Pedersen Arne (106 results)

Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Pamphlet. Condition: Very Good. Vol 67, No 7, pp. 2685-2694, Illus, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, paper wrinkled at bottom so reading copy only, else VG.

Condition: Gebraucht / Used. Hardcover with dust jacket. Very good. 508pp.

Uppsala, 1944. 24,5x17 cm. 731, (1 blank) pp. + 3 leaves of plates. Original grey half-linen binding with printed title on spine and front board. Owner stamp of Carl G. Holmberg on front paste-down. The boards are slightly soiled. Contents are fine, with just a few scattered small specks. Published on the occasion of Svedberg's 60th birthday, with contributions in Swedish, English, German, and French by, for instance, Sven Arrhenius, John Olsson, Bror Holmberg, Carl Drucker, Björn Ingelman, and G. Hevesy.

Couverture souple. Condition: Comme neuf. In-4 broché. SOMMAIRE : - Norvège Auteurs : ANDERSEN Kjell Arne , PEDERSEN Bo Torp - Annecy 1979 - Annecy 1979 à propos de : Baby Story - Annecy 1979 à propos de : Stanley - Annecy 1979 à propos de : Nymphonie - Annecy 1979 à propos de : Pas à pas - Annecy 1979 à propos de : E-motif - Annecy 1979 à propos de : Bonheur là-bas - Annecy 1979 à propos de : Monde du silence - Annecy 1979 à propos de : Dream doll - Annecy 1979 à propos de : Pica-don - Annecy 1979 à propos de : Afterlife - Annecy 1979 à propos de : Harpya - Annecy 1979 à propos de : Asparagus - MARZOUK Ramsès Rétrospective Ramsès Marzouk à la Cinémathèque française (juin 1979) - Court métrage Biennale internationale de la Côte d'Azur : films courts - Cinéma amateur Biennale internationale de la Côte d'Azur : films courts - Rochelle 1979 - Rochelle 1979 à propos de : Longues vacances de 36 - Rochelle 1979 à propos de : Mort du président - Rochelle 1979 à propos de : Fonction : ordonnance - Cinéma militant À la Maison de la culture de Rennes : les troisièmes journées du cinéma militant - Cinéma expérimental - Cinéma d'avant-garde Le cinéma expérimental à Bourges (30 mai-10 juin 1979) - Allemagne Nouvelles du cinéma allemend - WASZYNSKY Michal - ROTA Nino L'héritage de Nino Rota (1911-1979) : une originalité limitée - ROTA Nino - Revues de cinéma Revue du cinéma - Édition du cinquantenaire, tome 1 - IVENS Joris Joris Ivens, 50 ans de cinéma (Jean-Loup Passek) - IVENS Joris Rétrospective Ivens : une lectrice nous écrit (Michèle Péju) (courrier) - Cinémanie (Gérard Legrand) - LEENHARDT Roger Yeux ouverts (Roger Leenhardt) - Comédie musicale Comédie musicale (John Springer) - SOUPAULT Philippe Écrits de cinéma 1918-1931 (Philippe Soupault) - Cannes 1979 Auteurs : DESRUES Hubert , BERTIN-MAGHIT Jean-Pierre - Cannes 1979 à propos de : Bastien, Bastienne - Cannes 1979 à propos de : Rhapsodie hongroise - Cannes 1979 à propos de : Tambour - Cannes 1979 à propos de : Victoria - Cannes 1979 à propos de : Northern lights - Cannes 1979 à propos de : Christ s'est arrêté à Eboli - Cannes 1979 à propos de : Soeurs Brontë - Cannes 1979 à propos de : Moissons du ciel - HERZOG Werner Dialectique du surhomme et du sous-homme dans quelques films de Werner Herzog - HERZOG Werner - HERZOG Werner Pour en finir avec le jugement de dieu - HERZOG Werner (entretien) - Woyzeck - ALLIO René à propos de : Retour à Marseille (entretien) Auteurs : CHEVALLIER Jacques , CHEVALLIER Laurent - Revues de cinéma Le cinéma et la presse (2) : le film raconté - Corps à coeur - West Indies - Mickey jubilé - Tambour - Divorcement - Ceddo - SEMBÈNE Ousmane à propos de : Ceddo (entretien) - Avalanche Express - Toto, misère et noblesse - Passe ton bac d'abord. - PIALAT Maurice à propos de : Passe ton bac d'abord. (entretien) - Au revoir. à lundi - Collections privées - Larmes de sang - AKIKA Ali (entretien) - AUTISSIER Anne-Marie (entretien) - Plus fort que la tempête - Personnalité réduite de toutes parts - I Love You, je t'aime - Printemps perdu - Passeur d'hommes - Blanc des yeux - Passion d'une femme sans coeur - Celui qui venait d'ailleurs - Mémoire - Pauvre Sonia - Déjeuner du matin - Buck Rogers au XXVè siècle - Maison du Docteur Edwards - Bobo, Jacco - Folie-folie - Têtes vides cherchent coffre plein - Big Fix (The) - Roman d'Elvis - Femme cherche son destin - Il y a longtemps que je t'aime - Flavia la défroquée.

