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Published by Harvard University Press, Cambridge, Mass, 2026
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Hardcover. Condition: new. Hardcover. Dilapidated dramas. The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain. Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid. The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Add to basketHardback. Condition: New. Dilapidated dramas.The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain.Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid.The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.
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Published by Harvard University Press, 2026
ISBN 10: 0674997735 ISBN 13: 9780674997738
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ISBN 10: 0674997735 ISBN 13: 9780674997738
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Hardback or Cased Book. Condition: New. Fragmentary Republican Latin, Volume VII: Pacuvius. Minor Tragic Poets. Unidentified Dramatists. Book.
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Published by Harvard University Press, 2026
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Published by Harvard University Press, Cambridge, Mass, 2026
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Hardcover. Condition: new. Hardcover. Dilapidated dramas. The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain. Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid. The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Add to basketHardcover. Condition: new. Hardcover. Dilapidated dramas. The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain. Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid. The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Published by Harvard University Press, 2026
ISBN 10: 0674997735 ISBN 13: 9780674997738
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Published by Harvard University Press Jan 2026, 2026
ISBN 10: 0674997735 ISBN 13: 9780674997738
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Buch. Condition: Neu. Neuware - Dilapidated dramas. The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain. Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid. The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.
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Published by Harvard University Press, US, 2026
ISBN 10: 0674997735 ISBN 13: 9780674997738
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Add to basketHardback. Condition: New. Dilapidated dramas.The Loeb Classical Library series Fragmentary Republican Latin continues with Marcus Pacuvius (ca. 220-130), deemed by Cicero to be Rome's greatest tragic poet, together with the fragments of those tragedians of whose work little has survived. Also included are fragments distinguished as dramatic by their meter, but whose genre (tragedy or comedy) can be uncertain.Pacuvius, a nephew and possibly a pupil of Ennius and an older contemporary of Accius, seems to have had connections with high-ranking politicians and intellectuals, especially those such as Laelius and Scipio who supported Hellenistic culture at Rome; certainly he was remembered as a learned poet, and among his compositions was a fabula praetexta on L. Aemilius Paulus' victory at Pydna in 168. He tended to treat less obvious aspects of the mythological tradition, perhaps a sign of his own originality, which allowed him to explore in depth issues that seem to have particularly interested him, such as mistaken or false identity ending in final recognition, and noble characters in reduced circumstances. There are also philosophical and cosmological themes, as in plays featuring characters recognized as related who join in overthrowing unjust rulers, raising questions of justice, power, and the role of a good ruler. His works remained in the repertory, were often quoted by orators, and influenced later poets such as Plautus, Terence, Virgil, and Ovid.The texts are based on the most recent and reliable editions of the source authors and have been revised, freshly translated, and amply annotated in light of current scholarship.
Published by Voltaire, 2007 / Bibliotheca Latina Archaica III, 2007
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Milano 1977. 130 pp. Wrappers. (cover sl.foxed).
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Published by Edizioni dell'Ateneo, 1967
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Hardcover. Condition: Very Good. Dust Jacket Condition: Good+. Upper corners lightly bumped. Scholars' bookplate to inner cover. DJ has chipping and small tears. DJ spine a bit browned.; Poetarum Latinorum Reliquiae III 1; 299 pages.
Publication Date: 2025
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LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1884 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 16 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 16.