Papp Marilyn (6 results)

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  • Language: English

    Published by Phoenix Art Museum, (Phoenix, 1989, 1991), 1991

    0910407223 / 9780910407229

    • Softcover

    Seller: Heartwood Books, A.B.A.A., Charlottesville, VA, U.S.A.Heartwood Books, A.B.A.A.

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    Association member: ABAAILAB

    Condition: Used - Very good

    US$ 20.00

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    Oversized Paperback. Condition: Very Good. Very Good, internally clean, solid c 9x12 inch paperback. Second printing. #.

  • Language: French

    Published by Paris-Musees, Paris :, 1999

    2879004640 / 9782879004648

    • Softcover

    Seller: Gebrauchtbücherlogistik H.J. Lauterbach, Gummersbach, NRW, GermanyGebrauchtbücherlogistik H.J. Lauterbach

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    Condition: Used - Very good

    US$ 22.12

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    Broschiert. Condition: Gut. 27x21cm; 189; Broschiert; Sprache: Französisch, Zustand: Sehr Gut, eher ungelesen (Innen); Einband (Außen) hat geringe Gebrauchsspuren; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

  • Language: English

    Published by Phoenix Art Museum, 1994

    0910407304 / 9780910407304

    • Softcover

    Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.BennettBooksLtd

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    Condition: New

    US$ 76.89

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    Paperback. Condition: New. In shrink wrap. Looks like an interesting title.

  • Language: English

    Published by Museum, 1994

    0910407304 / 9780910407304

    • Softcover

    Seller: BWS BKS, Ferndale, NY, U.S.A.BWS BKS

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    Condition: New

    US$ 1,976.00

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    Paperback. Condition: New.

  • More images

    Published by Editions Findakly, Editions des Musées de la ville de Paris, 1999,, 1999

    Seller: LE BOUQUINISTE, LA MOTTE SAINT MARTIN, FranceLE BOUQUINISTE

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    Condition: Used

    US$ 20.11

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    Broché, in-4, 189 pages, très bon état, (poids : 0,910 kg, épaisseur : 2 cm).

  • Published by New York 6 pages, quarto 1959, 1959

    Seller: James Pepper Rare Books, Inc., ABAA, Santa Barbara, CA, U.S.A.James Pepper Rare Books, Inc., ABAA

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    Condition: Used

    US$ 1,500.00

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    Written on the stationery of the New York Shakespeare Festival, the first letter dated June 12, 1959 from Joseph Papp to Marilyn Monroe elaborately detailing PappÕs plans to establish the New York Shakespeare Festival. Papp asks her to join their committee to include such figures as Tennessee Williams, Helen Hayes, Mark Van Doren, Eleanor Roosevelt, etc. With the second letter dated December 16, 1959, Marilyn Monroe has joined the committee, and details the work he is doing to try to build an amphitheater in Central Park to give free Shakespeare plays. With a 3 page carbon typescript manuscript he sent to Monroe of an article that Joseph Papp published in the New York Herald Tribune regarding his struggles with New York Parks Commissioner Robert Moses. The free festival was originally conceived by director-producer Joseph Papp in 1954. Papp starting having the plays lawn in front of Turtle Pond in Central Park. In 1959, Parks Commissioner Robert Moses demanded that Papp and his company charge a fee for the performances to cover the cost of "grass erosion." A court battle ensued. Papp continued to fight Moses, winning his enduring respect and the quote "well, let's build the bastard a theater." Following this, Moses requested funds from the city for the construction of an amphitheater in the park. Marilyn Monroe dreamed of starring in a film based on a play by William Shakespeare and enlisted Laurence Olivier to help her achieve her dream. Monroe was determined to revamp her image and prove herself as a serious actress, according to tapes former Los Angeles prosecutor John W. Miner claims to have made for the late star's psychiatrist shortly before her death in 1962. According to the recordings, Monroe had already spoken to legendary method acting coach Lee Strasberg and Olivier about her plans. Miner's transcript reads: "I'll take a year of day and night study at Shakespeare with Lee Strasberg. I'll pay him to work only with me. He said I could do Shakespeare. I'll make him prove it. That will give me the basics Olivier wanted. Then I'll go to Olivier for the help he promised. Then I'll produce and act in the Marilyn Monroe Shakespeare Film Festival.".