Condition: Wie Neu. Proceedings of the Ninth International Symposium on Lexicography April 23-25, 1998 at the University of Copenhagen. Edited by Jens Erik Mogensen, Viggo Hjornager Pedersen and Arne Zettersten. XXI,336 Seiten mit zahlreichen Abb. und Tabellen, broschiert (Lexicographica - Series Maior; Band 103/Max Niemeyer Verlag 2000). Statt EUR 108,00. Gewicht: 670 g - Softcover/Taschenbuch.

Hardcover. Condition: Fine. Still Sealed in Plastic. Never used!

Hardcover. Condition: Very Good.

Condition: New.

Universitetsforlaget, Oslo 1961. 77, (1) sidor. Häftad. Illustrerad. Bra skick.

Svenska Litteratursällskapet i Finland, Helsingfors 2011. 239 sidor. Häftad. Gott skick. (Skrifter utgivna av Svenska Litteratursällskapet i Finland 751).

Proceedings of the Seventh Symposium on Lexicography May 5-6, 1994 at the University of Copenhagen. Lexicographica Series Maior 76. Tübingen, Niemeyer 1996. XVII, 246 S., OKart. Neuwertig.

Condition: As New. Unread book in perfect condition.

Condition: New.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: As New. Unread book in perfect condition.

Buch. Condition: Neu. Neuware -In this study, Ittai Gradel and Nils Arne Pedersen develop a new approach to the apocryphal Testament of Solomon by combining archaeology and textual analysis. The starting point is a group of ten 3rd-century rings, each inscribed in Greek: 'Solomon says: 'Watch out!'' The phrase, puzzling as an apotropaic formula, makes sense only in light of the Testament of Solomon, where the king, empowered by a divine ring, subjugates demons. In a climactic episode, Solomon orders two demons to support a massive column until the Day of Judgment - precisely with the words 'Watch out!' This unique command, permanently binding the demons, explains its adoption in everyday magical practice.The rings, securely dated, establish a 2nd-century date for the original version of the text and invite new reflections on its literary shape and development. While the preserved Testament alternates between first-person and third-person narration, the inscriptions suggest that the original form was a longer third-person narrative later abbreviated and reworked. From this basis, the authors develop a theory of its redactional history.The evidence points toward popular Christianity distinct from the patristic mainstream. Several rings display Christian iconography, one was linked to the pilgrimage site of Abu Mena, and parallels to Jewish Solomonic traditions are also apparent. Alexandria emerges as a plausible place of origin. The interdisciplinary synthesis - archaeology, history of religions, apocryphal studies, and folklore - generates fresh perspectives.The appendices enrich this contribution with translations of previously inaccessible versions of the Testament of Solomon, including one that contains a newly attested agraphon ascribed to Jesus, as well as a new edition and translation of a Syriac narrative. In this way, the authors significantly reposition the Testament of Solomon within the history of ancient religion and literature.; Ittai Gradel und Nils Arne Pedersen eröffnen einen neuen Zugang zum apokryphen Testament Salomos durch die Verbindung von Archäologie und Textforschung. Ausgangspunkt sind zehn Ringe aus dem 3. Jahrhundert n. Chr., die alle die griechische Inschrift 'Solomôn legei: phylaxai' - 'Salomo sagt: Pass auf!' tragen. Diese apotropäische Formel erschließt sich nur im Zusammenhang des Testament Salomos, in dem der König mit einem von Gott verliehenen Ring Macht über die Dämonen erhält. In einer zentralen Szene zwingt er zwei Dämonen mit dem Befehl 'Pass auf!' eine Säule bis zum Jüngsten Tag zu stützen. Gerade diese Szene erhielt bleibende Bedeutung und erklärt den magischen Gebrauch der Formel.Die datierbaren Funde liefern einen terminus ante quem für den Text und eröffnen neue Überlegungen zu seiner literarischen Gestalt: Während das überlieferte Testament zwischen Erzählform in erster und dritter Person wechselt, legen die Inschriften nahe, dass eine ursprüngliche Fassung in der dritten Person vorlag, die später überarbeitet wurde. Daraus entwickeln die Autoren eine Theorie der Redaktionsgeschichte.Darüber hinaus zeigt sich ein enger Bezug zur Volksfrömmigkeit des frühen Christentums, abseits patristischer Eliten. Die christliche Ikonographie auf mehreren Ringen, der Fundkontext von Abu Mena und die Einbindung jüdischer Salomo-Traditionen sprechen für einen Entstehungsort im christlichen Alexandria. Mit ihrer interdisziplinären Verknüpfung von Archäologie, Religionsgeschichte, Apokryphenforschung und Folklore gelangen die Autoren zu neuen Einsichten.Die Anhänge enthalten Übersetzungen bislang unveröffentlichter Versionen des Testament Salomos, darunter ein neu bezeugtes agraphon, sowie eine kritische Edition einer syrischen Parallelüberlieferung. Damit entsteht eine grundlegende Neupositionierung des Textes innerhalb der antiken Religions- und Literaturgeschichte. 344 pp. Englisch.

