Otto Stephen R (6 results)

Paperback. Condition: Fair. 2005. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Soft cover. Condition: Very Good+. First Edition. (xv) 396 pp. Lightly rubbed on the corners with a flat uncreased spine; no interior markings. Cover art by Henry Steadman. This anthology contains: Introduction by Otto Penzler; Preface by Neil Gaiman; Chastel by Manly Wade Wellman; Popsy by Stephen King; Blood by Fredric Brown; Revelations in Black by Carl Jacobi; The Death of Ilalotha by Clark Ashton Smith; Good Lady Ducayne by M. E. Braddon; An Authenticated Vampire Story by Franz Hartmann; The Sea Was Wet as Wet Could Be by Gahan Wilson; The Man Upstairs by Ray Bradbury; La Belle Dame Sans Merci by John Keats; An Episode of Cathedral History by M. R. James; Dracula's Guest by Bram Stoker; The Old Portrait by Hume Nisbet; Bite Me Not or Fleur de Fur by Tanith Lee; The Silver Collar by Garry Kilworth; The Story of Chugoro by Lafcadio Hearn; Stragella by Hugh B. Cave; When Gretchen Was Human by Mary A. Turzillo; Replacements by Lisa Tuttle; and Carrion Comfort by Dan Simmons. Henry Steadman; (illustrator). Book.…

Soft cover. Condition: Good. 44 pages. Illustrated. Otto Kallir "Grandma Moses" / Jiro Harada "Old Hama Palace Garden" / G S Whittet "Painting Industrial Britain" / Stephen Bone "The Pottery of John Shelley" / R O Dunlop "Dennis Knowland and his public-house murals" / Alexander Dickman "Lee Man-Fong". (U.P.)).…

Stapled. Condition: Very Good. No Jacket. First Edition. The September 21 & 28, October 5, & 12, 1935 issues of the Saturday Evening Post containing parts 1 through 4 of 5 of O Careless Love by Rex Stout, one of his last attempts at mainstream fiction. The first publication of this work preceding book publication, and arguably it's true first edition. Additional fiction includes part 5, 6 & 7 of 7 of Furious Young Man, a novel by I A R Wylie (9/21 & 28, & 10/5), Mr Gallup Gets Command, a short story by Norman Reilly Raine, Take a Witness, a short story by Arthur Train (9/28), The Curfew Tolls, a short story by Stephen Vincent Benet (10/5), & Christopher Columbus, a poem by Ogden Nash. The 10/5 issue includes an article about Louisiana's colorful & bombastic senator Huey P Long (Paradox in Pajamas by Herman B Deutsch). Cover art by Ellen B T Pyle (9/21 - Girls Sipping Sodas), J.C. Leyendecker (9/28 - She's My Girl!), Gordon Grant (10/5 - Model Ship), & Maurice Bower (10/12 - Quarterback Pass). The issues are in very good shape. The 9/21 issue has lLight wear to the edges with a soil streak along the spine of the front cover; the 9/28 issue is similar with some pen marks at the lower left of the front cover near the spine; foxing to the edges of the front cover of the 10/5 issue. The 10/12 issue is good only with the front cover separated from the bottom about 2/3 the way plus other chips and small closed tear, mostly along the spine. A very good set, & exceedingly unusual, with serial installments of an early Rex Stout novel. A large oversize lot that may require additional postage. Ellen B T Pyle, J.C. Leyendecker, Gordon Grant, & Maurice Bower (covers), H R Ballinger ( O Careless Love), Anton Otto Fischer (Mr Gallup Gets Command), Arthur William Brown (Take a Witness), Johm La Gatta (The Curfew Tolls) (illustrator).…

Hardcover. Condition: Fine. No Jacket. lxvii, 760 pages : illustrations ; 29 cm OCLC 52073501 This reprint of the first edition of Sweet's Catalog commemorates the 90th anniversary of the Sweet's business."--Foreword ; "In offering to the public, and especially to the architects of the United States, the first edition of Sweet's Indexed Catalogue of Building Construction, the publishers have realized at the very outset the importance of stating clearly, first, what the book is, and secondly, the reasons for commending it to the architectural profession for their use and support. .to explain in a few words the character and purpose of the work, . a embodied in these first successful efforts toward a really scientific standard catalogue and index of building materials and construction. Let the matter be looked at entirely from the point of view of the architect. For a period of a dozen years, every possible method of collecting, sorting, classifying, filing and indexing all the catalogues and circulars of building materials was conscientiously given a fair trial, and after a thorough test, every method was just as conscientiously abandoned. They were abandoned because they did not work well in the specification room. They were not practicable. Everything was tried, arrangements of shelves, bookcases, pasteboard boxes, filing cases, patent binders, filing cabinets, cases of drawers, indexing schemes and " index- rerums. " At first, all the big books were put together in one place and all the little books in another place; and then all the big and little books were mixed up together, and indexed according to subject. Some had four pages, and some had four hundred pages. Barely two were of the same shape or superficies. The little ones would not stand up, and could not be gotten at when laid flat. Another elaborate system was introduced, and a voluminous cross-index started, but the big books contained too much useless matter, and the little books got lost or mislaid or could not be found just when wanted. Then the writer decided, after much time and expense, that the present system of publishing and distributing catalogues, as far as the architect is concerned, might be rightly termed " The Catalogue Delusion, " and that the only solution of the problem must lie in a scientific standard catalogue and index of building materials and construction, gradually developed toward an ideal result by the co-operation of manufacturer and architect. Briefly, then, what is Sweet's Indexed Catalogue of Building Construction? It is a scientific catalogue book system ( a volume or series of volumes) , as easy to refer to as a dictionary, consisting of groups of catalogues from which as much unnecessary matter as possible has been eliminated, carefully indexed and cross- indexed, and sent out gratuitously by the publishers to every architect of good standing. Each catalogue in the work is organically arranged in its parts. It proceeds in a regular order from fact " A " to fact " Z " . Illustrations of a certain class are all grouped and arranged according to some obvious plan. " Literature " and " mere writing " are omitted, as an architect has no time in his office for either."; authors and compilers include Wm. Martin Aiken, Claire Allen, J. M. Baillie, Charles I. Berg, Otto Block, Claude Bragdon, Arnold W. Brunner, George Cary, Henry M. Congdon, James B. Cook, Francis W. Cooper, R. L. Daus, Robt. E. Dexter, A. F. D'oench, Gustav W. Drach, Wm. S. Eames, Stephen C. Earle, E. J. Eckel, John H. & Wilson C. Ely. George B. Ferry, Clellan Waldo Fisher, W. E. Fisher, Herbert W. Foltz, Henry Lord Gay, Arthur N. Gibb, Robert W. Gibson, Chas. Sumner Greene, Fred. B. Hamilton, George F. Hammond, Samuel Hannaford, Olof Hanson, H. J. Hardenbergh, W. S. Hebbard, Charles Henry, J. G. Howard, Wm. B. Ittner, Elmer F. Jacobs, Clarence H. Johnston, Harry W. Jones, E. A. Kent, Thos. R. Kimball, Edward Kneezell, Theo. C. Link, W. E. Mansur, Thos. H. Morgan, Wm. G. Nolting, J. O'Rourke,; FINE. Book.…

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders. …