Oehm Herbert (7 results)

stapled softcover. Condition: Sehr gut. [8] p. Sprache: Italienisch Gewicht in Gramm: 40.

31 pp.; 42.8 x 31.5 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; November 1972 issue of Flash Art, edited by Giancarlo Politi. Cover artwork, Ella, by Nancy Ross. Contents include: artists' statements and images by John Cage, Jo Baer, Nagasawa, Franz Erhard Walther, Sergio Lombardo, Salvo, Reiner Ruthenbeck, and Herbert Oehm "Design a New York: L'Utopia Tecnologica," by Pier Paride Vidari. Texts in English and Italian. Fair / Good. Folded in through the horizonal center as issued. Dog ear on bottom right of recto with tear measuring 1 cm. Edgewear and yellowing of pages with several stains measuring 1 - 2 cm. on verso. Contents clean and unmarked.

18 S., überwiegend Abb. Publikation anlässlich der Ausstellung vom 10.11. - 26.11.2002. *-*-*-*-*-*- SHIPPING COSTS to other EU-COUNTRIES occasionally may be different than indicated (according to the weight). To OTHER COUNTRIES IN THE WORLD they may be different (sometimes less or rarely more, according to the weight). - ! ! ! ! NO SHIPPING TO USA ! ! ! ! -*-*-*-*-*-* Sprache: Deutsch Gewicht in Gramm: 200 OBr., Rückenstichheftung; Einband etwas angegraut, ansonsten guter Zustand. Beiliegend ein handschriftlicher Brief (A 4, ganzseitig) von Dieter Oehm an einen Kunsthistoriker, signiert.

Ulm, Buchdruckerei Muttscheller, [ 1966]. 7 nn. lose TextBlätter m. kl. s/w Abb. sowie 3 lose farb. Orig.-Siebdrucktafeln. Zusammen in bedruckter OKart.-Mappe. 21 x 20,5 cm. Kommentierte Werkschau mit ein mit Texten von Rolf Müller u.a.

Eßlingen, (op) art galerie Hans Frieder Mayer, [ 1965. 4 S. Text als 3teiliges Leporello sowie 6 dreifarb. Siebdrucke (blau, rot, gold). Zus. in OKart.Mappe 21 x 20,5 cm. Eins von 300 Exemplaren der Normalausgabe (unnummeriertes Exemplar). Die Mappe wurde zusammengestellt von Rolf Müller / Atelier Müller Jokisch. Die Drucke nach großformatigen Gemälden (Öl und Blattgold auf Leinwand) - Gutes, sauberes Exemplar.

No Binding. Condition: Very Good. Original exhibition poster by Herbert Oehm with special square patterns applied in gravel. In very good condition. Herbert Oehm was born in 1935 in Ulm, Germany 1957 - 59 studied at the Academy of Fine Arts, Munich with Ernst Geitlinger 1958 first monochrome, composition-free pictures (filler structures, sand pictures, hole pictures) contact with almir mavignier 1959 - 60 studied at the University of Design, Ulm, among others. master student of Friedrich vordemberge-gildewart. oehm produces geometrically structured sand paintings. first group exhibitions in Hanover and Baden-Baden. Oehm met Mack and Piene through Mavignier, who took him to the ZERO exhibition in July 'dynamo 1' in the Galerie Boukes, Wiesbaden, invites you. From 1959, participation in a total of 10 ZERO exhibitions. In 1960, after completing his basic apprenticeship, oehm completed his studies at the hfg ulm and worked in ulm from then on as a freelance painter. Contacts with Manzoni, Castellani, Calderara, Alviani, Morellet. 1960 gallery azimut, milan: group exhibition with uecker, moldow and massironi. studio f, ulm: exhibition with von graevenitz, pohl, staudt.museum leverkusen: monochrome painting helmhaus zurich: concrete art. 1966 additive color sequences (swing), 1968 galeria cadario rome 1968 moved to Krefeld, 1971 to Düsseldorf from 1970 draft of the 'sand fountains' project. 1977 max bill opens the exhibition 'oehm material conception' in studio f, ulm 1978 move to Rhine-Main, founding of the oehm art production - 'gulliver' 1980 stay in New York 1983 move to the Canary Islands, picks up earlier themes under the General term 'entropy and order'. 1999 ZERO from Germany, Villa Merkel Esslingen.

No Binding. Condition: Very Good. Original exhibition poster by Herbert Oehm with special square patterns applied in gravel. In very good condition. Herbert Oehm was born in 1935 in Ulm, Germany 1957 - 59 studied at the Academy of Fine Arts, Munich with Ernst Geitlinger 1958 first monochrome, composition-free pictures (filler structures, sand pictures, hole pictures) contact with almir mavignier 1959 - 60 studied at the University of Design, Ulm, among others. master student of Friedrich vordemberge-gildewart. oehm produces geometrically structured sand paintings. first group exhibitions in Hanover and Baden-Baden. Oehm met Mack and Piene through Mavignier, who took him to the ZERO exhibition in July 'dynamo 1' in the Galerie Boukes, Wiesbaden, invites you. From 1959, participation in a total of 10 ZERO exhibitions. In 1960, after completing his basic apprenticeship, oehm completed his studies at the hfg ulm and worked in ulm from then on as a freelance painter. Contacts with Manzoni, Castellani, Calderara, Alviani, Morellet. 1960 gallery azimut, milan: group exhibition with uecker, moldow and massironi. studio f, ulm: exhibition with von graevenitz, pohl, staudt.museum leverkusen: monochrome painting helmhaus zurich: concrete art. 1966 additive color sequences (swing), 1968 galeria cadario rome 1968 moved to Krefeld, 1971 to Düsseldorf from 1970 draft of the 'sand fountains' project. 1977 max bill opens the exhibition 'oehm material conception' in studio f, ulm 1978 move to Rhine-Main, founding of the oehm art production - 'gulliver' 1980 stay in New York 1983 move to the Canary Islands, picks up earlier themes under the General term 'entropy and order'. 1999 ZERO from Germany, Villa Merkel Esslingen.