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ISBN 10: 383763504X ISBN 13: 9783837635041
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Condition: New. Editor(s): Over, Berthold. Num Pages: 432 pages, 17 b/w & 7 colour illus. BIC Classification: 1D; AVGC3; AVGC4; HBJD; HBTB. Category: (G) General (US: Trade). Dimension: 227 x 149 x 27. Weight in Grams: 602. . 2017. Paperback. . . . .
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Published by transcript publishing, 2016
ISBN 10: 383763504X ISBN 13: 9783837635041
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Condition: New. Editor(s): Over, Berthold. Num Pages: 432 pages, 17 b/w & 7 colour illus. BIC Classification: 1D; AVGC3; AVGC4; HBJD; HBTB. Category: (G) General (US: Trade). Dimension: 227 x 149 x 27. Weight in Grams: 602. . 2017. Paperback. . . . . Books ship from the US and Ireland.
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Published by transcript publishing, 2016
ISBN 10: 383763504X ISBN 13: 9783837635041
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Published by transcript publishing, 2022
ISBN 10: 3837648850 ISBN 13: 9783837648850
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Condition: Sehr gut. 798 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 1178.
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Paperback. Condition: new. Paperback. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as ?pasticcios? since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Published by Transcript Verlag, DE, 2021
ISBN 10: 3837648850 ISBN 13: 9783837648850
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Paperback. Condition: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
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Published by Bielefeld, transcript Vlg.,, 2021
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Gr.-8°, Brosch. 795 S.; mit zahlr. teils farb. Abb. u. Tab. Neuwertiges Ex. / Fine Copy // In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer`s abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. ISBN: 9783837648850 Sprache: Englisch Gewicht in Gramm: 1370.
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Published by Transcript Publishing, 2022
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Published by A.M.I.S. (Antiquae Musicae Italicae Studiosi) Centro italo-tedesco / Deutsch-Italienisches Zentrum Villa Vignoni, Como, Lombardia, 1977
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Softcover. Atti del VI Convegno internazionale sulla musica italiana nei secoli XVII-XVIII / Beitrage zum sechsten internationalen Symposium uber die italienische Musik im 17.-18. Jahrhundert. Loveno di Menaggio (Como), 11-13 luglio 1995. 485 pp. Contributi musicologici del Centro Ricerche dell'A.M.I.S.- Como. numero 10. Softcover. Very good condition; touches of wear on covers.
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Paperback. Condition: new. Paperback. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as ?pasticcios? since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Language: English
Published by Transcript Verlag, DE, 2021
ISBN 10: 3837648850 ISBN 13: 9783837648850
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Add to basketPaperback. Condition: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Buch. Condition: Neu. Neuware - 'Crudel tiranno Amor' (HWV 97) ist der Titel des Werks, das Händel 1721 komponierte und von dem er 1738 eine zweite Fassung mit veränderter Besetzung schrieb. Die aus drei Arien und zwei Rezitativen bestehende Kantate war ursprünglich für Sopran, zwei Oboen, Streicher und Generalbass komponiert. Von der späteren Fassung, in der Händel auch Änderungen in der Tonart und der Melodie vornahm und reichere Verzierungen hinzufügte, war bislang nichts bekannt. Ihre Handschrift tauchte in München auf. Bedeutsam ist sie deshalb, weil es sich um die einzige Handschrift handelt, die in einem Rezitativ eine eigenhändige Aussetzung des Basso continuo durch den Komponisten enthält, das sich zudem noch durch eine außergewöhnliche Klangfülle auszeichnet. Die Kantate erschien in einer hochwertigen Faksimile-Ausgabe und, zusammen mit dem Aufführungsmaterial, zugleich als praktische Ausgabe.Die Erstausgabe wurde betreut vom Bertold Over, dem Finder der Quelle, dem die Zuordnung innerhalb eines Konvoluts aus dem Nachlass Wilhelm Heinrich Riehls gelang.- Erstausgabe des spektakulären Quellenfunds in der Bayerischen Staatsbibliothek- Hochwertige Faksimile-Ausgabe mit Transkription- Wissenschaftliche Einleitung des Entdeckers.
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Add to basketHardcover. Condition: Brand New. 304 pages. 9.25x6.25x0.69 inches. In Stock.