Paul Messier (31 results)

Hardcover. Hardcover. 2009. Steidl Publishers. SIGNED Card laid in. Very Good Plus condition. ; 8vo 8" - 9" tall.

Hardcover with dustjacket, 256 pages; very good condition; except small hole punch to lower left corner of rear cover and dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st edition. Hardbound in dust jacket. [ Heavy. Contact for overseas shipping quote.].

Hardcover with dustjacket, 256 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condition: Fine. First Edition. Stiff unmarked book in glossy illustrated boards; about new. 20 page stapled booklet from Montreal Museum on Leduc exhibition laid-in ; Signatures; 103 pages.

Hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Couverture souple. Condition: Très bon. 62 p.Cote et cachets de biblio.

Hardcover. Condition: As New. Unused copy.

Hardcover. Condition: New.

Couverture souple. Condition: Très bon. sssDaniel Messier (illustrator). 28 p. Ill.

Hardcover. Condition: New.

Condition: New. 2020. Hardcover. . . . . .

Hardcover. Condition: New. New [K7P6/V50].

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 256pp., decorated boards, b/w and colour illus., select bibliography, index. Excellent tight clean copy. GL G10.

Condition: New. 2020. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condition: new. Hardcover. A close look at the work, relationship, and shared influences of two masterful 20th-century artists The camera, said Orson Welles, is a medium via which messages reach us from another world. It was the camera and the circumstances of the Second World War that first brought together Henry Moore (18981986) and Bill Brandt (19041983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These shelter pictures were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britains great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020February 28, 2021)Yale Center for British Art (November 17, 2022February 26, 2023) Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condition: new.

4°, hardcover, dustjacket. 255 pp Like new. Sprache: Englisch Gewicht in Gramm: 0.

Condition: Good. 8vo. [ca 70 pp.]. Near Fine. Hard Cover. Red cloth covered boards, with B&W plate tipped in. Color plates throughout.ISBN: 9783865219480 3865219489.Collection from San Francisco Museum of Modern Art.

Hardcover. Condition: Brand New. 255 pages. 13.00x10.00x1.00 inches. In Stock.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Contents: Sculpture, photography and the printed page / Martina Droth and Paul Messier -- Photography in four dimensions / Paul Messier and Martina Droth -- Perspectives of a strange country / Martina Droth -- Catalogue / introduction essays by Martina Droth -- Portraits -- Britain at war -- Figures underground : Photojournalism in the 1940s and 1950s / Lynda Nead ; Henry Moore in the 1940s / Robert James Sutton ; Exhibiting art in wartime / Nicholas Robbins -- Afterlives of pictures : Photography at Marlborough Gallery / Audrey Sands -- Coal and Country : A strange country: Bill Brandt in Jarrow, 1937 / John Tagg -- Monoliths and landscapes : Sculpture and spatial environment / Alex Potts ; Henry Moore's and Bill Brandt's landscapes / Simon Wallis -- Perspectives of sculpture : Henry Moore and photography / Sebastiano Barassi -- The body refracted : Bill Brandt's haptic eye: perspective of nudes / Carol M. Armstrong ; Henry Moore's photo-collages / Eleanor Clayton. Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, and travelling. 255 pages : illustrations (some color) ; 34 cm. First edition, first printing. Black cloth boards, unclipped dust jacket (now in a removable protective sleeve). Minimal shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Hardcover. Condition: new. Hardcover. A close look at the work, relationship, and shared influences of two masterful 20th-century artists The camera, said Orson Welles, is a medium via which messages reach us from another world. It was the camera and the circumstances of the Second World War that first brought together Henry Moore (18981986) and Bill Brandt (19041983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These shelter pictures were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britains great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020February 28, 2021)Yale Center for British Art (November 17, 2022February 26, 2023) Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condition: New.

