifteen artists and writers in 1973 - 1974. Edited by Willem Sandburg. Introduction by Sam Hunter. Artists selected by Jean-Christophe Ammann, Ludo Bekkers, Richard Bellamy, Gilbert Brownstone, Yona Fischer, Klaus Groh, Pontus Hultén, Zelimir Koscevic, Achille Bonito Oliva, Ad Petersen, Barbara Reise, Alfred Schmeller, R. Stanislawski, Harald Szeemann, and Rafael Santos Torroella. Artists include Sergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, Rolf WinnewisserSergi Aguilar, Gilles Aillaud, Keith Arnatt, Gábor Attalai, Lothar Baumgarten, Ola Billgren, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Boris Bucan, Luciano Castelli, Mary Corse, William Crozier, Hanne Darboven, Jan Dibbets, Braco Dimitrijevié , Gino De Dominicis, Benni Efrat, Luciano Fabro, Robert Filliou, John-E Franzén, Hamish Fulton, Tibor Gayor, Avital Geva, Zbigniew Gostomski, Allan V. Harrison, Jeroen Henneman, Martha Jungwirth, Zdzislaw Jurkiewicz, Per Kirkeby, Christof Kohlhöfer, Harriet Korman, Piotr Kowalski, Richard Long, Urs Lüthi, Inge Mahn, Richard Nonas, Lev Nusberg, Panamarenko, Antonio Soler Pedret, Ireneusz Pierzgalski, Vettor Pisani, Juan Hernández Pijuán, Carl J. Plackman, Markus Raetz, Franz Ringel, Salvador Saura, Kjartan Slettemark, Hugo Suter, Endre Tót, Jerzy Trelinski, Carel Visser, and Rolf Winnewisser. Tex in English. Good / Very Good. Wear to spine, light wear to covers and edges. The contents are clean and unmarked. Due to the large size and weight, additional shipping charges will be required for international orders.

Condition: Good. 4to. 84 pp. Softcover. Color image on cover. Color and black and white images. Very good, but with small nicks to cover. Provenance: From the estate of Gerald Nordland (1927-2019). Nordland was a museum director, art critic, educator and author. Dean of the Chouinard Art Institute (1960-64), Director of the San Francisco Museum of Art (now SFMoMA (1966-73), Milwaukee Art Museum (1977-85), and the UCLA Wight Art Gallery (1973-77). He is the author of over 60 publications, including books on Lachaise, Nakian, Diebenkorn and Frank Lloyd Wright.

Condition: Good. 58 x 42 cm.Poster advertising/Plakat anzeigend:gruppe kinetiker "bewegung" moskau 1962-1965Kassette mit 12 Blatt Serigrafien, teils farbig (7), Textblättern und dem Titelblatt in Serigrafie, edition hoffmann, Frankfurt 1969Alle verso mit gestempelter Signatur, Datierung, Betitelung und Bezeichnung. Das Impressum nummeriert. Dort zudem mit Klebezettel, dort mit drei Signaturen sowie datiert und betitelt. Exemplar 15/100. Auf glattem Karton. Titelblatt auf Pergamin. Bis 83,8 x 59,3 cm (32,9 x 23,3 in), blattgroß cm ( in)Enthalten sind u.a.: Galja Bitt (kinetische zeichnung, 1965), Anatolij Krivtschikov (die kreuzigung, 1963), Lev Nusberg (kreuz, 1962, programm-malerei, 1962), Rimma Zanjevskaaja (die sonne, 1963). Kräftige Drucke in Schwarz, Grün bzw. mehreren, teils leuchtenden Farben. Lose Blätter in OKunststoffkassette mit schwarzer Deckelserigrafie. Vollständiges ExemplarDie Blätter der Mappe wurden nach originalen Programmentwürfen und Strukturstudien für kinetische Vorstellungen und Realisationen der Moskauer Gruppe 'bewegung' gedruckt.Galerie Hoffmann was established in 1967 in Frankfurt to promote Constructivistand Concrete art from the Bauhaus to the present. The gallery has continued tohold exhibitions and editions, in close cooperation with artists across Europe,Japan, and the Americas.

Paperback. Condition: very good. Book. 245 x 245 mm, 32 pp. in stapled, printed wraps. Special issue of the groundbreaking art, architecture and literary magazine FORM, which was edited by influential Cambridge academics of the period, and was noteworthy for republishing and translating avant-garde texts. This particular issue is dedicated to the 'Brighton Festival Exhibition of Concrete Poetry'. Features a map and index of the works exhibited (the exhibition was directed by FORM editor Stephen Bann), as well as a translation of 'The first years of Concrete Poetry' by Eugen Gomringer. This issue also includes: an essay by Lewis Shelley on the avant-garde Black Mountain College (the first in a series); an essay by Joseph Albers entitles 'My courses at the Hochschule fur Gestaltung at Ulm', and an essay on 'Albers' 'Graphic Tectonics' by Irving Finkelstein'; 'What is Kinetism?' by Lev Nusberg - translated from his manifesto; 'Symmetry: Nature and the Plane' and 'A Non-Aristotelian Creative Reality' by Charles Biederman; poetry by Anselm Hollo, and a section on 'Great Little Magazines', with this particular issue focused on 'Mecano', which was edited by Theo von Doesburg. Reprinted from 'Mecano' here is 'Two Men' by Kurt Schwitters, 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and 'Manifesto on the Lawfulness of Sound' by Raoul Hausman (translated by Richard Taylor'. Ref: Allen, Artist's Magazines, MIT Press, 2011. p. 261 Condition: crease to front cover as seen, minor toning to covers, internally near fine. Overall very good.

Softcover. Condition: Very Good. No. 4. Oblong small octavo. 32pp. Stapled self-wrappers. Illustrated in black and white. A couple of tiny spots on the cover, top corner creased throughout, very good. This issue features three articles on Black Mountain College: "The founding of the College" by Lewis Shelley, "The Hochschule at Ulm" by Josef Albers, and "Albers' 'Graphic Tectonics'" by Irving Finkelstein; two articles about concrete poetry: "Brighton Festival Exhibition of Concrete Poetry: Exhibition notes and map," and "The early days of Concrete Poetry," by Eugen Gomringer; two articles about art by Charles Biederman: "Symmetry: Nature and the Plane" and "A Non-Aristotelian Creative Reality"; "What is Kinetism?" by Lev Nusberg; the poem "The Coherences" by Anselm Hollo; and more.