Patterson Adrian (14 results)

paperback. Condition: Fair.

Paperback. Condition: Interior is excellent. Minimal wear to cover.

paperback. Condition: Very Good. Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hard Cover. Condition: VG to Fine. Dust Jacket Condition: VG to Fine. Previous owner name and date on front end paper. Oversize. Art Collection.

SingleIssueMagazine. Condition: Near Fine. Edited by Dean Wesley Smith. Photo cover by Susan Wade. Includes "Child of the Sea" (novelette) by J. N. Williamson; "Spud Wrangler" by Kent Patterson; "And the Lonesome Wind" by Lee Stevens; "A Red-letter Scheme" by Mike Resnick; "The Emerald City" by Carrie Richerson; "That'll Be the Day" by Susan Wade; "Dark Closets, Silent Mirrors" by Adrian Nikolas Phoenix; "Hitler at Nuremberg" by Barry N. Malzberg; "Quite Contrary" by Ray Vukcevich; "Michael Bates, Michael Bates, Michael" by Steven Utley; "A Fable" by Robert Walter; "You Go Too Far" by Ray Vukcevich; "The Descartes Dilemma" by Jerry Oltion; "Mr. Fix-It-All" by John Ordover; "Death's a Bitch" by Andrew T. Smith; "Through Time and Space with Ferdinand Feghoot" by Grendel Briarton [R. Bretnor, posthumously]; "Metropenance" by Dale L. Sproule; "Labor Relations" by John Maclay; "The Golden Rule Grocery" by Bill Ransom; "Death Rents a Video" by Adam-Troy Castro. Departments: "From the Heart's Basement" by Barry N. Malzberg; "The Eclectic Muse" by Charles de Lint; "Ask Auntie Esther" by Esther Friesner. Cartoons by Scott McCullar, Tom Stratton, and Jesse L. Rezendes. Stress. Book.

Condition: New. Satisfaction Guaranteed or your money back.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

1st edition laminated boards As New folio 95pp., colour plates, Signed by Adrian Patterson on the title-page. Small print run & scarce.

1st edition laminated boards As New folio 109pp., colour & b/w plates, text ills., Signed by Adrian Patterson on the title-page. Small print run & scarce.

1st edition laminated boards As New folio 119pp., colour & b/w plates, text ills., Signed by Adrian Patterson on the title-page. Small print run & scarce.

The author Qld 2016. First edition. Stiff boards, illustrated, 96pp. Very good.

Softcover. Condition: Near Fine. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. About near fine with crease to rear corner, miniscule chip to front corner and a hint of toning. The seventh and final issue of Vito Acconci and Bernadette Mayer experimental and uncommon magazine. Contributors include Anne Waldman, John Giorno, Hannah Weiner, Lewis Warsh, Marjorie Strider, Adrian Piper, Lil Picard, Arakawa, Bobbi Gormley, Matthew Klein, Deborah Hollingworth, Keith Hollinger, Gregory Battcock, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Stephen Kaltenbach, Les Levine, Lucy Lippard, Meridith Monk, Ben Patterson, and John Perreault.

Paperback / softback. Condition: New. Adrian, Sara E.; Patterson, Cindy (illustrator). This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink.