Papp Istvan (34 results)

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condition: Fine. Faint edgewear with slight creasing of spine and cover, otherwise a fine, clean and tight copy. Editon is bound with staples. Interior has some faint age toning. Text is in Hungarian.

hardcover. Condition: Fair. a good working copy. name on inside cover. a few neat highlights. fast shipping.

Condition: Very good. - Small quarto [9-1/2 inches high by 7 inches wide], softcover bound in pictorial blue & white wraps. The wraps are lightly rubbed & their bottom corners are creased with soiling to the bottom corner of the rear wrap. 64 pages. Black-and-white illustrations. The bottom corners of the pages are creased. Very good. Inscribed to Dick Higgins of Something Else Press by Istvan Kilian at the head of his article on page 43. Kilian, an expert on Hungarian pattern poetry is here writing about the visual poems [called "Roses" because of their form] by an eighteenth century Protestant minister Mihaly Kozma.This issue also includes a short portrait of the Canadian sound poet Paul Dutton. The text is in Hungarian. A summary of the contents is printed in French and English on the inside rear wrap.

hardcover. Condition: New. In shrink wrap.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New. pp. 176.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 176.

Condition: New.

Paperback. Condition: New.

Condition: NEW.

Brossura. Condition: new. Edited by Barral i Altet X., Lucherini V. and Lövei P.English Text.Roma, 2018; paperback, pp. 732, b/w and col. ill., cm 17x24.(Accademia Ungheria. 7). Libro.

Paperback. Condition: Brand New. 1st edition. 168 pages. 8.80x5.90x0.50 inches. In Stock.

Kl.-4to. 102 reich illustr. S. Illustr. OPp. Dreisprachige (ungarisch/engl./deutsch) Vorstellung der Stadt in Geschichte und Gegenwart. 0,800 gr.

Condition: NEW. Roma: Viella, 2018 9788867286614 Bibliotheca Academiae Hungariae 7 1409 732 p., clxxvi p. of plates : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. With this book, the Hungarian Academy of Rome offers to the medievalist community a thematic synthesis about Hungarian medieval art, reconstructing, in a European perspective, more than four hundred years of artistic production in a country located right at the heart of Europe. The book presents an up-to-date view from the Romanesque through Late Gothic up to the beginning of the Renaissance, with an emphasis on the artistic relations that evolved between Hungary and other European territories, such as the Capetian Kingdom, the Italian Peninsula and the German Empire. Situated at the meeting point between the Mediterranean regions, the lands ruled by the courts of Europe west of the Alps and the territories of the Byzantine (later Ottoman) Empire, Hungary boasts an artistic heritage that is one of the most original features of our common European past. The book, whose editors and authors are among today's foremost experts in medieval art history, is divided into four thematic sections the sources and art historiography of the medieval period, the boundary between history, art history and archaeology, church architecture and decorations, religious cults and symbols of the power , with a selection of essays on the main works of Hungarian medieval art held in museums and public collections. Lővei,Pál - Lucherini,Vinni - Takács,Imre.

Softcover. x13744 Ehemaliges Bibliotheksexemplar mit entswprechenden Merkmalen in gutem Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Condition: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This is the first book that discusses the effect of foreign language learning on first language processing. The authors argue that multilingual development is a dynamic and cumulative process characterized by transfer of different nature, and results in a common underlying conceptual base with two or more language channels that constantly interact with each other. Language representation and processing are discussed from a cognitive-pragmatic rather than a lexical-syntactic perspective. This required the review of several crucial issues of L2 acquisition, such as transfer, vocabulary development, conceptual fluency, and pragmatic skills. The authors also reviewed a large body of literature touching on cognitive psychology, linguistics, psycholinguistics, SLA, philosophy, and education in order to explain multilingual development and the positive effect of foreign language learning on the first language. An important read for linguists and language educators alike, this volume: * attempts to explain multilingual development from a cognitive-pragmatic perspective, * argues that foreign language learning has a positive effect on the development and use of mother tongue skills, * relies on research findings of several different disciplines, * builds on the results of quantitative research conducted by the authors, and touches on a wide range of literature.

Condition: New.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: New.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New. pp. 176.

Condition: New. In.

Condition: New. pp. 176.

Hardcover. Condition: Brand New. 1st edition. 176 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Condition: Good. In Russian. Papp, Istvan. Project Indicators for Planning Library Services in Hungary. Moscow: 1970. All images are for identification of editions only. Several books of the same edition may be available. Please feel free to request photos of available books.SKU7313008.

Condition: Very Good. György Galántai and Júlia Klaniczay eds., AL: Artpool letter = Aktuális levél No.1-11 (Complete Set), György Galántai, Budapest, Hungary, 1983 -1985. A complete set of this historic samizdat art magazine, published from 1983 to 1985 by Galántai/Artpool. Texts mainly in Hungarian with some English summaries. Design, layout, and production by György Galántai. Contributors include: György Galántai and Júlia Klaniczay (Eds.), Francesca Alinovi, Imre Bak, Bela Bartok, Miklos Beladi, Akos Birkas, Julien Blaine, William Burroughs, Monty Cantsin, Henri Chopin, Miklos Erdely, Wolfgang Ernst, Eva Forgacs, Tibor Hajas, Istvan Haraszty, Jozef Jakovits, Joan Jonas, Beke Laszlo, Kassak Theatre, Dora Maurer, Erdely Miklos, Tobit Papp, Gyula Pauer, Geza Perneczky, Mark Perry, Miklos Szentkuthy, Janos Szirtes, Annamaria Szoke, Adam Tabor, Min Tanaka, Gabor Toth, Ben Vautier, Janos Veto and others. A list of contributions can be seen at www.artpool.hu/Al/al01.html."AL tries to establish a little known art-from in Hungary - bookwork - and to explore its possibilities while looking for solutions only possible in workshop activities" - György Galántai statement on back cover of issue 2. In fact, this is definitely a Samizdat magazine but had to be declared as a bookwork as Júlia Klaniczay has written to us "We declared our Artpool Letter to be a bookwork (a graphic work). This way we by-passed the need to ask for a permission for publishing (which we would never get)."The first 9 issues have various interventions including rubber stamps, stickers, inserts, folded poster, plastic envelope inserts with printed cards etc. Very unusually, we have the complete set of envelopes for the first 9 issues (A5 format) which are each uniquely hand-stamped with three numbers. When you correspond this with the information on the booklets, one understands the numbering system. The first number on the envelope is the issue number. The second number is the the print run for that issue (there appears to be 5 print runs of 50 copies each). The final number is the individual number within that print run. The envelopes are in poor condition with tears and wear, but it is still important to have them to work out the unusual numbering system. All copies of the magazine have a slightly different but corresponding numbering system handwritten and signed by Galántai either on the back cover on inside back cover where the print run of 50 copies is indicated by roman numerals. 300 - 500 copies of each issue were printed.The complex numbering system was due to restrictions by the authorities on publications. As Júlia Klaniczay explains, artists could produce books u to an edition of 50 copies without applying for permission from the authorities. In the case of this magazine, "whenever a series of 50 was sold, we printed another 50." On page 69 of AL 5, there is a pencil-ticked book reference for publications relating to Galántai's Balatonboglari Chapel exhibition project in the early 1970s. Further to this a previous owner has added their own more expansive list of related publications to this important collective art project (loose sheet, biro and pencil on both sides, over 25 publications listed by hand).Together with double-sided broadsheet, describing the AL Letters published by Artpool at the same time as AL 4 was published, dated March 1984. Issues 1-9 measure 210x145 mm. Issues 10-11 measure 293x210 mm.