Pascoe Juan (12 results)

Condition: New condition. First edition. 8 pages, sewn binding without covers.

Encuadernación de tapa blanda. Condition: Bien. 1ª Edición. Folio (40 cm x 30 cm). 8p. Algunos dobleces, pero en general, en muy buen estado. Edición de 200 ejemplares.

softcover. Idiáquez, José María (illustrator). square 4to. softcover. 387 pages. First paperback edition. Near fine condition. The first full history and bibliography of Oaxaca's Independence- and early Republic-era printerJosé María Idiáquez, with considerable background information on colonial-era printing not found in Medina or Nicolás León. Pascoe, a practicing and highly skilled hand-press printer and printing historian, worked here "en colaboración con Carolina Ballesteros, Lérida Moya y Penélope Orozco" and presents pertinent texts from Nicolás León and José Toribio Medina. The work's historical introduction is from the pen of Moisés Guzmán Pérez and the prologue from that of María Isabel Grañen Porrúa. The work's many illustrations include a large ladling of reproductions in full color. The work ends with "Fuentes de consulta." From the reference library of Philadelphia Rare Books & Manuscripts with their bookplate included.

cloth boards. Idiáquez, José María (illustrator). square 4to. cloth boards. 387 pages. First hardback edition. Near fine condition. The first full history and bibliography of Oaxaca's Independence- and early Republic-era printerJosé María Idiáquez, with considerable background information on colonial-era printing not found in Medina or Nicolás León. Pascoe, a practicing and highly skilled hand-press printer and printing historian, worked here "en colaboración con Carolina Ballesteros, Lérida Moya y Penélope Orozco" and presents pertinent texts from Nicolás León and José Toribio Medina. The work's historical introduction is from the pen of Moisés Guzmán Pérez and the prologue from that of María Isabel Grañen Porrúa. The work's many illustrations include a large ladling of reproductions in full color. The work ends with "Fuentes de consulta." From the reference library of Philadelphia Rare Books & Manuscripts with their bookplate included.

Hardcover. Condition: Fine. Limited edition. 156, (4) pp. Engraved vignette on the title page. Color photograph of Adriana Cao Romero tipped onto page (7). Light brown cloth spine, dark brown paper over boards, printed paper labels. One of 100 copies of which this is number 41, A fine copy. This is a complete revision and expansion of the original printings of the previous digital edition of 2002 and the offset edition of 2003. A fine edition printed by hand. The now definitive history of Grupo Mono Blanco, and examines many coplas in detail. In Spanish. .

Hardcover. Condition: Fine. Limited edition. Small 4to. 46,(2)pp. Green cloth spine, board in bright yellow paper, the upper board printed letterpress with the title and ornaments, and with a printed paper title label on the spine. Illustrated with illustrations taken from the work of 16th century printers in New Spain. Two large folding pages, facsimiles of the work of Espinosa. One is from the Graduale dominicale of 1576, the other from the Graduale sanctoral of 1578. Finely printed letterpress on Tamayo de Ponte paper in black, but with the title and some initials in red also. Bindings by Fermín Urbina. Edition limited to 210 copies. The text by Dctra Grañén Porrúa discusses the first printers of the Americas, starting with Juan Pablo, but concentrating on his successor Antonio de Espinosa, who was also the first type cutter in the Americas. His works are beautifully executed, and his typefaces have recently been made available again as Espinosa Nova. Both of the facsimiles are of Espinosa's work. The 30pp of text are followed by typographic notes from Juan Pascoe, the printer. This is a superb example of printing. In fine, as new condition. .

Hardcover. Condition: Fine. Limited edition. Thin folio. 39, (1) pp. White vellum spine; brown paper over boards, printed title label on the upper board. Finely printed on handmade paper in the traditional Spanish size. ('al tamaño español tradicional'). Illustrated with tipped-in reproductions of pages of the period. According to the colophon, one of 50 copies only. In fine condition. A much needed description of the state of printing in New Spain at the end of the 16th century and beginning of the 17th by a modern Master Printer of México. .

Hardcover. Condition: Fine. Limited edition. Large folio: 12 by 17 inches. 104pp. Finely printed letterpress by Juan Pascoe with the Washington hand press on Castilla Gvarro paper. One of 100 copies for sale, from a total edition of 135 copies. This copy is numbered 87. Signed by the printer on the last page. Finely bound by the Thorn Bindery in quarter warm brown morocco, double marbled paper boards by Pam Smith in shades of tan and brown, white leather lettering pieces on the spine and upper board tooled in blind, and medium brown Cave handmade paper as pastedowns. The text by Alexandre Stols is taken from the Boletín de la Bibliteca Nacional, 1957. Pp. 45-104 are facsimiles of César's printing, generally examples of his title pages. Pp. 12 through 43 contain detailed explanatory notes of the facsimiles. An impressive work, finely printed and finely bound. Cornelio Adrián César was a Dutch printer, born in Haarlem in 1574. At the age of 8 he was apprenticed to a printing house in Haarlem. Later, he enlisted as an artillery constable and sailed for New Spain. On his arrival he made the acquaintance of Pedro Ocharte's widow and was welcomed into the printing business. After serving a prison sentence imposed by the Holy Inquisition, which declared him a heretic, he found work in other presses and during his long life printed an impressive amount of work of the highest quality and made great contributions to the bibliography of the printing press in the Americas. .

Broadside. First Edition. Broadside, 18.75 x 25. 75 inches, printed in red and black on pale green. Inscribed by the printer on lower right: 'For Bryce Milligan. San Antonio, 2012. JNPasoe.' First edition (first printing). A near fine copy. Broadside with some creases.

Condition: Paperback in new condition. First edition. 11.5" x 9"; 387 pages. The first full history and bibliography of Oaxaca's Independence- and early Republic-era printerJosé María Idiáquez, with considerable background information on colonial-era printing not found in Medina or Nicolás León. Pascoe, a practicing and highly skilled hand-press printer and printing historian, worked here "en colaboración con Carolina Ballesteros, Lérida Moya y Penélope Orozco" and presents pertinent texts from Nicolás León and José Toribio Medina. The work's historical introduction is from the pen of Moisés Guzmán Pérez and the prologue from that of María Isabel Grañen Porrúa. The work's many illustrations include a large ladling of reproductions in full color. The work ends with "Fuentes de consulta.".

Condition: Paperback in new condition. First edition. Limited to 500 copies printed in November, 2014, in "Talleres de Offset Rebosán" in Mexico City; Introduction by María Isabel Grañén Porrúa; 208 pages. A history of Taller Martín Pescador, master printer and typographer Juan Pascoe's fine press atelier in Tacámbaro, Michoacán, Mexico. The volume, which is in Spanish, includes a history of Pascoe, his family beginning with his great grandfather, and his press, as well as press publication history, information about projects, and a complete list of published works (pp. 144207) through November of 2014.

Condition: Cloth bound in fine condition. First edition. 11.5" x 9"; 387 pages. The first full history and bibliography of Oaxaca's Independence- and early Republic-era printerJosé María Idiáquez, with considerable background information on colonial-era printing not found in Medina or Nicolás León. Pascoe, a practicing and highly skilled hand-press printer and printing historian, worked here "en colaboración con Carolina Ballesteros, Lérida Moya y Penélope Orozco" and presents pertinent texts from Nicolás León and José Toribio Medina. The work's historical introduction is from the pen of Moisés Guzmán Pérez and the prologue from that of María Isabel Grañen Porrúa. The work's many illustrations include a large ladling of reproductions in full color. The work ends with "Fuentes de consulta.".