Oursler Grace (11 results)

Hardcover. Condition: Good. No Jacket. Piece(s) of the spine missing. Due to age and/or environmental conditions, the pages of this book have darkened. Dampness has seeped into more than just the cover. Moderate edgewear on the boards. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Hardcover. Condition: Very Good-. Dust Jacket Condition: Fair. First Edition; Fifth Printing. Light tone, otherwise light wear; Dust Jacket only rear panel and flap with edge chipping and tone. Solid hardcover.; "For every ex-wife and ex-husband there's a third party, the often unknown quantity in the eternal triangle. HERE SHE IS! In an open, bare, literal, downright undiguised revelation of self. You may think that she is bad, but you will know why so many loved her, and above all, why one man not only loved her too well but wisely. . just a sweet American girl trying to get along." Grace Perkins Oursler wrote many pot-boilers, until she and her husband Charles Fulton Oursler [Greatest Story Ever Told] found Christianity, became devout Catholics, and eventually she was the first executive editor of Guideposts.; 365 pages.

351 pp.; 27.9 x 21.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph published in conjunction with Artists Spaces' 25 Year anniversary. Edited by Claudia Gould and Valerie Smith. Introduction by Claudia Gould. Texts by J. Abbott Miller, Trudie Grace, Irving Sandler, Joan Rosenblum, Helene Winer, Cindy Sherman, Linda Shearer, Carlos Gutierrez-Solana, Amy Wanggaard, Denise Fasanello, and Ronald Jones. Includes dozens of artists interviews. Artists include Gregg Bordowitz, Judith Barry, Connie Butler, Edit deAk, Walter Robinson, Jane Dickson, Mark Dion, Andrea Fraser, Ellen Gallagher, Ann Hamilton, Mike Kelley, Jeff Koons, Louise Lawler, Zoe Leonard, Lucy Lippard, Robert Longo, Allan McCollum, Annette Messager, Lee Mullican, Tony Oursler, Adrian Piper, Carolee Schneemann, Kiki Smith, Fred Wilson, Martha Wilson, Vito Acconci, Laurie Anderson, Janine Antoni, Joan Jonas, Elizabeth Murray, Shirin Neshat, Howardena Pindell, Richard Prince, Nan Goldin, Rita McBride, Felix Gonzalez-Torres, Barbara Kruger and many others. Endnote by Jenny Holzer. Includes director interviews, chronology of activities at artists space and artist interviews, key to the chronology, artists space services and staff, publications, and multiples histories, funders histories, and index. Very Good / Fine. Light bumping of cover corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Octavo hardcover (VG) in d/w (VG-): all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage cost.

Condition: Good. 1952. Hardcover. Fine copy. Good to very good, clean condition. Minor shelf wear on dust jacket and page edges. Pages yellowed. . . . . Books ship from the US and Ireland.

Hardcover. Condition: Good. Dust Jacket Condition: Fair. Novel, mystery. Edition not stated. Covers nice, corners and spine ends bumped. Owner name on the first endpaper, small bookseller stickers inside the rear cover, interior clean and tight, pages toned. Dust jacket rubbed and worn, big chip from the spine panel, other edge wear and tears. Uncommon title.

Condition: Good. 1952. Hardcover. Fine copy. Good to very good, clean condition. Minor shelf wear on dust jacket and page edges. Pages yellowed. . . . .

Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. A tan to the page edges/pages. Light foxing/Spotting to the page edges/pages. Minor wear. No Dust Jacket.

hardcover. Condition: Good. This is a used book in good condition and may show some signs of use or wear . This is a used book in good condition and may show some signs of use or wear .

Hardcover. Condition: Very Good+. First Edition. (patterned cloth; no dust jacket) [nice copy, slight fading to spine cloth, a couple of tiny stains on front cover; M-G-M Script Dept. label on front endpaper, also stamped "Metro-Goldwyn-Mayer Library, Culver City"] One of this many "scandalous" novels by this author, who also wrote as Grace Perkins and Grace Perkins Oursler (her married name; her husband was Fulton Oursler, author of "The Greatest Story Ever Told"). At this stage of her career, she was just about the perfect "pre-Code" writer, with several of her books having served as the basis for some of the racier movies of the day -- notably MY PAST (1931, based on her anonymously-penned "Ex-Mistress") and NIGHT NURSE (1931, from her novel of the same name). This one starts with a terrific 8-page "Preamble" -- "which may be read at the start or the finish or completely ignored" -- which decries the looseness of women in modern society. ("Prostitutes and actresses set the style. Not that the two groups can be mentioned in the same breath except as one would say that pickles and cucumbers are both good side dishes.") Although not marked as such, this copy is from the personal library of MGM writer/producer Carey Wilson, who I guess took it home from the Script Department and just ignored the "Please Return" label.

First Edition. True First Printing of this novelization of the play by Fulton Oursler and Lowell Brentano listed in Hubin. Illustrated with scenes from the original play production. The Spider was made into two films, a 1931 black and white talking film directed by Kenneth Mackenna and starring Edmund Lowe and a 1945 Robert Webb film starring Richard Conte and Faye Marlowe. Colorful and attractive wrap-around dustjacket artwork. Near Fine in Good dustjacket, chipping at edges, wear at folds, quarter sized chip at top spine end.