Buch. Condition: Neu. Neuware -In this study, Ittai Gradel and Nils Arne Pedersen develop a new approach to the apocryphal Testament of Solomon by combining archaeology and textual analysis. The starting point is a group of ten 3rd-century rings, each inscribed in Greek: 'Solomon says: 'Watch out!'' The phrase, puzzling as an apotropaic formula, makes sense only in light of the Testament of Solomon, where the king, empowered by a divine ring, subjugates demons. In a climactic episode, Solomon orders two demons to support a massive column until the Day of Judgment - precisely with the words 'Watch out!' This unique command, permanently binding the demons, explains its adoption in everyday magical practice.The rings, securely dated, establish a 2nd-century date for the original version of the text and invite new reflections on its literary shape and development. While the preserved Testament alternates between first-person and third-person narration, the inscriptions suggest that the original form was a longer third-person narrative later abbreviated and reworked. From this basis, the authors develop a theory of its redactional history.The evidence points toward popular Christianity distinct from the patristic mainstream. Several rings display Christian iconography, one was linked to the pilgrimage site of Abu Mena, and parallels to Jewish Solomonic traditions are also apparent. Alexandria emerges as a plausible place of origin. The interdisciplinary synthesis - archaeology, history of religions, apocryphal studies, and folklore - generates fresh perspectives.The appendices enrich this contribution with translations of previously inaccessible versions of the Testament of Solomon, including one that contains a newly attested agraphon ascribed to Jesus, as well as a new edition and translation of a Syriac narrative. In this way, the authors significantly reposition the Testament of Solomon within the history of ancient religion and literature.; Ittai Gradel und Nils Arne Pedersen eröffnen einen neuen Zugang zum apokryphen Testament Salomos durch die Verbindung von Archäologie und Textforschung. Ausgangspunkt sind zehn Ringe aus dem 3. Jahrhundert n. Chr., die alle die griechische Inschrift 'Solomôn legei: phylaxai' - 'Salomo sagt: Pass auf!' tragen. Diese apotropäische Formel erschließt sich nur im Zusammenhang des Testament Salomos, in dem der König mit einem von Gott verliehenen Ring Macht über die Dämonen erhält. In einer zentralen Szene zwingt er zwei Dämonen mit dem Befehl 'Pass auf!' eine Säule bis zum Jüngsten Tag zu stützen. Gerade diese Szene erhielt bleibende Bedeutung und erklärt den magischen Gebrauch der Formel.Die datierbaren Funde liefern einen terminus ante quem für den Text und eröffnen neue Überlegungen zu seiner literarischen Gestalt: Während das überlieferte Testament zwischen Erzählform in erster und dritter Person wechselt, legen die Inschriften nahe, dass eine ursprüngliche Fassung in der dritten Person vorlag, die später überarbeitet wurde. Daraus entwickeln die Autoren eine Theorie der Redaktionsgeschichte.Darüber hinaus zeigt sich ein enger Bezug zur Volksfrömmigkeit des frühen Christentums, abseits patristischer Eliten. Die christliche Ikonographie auf mehreren Ringen, der Fundkontext von Abu Mena und die Einbindung jüdischer Salomo-Traditionen sprechen für einen Entstehungsort im christlichen Alexandria. Mit ihrer interdisziplinären Verknüpfung von Archäologie, Religionsgeschichte, Apokryphenforschung und Folklore gelangen die Autoren zu neuen Einsichten.Die Anhänge enthalten Übersetzungen bislang unveröffentlichter Versionen des Testament Salomos, darunter ein neu bezeugtes agraphon, sowie eine kritische Edition einer syrischen Parallelüberlieferung. Damit entsteht eine grundlegende Neupositionierung des Textes innerhalb der antiken Religions- und Literaturgeschichte. 344 pp. Englisch.

