Opf (99 results)

brosch. je Heft 71 S. guter Zustand.

Ecke kaum bestossen. Condition: Guter Allgemeinzustand. Softcover.

Illustrierter Pappband. Condition: Sehr guter Allgemeinzustand. Katalog zur Kunstausstellung Malerei, Grafik, Plastik, Kunsthandwerk - 24. April - 9. Mai 1982 im Kunst- und Gewerbehaus Regensburg, Ludwigstr. 6 - ganzseitige s/w-Abbildungen - ohne Seitenangaben - < 500 Gramm Size: 20,5 x 20,2 Cm. Softcover.

OBroschur, Klammerheftung. 36 S., mit Illustrationen, 8° Einband etwas lichtrandig geblichen, hinterer Deckel auch etwas gilbfleckig, Einband und Seiten im unteren Eckenbereich etwas lagerspurig knickspurig, Seiten sauber, ohne Einträge, 0 Sprache: Deutsch Gewicht in Gramm: 100.

First 4to, cloth. 328 pp, 125 b/w illustrations + 78 text figures, bibliography, index. Exhibition September 22 - December 31, 1989 and at five subsequent venues in 1990 and 1991. 0810913852 Fine in dj.

geh.; krt. unpaginiert, (32 S.); Ill. Heft in sehr guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, Programmheft 0 Sprache: Deutsch Gewicht in Gramm: 100.

Hardcover. Condition: Very Good. No Jacket. First Edition. minor shelf wear on the boards.this is a clean and much neat copy. binding is intact. very good condition. [SK]. Our orders are shipped using tracked courier delivery services.

Soft cover. Condition: Very Good. 1st Edition. This book is bound in bright blue card covers with bright black letters on the front cover + a white crest. There is a previous owner's ink name, address & date on the front endpaper, otherwise the book is clean, bright & unmarked.

Hardcover. Condition: Good. No Jacket. 1st Edition. Small octavo on 6-1/4 X 8 inches. Likely a library re-bind. "Good" with no dust jacket with scattered margin markings in pencil and occasionally in ink. This is the 1921 original, NOT a 1940s reprint. Bookplate of University College Southampton to front pastedown; free front endpaper stamped "Withdrawn." Cardholder to rear pastedown, remains of a date-due slip to the rear free endpaper. 381 pp. including Index. Reduced from $3,700.

Stahlstich b. Bibliogr. Institut, um 1850, 15,7 x 10,5 (H).

Stahlstich v. Payne n. Schönfeld, um 1850, 17,3 x 12,7 (H).

First edition in publisher's original colour illustrated card wrap covers [softback]. 8vo. 10'' x 6½''. Contains printed pages of text with monochrome illustrations. Cheap paper browning to the margins, tears and small losses of paper to the spine. We currently hold in stock 7 other titles from this series. Member of the P.B.F.A. STORIES FOR BOYS.

First edition in publisher's original colour illustrated card wrap covers [softback]. 8vo. 10'' x 6½''. Contains printed pages of text with monochrome illustrations. Cheap paper browning to the margins, tears and small losses of paper to the spine, one leaf near the rear has been torn out and is now loosely inserted. We currently hold in stock 7 other titles from this series. Member of the P.B.F.A. STORIES FOR BOYS.

13. Ausgabe. 12 S.; 15 S.; 91 S.; 86 S. Buch in guter Erhaltung, Einband gut, Papier wenig gedunkelt, gering bestoßen, Seiten sauber, mit leichten Gebrauchs- und Lagerspuren, 0 Sprache: Deutsch Gewicht in Gramm: 920 4° (25-35 cm), O.Halbleinen, ohne Schutzumschlag.

Softcover. Condition: Sehr gut. [80] S., Ringbindung, 21 cm, keine Eintragungen. Buch.

geheftet, ohne Einband. Condition: gut. Präses: Valentin Riemer; Disputatio: 1630-08-07; 8 Bl., 18 x 15 cm, Vignette, papierbedingt gebräunt. Sprache: lat Erstausgabe.

