Parigoris (26 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Condition: Brand New. translation edition. 95 pages. 6.00x4.75x0.50 inches. In Stock.

Soft cover. Condition: Good. (NN4) cover has some minor marks and nicks; slightly bumpy on back; fore edges clean; boards clean; throughout very clean; photographs upon request.

Binding firm and intact. Condition: Near Fine. 1st edition. 4to. Softcover, illustrated throughout in colour and B/W. Interior clean and bright.

paperback. Condition: Very Good. First Edition. Used - Very Good.

SOFTCOVER. Condition: NEW. 1st Edition. 4to in colour printed stiff card covers, 144pp on thick art paper, colour plates, illustrations in text, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condition: As New. Unread book in perfect condition.

Condition: As New. Unread book in perfect condition.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Condition: New.

Buch. Condition: Neu. Neuware - Archaeology has long been entangled with nationalist and colonial narratives, shaping and reshaping identities through material culture. This book investigates the entanglement of archaeology with nationalism and its role in shaping Icelandic identity.Drawing on four case studies, it examines archaeological remains, historical sources, and ethnological materials. It reveals how material culture has been used to reinforce nationalist narratives while also offering a framework to challenge them. By focusing on the intersection of materials, discourses, and histories, the book uncovers how archaeology has been implicated in a colonial-cum-nationalist rhetoric, influencing modern interpretations of the past. It also highlights how the field can be used to deconstruct entrenched national myths and open up new avenues of enquiry.

First Edition. The Art of the United States massive tome in original slipcasePublished by Citadelles et Mezanod as part of their art of the great civilizations series. Check out our other listings for more in the series.From the publisher:A young civilization of barely more than three centuries in a country that we believe we have always known, an art that has drawn its strength from successive waves of immigration and that is sometimes taxed as imperialist, cities over-urbanized facing immense spaces . Faced with so many contradictions, this book is essential to know if there is an "American art", and to understand what makes it so rich. The history of the United States has been made of repeated and rapid transplants, from Indian settlements and British settlers, to all those who fled the poverty of an aging Europe, or the violence of Nazism. Images of the Wild West, images of film noir, skyscrapers of New York or Marilyn by Andy Warhol, it is time to go beyond the clichés that made us dream and worry us a little to explore an absolutely fascinating story.Americans or French, the six authors united confront original points of view and make us witness the construction of a country and its artistic identity even in its most recent developments, through architecture, painting, sculpture, decorative arts or photography. .An exceptional iconography reveals not only the treasures of American art through the great world-famous museums (The Metropolitan Museum of Art, MoMA, National Gallery of Art .), but also the architecture, from the east coast to the west coast, thanks to exclusive photographic campaigns. Unread text, in original slipcas Slipcase and illustrated dustjac.

Citadelles Mazenod 1992, grand et fort In-4 relié pleine toile éditeur blanche sous jaquette illustrée et emboitage. 637 pages, nombreuses illustrations, avec index, bibliographie et glossaire. Avant propos de Michel Butor. Très bel état.

Fort in-4 carré ( 320 X 255 mm ) de 637 pages, pleine toile sous jaquette illustrée en couleurs et étui maroquiné taupe. Superbe et abondante iconographie en couleurs et en noir dans et hors-texte. Très bel exemplaire en parfait état. Beaux-Arts Peinture Gravure Lithographie Sculpture Architecture.

31 x 25 cm. 647 S. ISBN: 34512y29730. OLn. mit OU und Pappschuber / Original cloth. In dust jacket. Wohl erhaltenes Exemplar / Very fine copy. x. Auflage. Sprache: de. * Versandfertig innerhalb von 20 Stunden! Hüb 19 (OL). Jpgt.

Condition: Neuf.

Condition: Used: Like New. In-4 cartonné, jaquette illustrée, nombreuses illustrations, comme neuf.

Fort in-4 dans son étui cartonné, jaquette illustrée, reliure de pleine toile blanche illustrée, 637 pp. En annexes: cartes, documentation, bibliographie, index des noms cités. Collection "L'Art et les Grandes Civilisations" créée par Lucien Mazenod. Avant-propos de Michel Butor. Riche iconographie. Jaquette parfaite, exemplaire en excellent état, à l'état quasi neuf, si ce n'est le coin supérieur droit de la couverture de toile très légèrement écrasé. (GenesB18) PHOTOS NUMERIQUES DISPONIBLES PAR EMAIL SUR SIMPLE DEMANDE-DIGITAL PHOTOGRAPS MAY BE AVAILABLE ON REQUEST. Size: 25,5 x 32.

Couverture rigide. Condition: Très bon. Dust Jacket Condition: Très bon. Édition illustrée. MARTIN J. - MASSU C. - NICHOLS S., L'art des États-Unis, à Paris, éditions Citadelles & Mazenod, 1992. Cartonnage d'éditeur avec sa jaquette et son étui, format : 320x260mm, couverture rempliée imprimée en couleurs, 637 pages. Avant-propos de Michel Butor, traduit de l'anglais par Christiane Thiollier. Comporte près de 800 illustrations, bibliographie, index des noms cités in-fine. En page de couverture, American Indian series d'Andy Warhol (1976). Histoire fascinante des arts en général aux États-Unis, et plus particulièrment de l'architecture (du XVIIIème aux années 70), de la peinture (de William Williams à Jackson Pollock, Willem de Kooning et Edward Hopper), des arts décoratifs (John Pease, Rudy Autio) et de la photographie. Un chapitre entier est également consacré à la sculpture avec des illustrations pleine page de Christo, Richard Serra, Calder. Exemplaire en très bon état.

Hardcover. Condition: Sehr gut. Dust Jacket Condition: Sehr gut. 1. Auflage. Z : 244 Seiteb, 176 Abbildungen. Hardcover - Der Band widmet sich dem bahnbrechenden Schaffen von Constantin Brancusi (18761957) und Richard Serra (*1939 in San Francisco).Anhand einer konzentrierten Auswahl von rund 35 Skulpturen werden die zentralen Aspekte von Brancusis Werk beleuchtet. Seine wegweisende Auffassung von Skulptur, die sich in der Reduktion von Volumen gleichsam als Erkundung formaler Essenz ausdrückt, bildet den Ausgangspunkt der Publikation. Mit retrospektivem Charakter präsentiert sie exemplarische Arbeiten zu bestimmten Themengruppen, die in Marmor, Bronze, Holz und Gips in rund vier Jahrzehnten entstanden sind.Die grundsätzliche Frage nach dem Wesen und den Möglichkeiten von Skulptur wird anhand ausgewählter, aus verschiedenen Schaffensphasen stammenden Arbeiten von Richard Serra weiter untersucht. Die direkte Gegenüberstellung von Werken beider Künstler führt Gemeinsamkeiten, aber auch spannungsvolle Kontraste vor Augen und macht die universelle Kraft von Skulptur neu erfahrbar.

in-4, reliure toile éditeur, jaquette illustrée, 616p, nbses illustrations, nbx croquis et plans, coin droit 1er plat corné sinon bon état.

Citadelle & Mazenod, Coll. l'Art et les Grandes Civilisations, 1992, 637 p., cartonnage éditeur sous jaquette et étui, coiffe supérieure légèrement émoussée, bon état.