Buch. Condition: Neu. Neuware -In this study, Ittai Gradel and Nils Arne Pedersen develop a new approach to the apocryphal Testament of Solomon by combining archaeology and textual analysis. The starting point is a group of ten 3rd-century rings, each inscribed in Greek: 'Solomon says: 'Watch out!'' The phrase, puzzling as an apotropaic formula, makes sense only in light of the Testament of Solomon, where the king, empowered by a divine ring, subjugates demons. In a climactic episode, Solomon orders two demons to support a massive column until the Day of Judgment - precisely with the words 'Watch out!' This unique command, permanently binding the demons, explains its adoption in everyday magical practice.The rings, securely dated, establish a 2nd-century date for the original version of the text and invite new reflections on its literary shape and development. While the preserved Testament alternates between first-person and third-person narration, the inscriptions suggest that the original form was a longer third-person narrative later abbreviated and reworked. From this basis, the authors develop a theory of its redactional history.The evidence points toward popular Christianity distinct from the patristic mainstream. Several rings display Christian iconography, one was linked to the pilgrimage site of Abu Mena, and parallels to Jewish Solomonic traditions are also apparent. Alexandria emerges as a plausible place of origin. The interdisciplinary synthesis - archaeology, history of religions, apocryphal studies, and folklore - generates fresh perspectives.The appendices enrich this contribution with translations of previously inaccessible versions of the Testament of Solomon, including one that contains a newly attested agraphon ascribed to Jesus, as well as a new edition and translation of a Syriac narrative. In this way, the authors significantly reposition the Testament of Solomon within the history of ancient religion and literature.

Condition: new.

Hardcover. Condition: Fine. 1st Edition. 260 pp. Bound in blue boards. Unmarked.

(XV) 575 p. Hardcover, brand new.

Hardcover. Condition: New. xlvi, 255 pages ; 31 cm. Source texts in various languages with parallel English translations; introduction and critical matter in English. Summary:"Biblia Manichaica is a reference work citing all biblical quotations and allusions in the Manichaean sources as far as they are available in editions. The first volume covers Manichaean texts in Greek, Coptic, Semitic, and Iranian languages. The reference work includes an introductory chapter on the methodology used for detecting quotations and allusions from the Bible."-- Publisher's website.

Condition: New. In.

Hardcover. Condition: Brand New. 344 pages. 7.01x1.34x9.96 inches. In Stock.

hardcover. Condition: New.

hardcover. Condition: New. 1st.

Hardback. Condition: New. In this study, Ittai Gradel and Nils Arne Pedersen develop a new approach to the apocryphal Testament of Solomon by combining archaeology and textual analysis. The starting point is a group of ten 3rd-century rings, each inscribed in Greek: "Solomon says: 'Watch out!'" The phrase, puzzling as an apotropaic formula, makes sense only in light of the Testament of Solomon, where the king, empowered by a divine ring, subjugates demons. In a climactic episode, Solomon orders two demons to support a massive column until the Day of Judgment - precisely with the words "Watch out!" This unique command, permanently binding the demons, explains its adoption in everyday magical practice.The rings, securely dated, establish a 2nd-century date for the original version of the text and invite new reflections on its literary shape and development. While the preserved Testament alternates between first-person and third-person narration, the inscriptions suggest that the original form was a longer third-person narrative later abbreviated and reworked. From this basis, the authors develop a theory of its redactional history.The evidence points toward popular Christianity distinct from the patristic mainstream. Several rings display Christian iconography, one was linked to the pilgrimage site of Abu Mena, and parallels to Jewish Solomonic traditions are also apparent. Alexandria emerges as a plausible place of origin. The interdisciplinary synthesis - archaeology, history of religions, apocryphal studies, and folklore - generates fresh perspectives.The appendices enrich this contribution with translations of previously inaccessible versions of the Testament of Solomon, including one that contains a newly attested agraphon ascribed to Jesus, as well as a new edition and translation of a Syriac narrative. In this way, the authors significantly reposition the Testament of Solomon within the history of ancient religion and literature.

Condition: New. pp. xvii + 246.