Hardcover. Condition: new. Hardcover. A close look at the work, relationship, and shared influences of two masterful 20th-century artists The camera, said Orson Welles, is a medium via which messages reach us from another world. It was the camera and the circumstances of the Second World War that first brought together Henry Moore (18981986) and Bill Brandt (19041983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These shelter pictures were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britains great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page.Published by the Yale Center for British Art/Distributed by Yale University PressExhibition Schedule:The Hepworth Wakefield (February 7November 1, 2020)Sainsbury Centre for Visual Arts, Norwich (November 21, 2020February 28, 2021)Yale Center for British Art (November 17, 2022February 26, 2023) Accompanies the exhibition co-organized by the Yale Center for British Art, New Haven, shown June 5-September 13, 2020, the Hepworth, Wakefield, shown February 7-May 3, 2020, and the Sainsbury Center, University of East Anglia, shown November 22, 2020-February 28, 2021. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Blatt. Condition: Gut. Großformatiges Albumblatt mit aufmontiertem Zeitungsausschnitt A5 von Harold Kreis und Paul Messier bildseitig mit blauem und schwarzem Stift signiert /// Autogramm Autograph signiert signed signee ///Paul Edmond Messier (* 27. Januar 1958 in Nottingham, England) ist ein ehemaliger kanadisch-britischer Eishockeyspieler. Während seiner Karriere spielte der Center unter anderem für die Colorado Rockies in der National Hockey League sowie den ECD Iserlohn und Mannheimer ERC in der Bundesliga. Karriere Karriere in Nordamerika Der in England geborene Paul Messier zog bereits während seiner Kindheit mit seiner Familie nach Kanada. Ab der Saison 1973/74 spielte Paul Messier in Edmonton Eishockey. Bis zur Saison 1978/79 war er in insgesamt sechs Junioren, Minor-League- und Universitätsmannschaften aktiv, so etwa bei den Tulsa Oilers in der Central Hockey League (CHL) und den Edmonton Oil Kings in der Western Canada Hockey League (WCHL), bis Scouts aus der National Hockey League (NHL) auf ihn aufmerksam wurden. Im NHL Amateur Draft 1978 wurde er von den Colorado Rockies in der dritten Runde an 41. Stelle gezogen wurde. Für die Mannschaft aus Colorado machte er allerdings nur neun Spiele, in denen er keinen Scorerpunkt erzielen konnte. Messier musste wieder zurück in die Minor Leagues, zeigte aber hier immer wieder vielversprechende Leistungen. Bis 1983 war er erneut bei sechs Mannschaften aktiv, unter anderem bei den Birmingham Bulls in der CHL und den Moncton Alpines in der American Hockey League (AHL), für die er 27 Tore erzielen konnte. Karriere in Europa Wie viele Spieler aus Kanada, denen der häufige Wechsel des Vereins nicht entgegenkam, entschloss sich Messier zu einem Wechsel nach Deutschland und spielte ab der Saison 1983/84 beim ECD Iserlohn in der Bundesliga, wo er durch starke Leistungen auf sich aufmerksam machte. Er erzielte für die Mannschaft aus Iserlohn 50 Scorerpunkte in 46 Spielen und war damit auch für die Top-Mannschaften der Liga interessant. Ein Jahr später wurde er vom Mannheimer ERC unter Vertrag genommen. Messier entwickelte sich unter Trainer Ladislav Olejník zu einem der Topscorer der Mannschaft aus Mannheim und der gesamten Liga. Er war aufgrund seiner Schnelligkeit und der Fähigkeit, den Puck sicher zu führen nur schwer von seinen Gegenspielern zu stoppen. In der Saison 1984/85 wurde Messier zusammen mit dem Team Vizemeister, wobei er immer wieder von seinem Sturmpartner Ross Yates in Szene gesetzt werden konnte und mit 33 Toren die höchste Trefferzahl aller Mannheimer Spieler erzielte. Die Vizemeisterschaft konnte die Mannschaft in der Saison 1987/88 erneut gewinnen. Vor Dave Silk war Messier in diesem Jahr erneut Topscorer seiner Mannschaft mit insgesamt 63 Punkten. In der Saison 1986/87 erzielte er mit 42 Toren die meisten Tore aller Spieler der Liga. Nach der Saison 1989/90 wechselte Messier nach Italien zum HC Bozen in die Serie A, beendete aber nach nur zwei Spielen seine Laufbahn. Tätigkeiten nach der Spielerkarriere Messier wurde nach seinem Karriereende ein Sportagent und betreute in dieser Funktion unter anderem Jarome Iginla. Von 2015 bis 2022 war er als Scout für die Edmonton Oilers aus der NHL tätig. Erfolge und Auszeichnungen 1975 Centennial-Cup-Gewinn mit den Spruce Grove Mets 1988 Teilnahme am All-Star-Spiel der Bundesliga Karrierestatistik Reguläre Saison Playoffs Saison Team Liga Sp T V Pkt SM Sp T V Pkt SM 1973/74 Edmonton Mets AJHL 59 37 39 76 43 - - - - - 1974/75 Spruce Grove Mets AJHL 57 45 56 101 48 11 7 13 20 10 1974/75 Edmonton Oil Kings WCHL 1 2 0 2 0 - - - - - 1975/76 Spruce Grove Mets AJHL 44 32 45 77 46 10 4 12 16 11 1975/76 Edmonton Oil Kings WCHL 11 1 12 13 2 - - - - - 1976/77 University of Denver NCAA 30 15 12 27 46 1977/78 University of Denver NCAA 38 20 31 51 53 1978/79 Tulsa Oilers CHL 27 3 4 7 11 - - - - - 1978/79 Philadelphia Firebirds AHL 16 2 3 5 18 - - - - - 1978/79 Colorado Rockies NHL 9 0 0 0 4 - - - - - 1979/80 Fort Worth Texans CHL 7 0 1 1 2 - - - - - 1979/80 Bir.

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Large quarto. Pp.255. Bill Brandt's eloquent photographs, particularly of people in bomb shelters England during WWII, along with Henry Moore's drawings of the same subject. With photos of coal-miners, and a chapter on wartime photojournalism. A beautiful exhibition catalogue, in perfect condition. As new/ as new.