Objectspace (76 results)

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Hardback. Condition: New. Hollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother's gallstones - the repertoire of things elevated to jewellery objects knows no bounds for the Norwegian artist Sigurd Bronger. His "portable objects" are turned into wearables by means of artful hanging mechanisms. For Bronger, jewellery is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own "world of things" is becoming a good deal greater.Text in English and German. …

Hardcover. Condition: new. Hardcover. Hollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother's gallstones the repertoire of things elevated to jewellery objects knows no bounds for the Norwegian artist Sigurd Bronger. His 'portable objects' are turned into wearables by means of artful hanging mechanisms. For Bronger, jewellery is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own 'world of things' is becoming a good deal greater. Text in English and German. For Sigurd Bronger, jewellery is a means of communication. Through the witty yet subtle cosmos of this extraordinary artist, our own "world of things" is becoming a good deal greater. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Hardback. Condition: New. Hollow goose eggs, natural sponges, packaging, balloons featuring smileys, shoe soles, scientific gauges, or even his mother's gallstones - the repertoire of things elevated to jewellery objects knows no bounds for the Norwegian artist Sigurd Bronger. His "portable objects" are turned into wearables by means of artful hanging mechanisms. For Bronger, jewellery is a means of communication. The questions he poses with his works relate to function and use, decoration, aesthetic, and beauty, and his works invite us to see things anew: does the beautiful really have to be useless and the practical aesthetically uninteresting? Through the witty yet subtle cosmos of this extraordinary artist, our own "world of things" is becoming a good deal greater.Text in English and German. …

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Buch. Condition: Neu. Neuware -Warwick Freeman (b. 1953) is regarded as one of the world's most influential contemporary jewelry artists. His works tell of his life, culture, and history, as well as the history of Aotearoa New Zealand and the country's unique materials-from millimeterthick mother-of-pearl from the pearl shell to the iridescent inner membrane of the paua (a rainbow abalone).In the 1980s Freeman co-revolutionized the world of New Zealand jewelry, which led to the creation of a unique artistic language. Initially influenced by western jewelry traditions, and later impacted by a growing awareness of Maori and Pacific adornment practices, Freeman has built a language of emblematic forms across five decades. Through jewelry making he discovers symbols that connect us-from Hook to Hand to Heart to Star.; Warwick Freeman (geb. 1953) gilt weltweit als einer der einflussreichsten Schmuckkünstler der Gegenwart. In seinen Arbeiten erzählt er von seinem Leben, seiner Kultur, seiner Geschichte wie auch von der Geschichte Aotearoa Neuseelands und den einzigartigen Materialien dieses Landes - vom millimeterdicken Perlmutt der Perlmuschel bis hin zu der irisierenden Innenhaut der Paua, einer Regenbogen-Abalone.In den 1980er-Jahren gehörte Freeman zu denjenigen, die die Welt des neuseeländischen Schmucks revolutionierten und zu einer einzigartigen, künstlerischen Sprache führten. Zunächst beeinflusst von westlichen Schmucktraditionen und später geprägt durch ein wachsendes Bewusstsein für die Schmuckpraktiken der Maori und der Pazifikregion, entwickelte Freeman über fünf Jahrzehnte hinweg eine symbolische Formensprache. Durch die Herstellung von Schmuck entdeckt er Symbole, die uns verbinden - vom Haken über die Hand zum Herzen und zum Stern. 304 pp. Englisch, Deutsch.…

Buch. Condition: Neu. Neuware -Warwick Freeman (b. 1953) is regarded as one of the world's most influential contemporary jewelry artists. His works tell of his life, culture, and history, as well as the history of Aotearoa New Zealand and the country's unique materials-from millimeterthick mother-of-pearl from the pearl shell to the iridescent inner membrane of the paua (a rainbow abalone).In the 1980s Freeman co-revolutionized the world of New Zealand jewelry, which led to the creation of a unique artistic language. Initially influenced by western jewelry traditions, and later impacted by a growing awareness of Maori and Pacific adornment practices, Freeman has built a language of emblematic forms across five decades. Through jewelry making he discovers symbols that connect us-from Hook to Hand to Heart to Star.; Warwick Freeman (geb. 1953) gilt weltweit als einer der einflussreichsten Schmuckkünstler der Gegenwart. In seinen Arbeiten erzählt er von seinem Leben, seiner Kultur, seiner Geschichte wie auch von der Geschichte Aotearoa Neuseelands und den einzigartigen Materialien dieses Landes - vom millimeterdicken Perlmutt der Perlmuschel bis hin zu der irisierenden Innenhaut der Paua, einer Regenbogen-Abalone.In den 1980er-Jahren gehörte Freeman zu denjenigen, die die Welt des neuseeländischen Schmucks revolutionierten und zu einer einzigartigen, künstlerischen Sprache führten. Zunächst beeinflusst von westlichen Schmucktraditionen und später geprägt durch ein wachsendes Bewusstsein für die Schmuckpraktiken der Maori und der Pazifikregion, entwickelte Freeman über fünf Jahrzehnte hinweg eine symbolische Formensprache. Durch die Herstellung von Schmuck entdeckt er Symbole, die uns verbinden - vom Haken über die Hand zum Herzen und zum Stern. 304 pp. Englisch, Deutsch.…