Stahlstich v. Hofmann n. Alt, 1840, 10,2 x 16,1.

Condition: Assez bon. O.P.F.S.P.A (illustrator).

Stahlstich b. Bibliogr. Institut, 1875, 14,6 x 9,5 (H).

Stahlstich v. Vanderburch n. Lemaitre, 1838, 9 x 13,5.

Paperback. Condition: Good. Dust Jacket Condition: no dj. Han Tomb No. 1: At Mawangtui, Changsha, The (Abstract). Book.

Stahlstich ( anonym ), um 1850, 9,6 x 10.

Stahlstich b. Bibliogr. Institut, 1840, 11 x 15.

Stahlstich v. Poppel, um 1870, 10 x 16.

Kupferstich aus Strahlheim, 1837, 9 x 14.

Stahlstich v. Poppel, 1843, 10 x 16,2.

22 cm, kartoniert. Condition: Gut. 215 S. mit z. T. farbigen Abbildungen und Karten auf Tafeln ; Einbandlaminierung beginnt sich zu lösen; hinterer Deckel mit Knickspur, sonst mit geringfügigen Gebrauchsspuren, guter Zustand. 3212-Opf Altersfreigabe FSK ab 0 Jahre Sprache: Deutsch Gewicht in Gramm: 575.

8 lines, accomplished in black magic marker, Very good. from Wikipedia:"Gregory Mosher, formerly the artistic director of Lincoln Center Theatre, said that Guare, "along with David Mamet, Sam Shepard and a handful of other dramatists, reshaped the face of contemporary American theater over the past quarter century".

Condition: guter Zustand. F. guter Zustand, geringe Gebrauchs- und Alterungsspuren: Vorderseite links oben mit Kleberrest und rechts oben mit Notiz - Umschlag etwas vergilbt / gering verschmutzt - Umschlag und Seiten teils etwas eselsohrig Machine & Style Why exhibit machines in a museum? Simply to expose them to scrutiny and reflection, by bringing them from their normal habitat into the quiet and neutrality of what amounts to a visual laboratory, to be seen in complete detachment, like insect wings under a magnifying glass. The present exhibition of components of the Stanford Linear Accelerator at the Museum is not intended to explain the workings of the enormous device, nor does it claim for it the status of a work of art.But whether we like it or not, the machine is important to art. The age of humanism derived its notions of beauty from the shape and proportions of the human body; the age of technology in which we live has found a new resource in crankshafts and flywheels. Through Cubism, Futurism, Dada, and Bauhaus, machine forms have entered art as welcome alternatives to the forms of nature. But the influence of art on the modern sense of beauty has been small, compared to the impact of the ubiquitous machines themselves. The automobile alone, to name only the most important of them, has worked a more thorough revolution of popular aesthetics than all the movements of art combined. For every man who finds beauty in the museum, there must be ten who find it in the garage. The Victorians were the first to sense that the machine posed an aesthetic problem. With characteristic enterprise, they tried to civilize or moralize the naked engine by covering it with classical friezes or Gothic fretwork, just as they dressed chair legs in pantaloons. In our time, the relationship between the tine and the mechanical arts has become reversed: the order and discipline of engineering now seem to promise a remedy for the painful violence of art. Machines, mounted on museum pedestals, are offered to us as a connoisseur's treat. But machines are not sculpture . Buchreihe: Stanford Art Book 5 Seitenanzahl: 20 Seiten mit 20 Bildern Format: ca. 22 x 21 kartoniert Fotograf: Leo Holub Englisch.

Condition: Sehr gut. 14 Blatt Illustrationen + Werbeanzeigen 3212 Orte Sprache: Deutsch Gewicht in Gramm: 500 8°, 8°, 21 cm x 15 cm, broschiert, kartoniert, sehr gut erhalten, kaum Gebrauchsspuren.