Olivia Cadaval (41 results)

Condition: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition. Please note: -May include library or rental stickers, stamps, or markings. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading.…

Hardcover. Condition: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condition: Very Good. First Edition. Text and images unmarked. The wrapper shows some very light handling. 4to. 64pp.

Softcover. Condition: Near Fine. Text in English and Spanish; Small 4to 9" - 11" tall; 64 pages.

Hardcover. Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condition: Very Good. Curatorial Conversations: Cultural Representation and the Smithsonian Institution Folklife Festival: Cultural Representation and the Smithsonian Folklife Festival This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Hardcover. Condition: As New. This book has been in storage since publication and is unread. Hence the description as new . Synopsis: Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices. Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff - past and present - in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.…

Condition: As New. Unread book in perfect condition.

Condition: New.

Paperback. Condition: New. Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff-past and present-in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.…

Paperback. Condition: Brand New. 294 pages. 8.75x6.00x0.75 inches. In Stock.

Paperback. Condition: New.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Paperback. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: Brand New. reprint edition. 352 pages. 9.25x6.25x1.00 inches. In Stock.

Wraps. Condition: Very good. Presumed First Edition, First Printing. 26 cm. 95, [1] page. Wraps. Illustrations. Maps. Notes. Washington History is the only scholarly publication devoted exclusively to the history of our nation's capital. Started in 1989, the magazine replaced the original Records of the Columbia Historical Society, printed since 1897. Washington History is filled with scholarly articles, reviews, and a rich array of images. It is written and edited by distinguished historians and journalists. Each year the Historical Society publishes two issues of Washington History. It is mailed to members as a benefit of membership in the Historical Society. Since its founding in 1894, the Historical Society has been publishing articles about the people and events in the city's past and present. In 1989 the publications shifted from the hardback Records of the Columbia Historic Society to a magazine format Washington History. This issue examines the intersection of race, architecture, and media in the capital, featuring studies on racial representation in the press, federal photography, and urban planning. Key articles explore the city's built environment, including unbuilt projects and the construction of the Lincoln Memorial. There are also articles on the death of Dr. Charles Drew, Philanthropic Housing, Latino Festival, photographs of Olivia Cadaval and the Civil War Letters of Georgetown Rebel (Christopher C. Callan). As a mentor, scholar, and community activist, Olivia Cadaval (1943-2025) spent more than four decades creating spaces for Latino and other underrepresentated communities to assert their voices and identities in both the Washington, D.C., metropolitan area and at the Smithsonian. Committed to collaborative reciprocal research and public-sector folklore, Olivia championed "community scholars," who she described as "people who are often not academic scholars, but who work for and are experts on their own communities." In addition to democratizing academic spaces for those who are committed to grassroots work, Olivia inspired and mentored countless scholars from underrepresented communities to pursue academic and cultural heritage careers. Olivia's interest in people and culture began during her childhood. Olivia came to the United States in 1961 to study at MacMurray College in Jacksonville, Illinois, where she met her late husband, partner, and colleague David Bosserman. After moving to the D.C. area in 1968, Olivia began collaborating with cultural workers, artists, educators, journalists, and others on community-based cultural and political projects. In the 1970s and '80s, when the Latino community in the D.C. area began to assert its presence, Olivia was at the vanguard of documenting its history and creating spaces for people to tell their stories. Her oral history research on El Festival Latino was the first and still one of the most comprehensive explorations of community building, placemaking, and identity construction among Latinos in the D.C. area. She directed El Centro de Arte, an arts organization that supported cultural work and art among Latino and Latin American artists. These projects demonstrated the participatory and relational scholarship for which Olivia is known. Olivia was introduced to the Smithsonian Folklife Festival and the discipline of folklore in 1976, when she was hired as a cultural liaison for the Festival's bicentennial program. She became a curator at the Center for Folklife and Cultural Heritage after completing her Ph.D. in American studies and folklife in 1988. Drawing from her community-based work, Olivia brought a perspective that was grounded in collaboration and community scholarship, and how communities see and represent themselves. She recognized the Festival as a site of community engagement predicated on reciprocity between Festival participants and curators and as an opportunity to create dialogue between communities and outside actors such as government agencies. Rick Reinhard (Photographs of Olivia Cadaval) (illustrator).…

Hardcover. Condition: new. New Copy. Customer Service Guaranteed.

Paperback. Condition: New. Since its origins in 1967, the Smithsonian Folklife Festival has gained worldwide recognition as a model for the research and public presentation of living cultural heritage and the advocacy of cultural democracy. Festival curators play a major role in interpreting the Festival's principles and shaping its practices.Curatorial Conversations brings together for the first time in one volume the combined expertise of the Festival's curatorial staff-past and present-in examining the Center for Folklife and Cultural Heritage's representation practices and their critical implications for issues of intangible cultural heritage policy, competing globalisms, cultural tourism, sustainable development and environment, and cultural pluralism and identity.In the volume, edited by the staff curators Olivia Cadaval, Sojin Kim, and Diana Baird N'Diaye, contributors examine how Festival principles, philosophical underpinnings, and claims have evolved, and address broader debates on cultural representation from their own experience. This book represents the first concerted project by Smithsonian staff curators to examine systematically the Festival's institutional values as they have evolved over time and to address broader debates on cultural representation based on their own experiences at the Festival.…

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. In English.

Condition: As New. Unread book in perfect condition.

Hardcover. Condition: Brand New. 352 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Condition: Brand New. 294 pages. 9.50x6.25x1.00 inches. In Stock.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condition: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condition: New. Print on Demand.