Peiffer Prudence (32 results)

Condition: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Hardback. Condition: Good. Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art and become foundational to mid-century modernism. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable group biography, as transformative as the artists it illuminates, questions the very concept of a "group" or "movement," as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community and artistic inspiration, and makes an argument for how we are shaped by it, and how it in turns shapes our work.  This is a story of place, art, and the human connections that shape history. An Unsung Art Community: Discover the circle of friends--including Robert Indiana, Ellsworth Kelly, and Agnes Martin--who quietly changed the art world from a handful of dilapidated warehouses on Coenties Slip. American Art History: Explore the pivotal decade between 1956 and 1967 when abstraction, Pop Art, and experimental film collided, fueled by friendship and shared solitude. New York City History: Trace the story of a single street from the city's colonial beginnings and maritime past to the urban development battles between Jane Jacobs and Robert Moses. The Power of Place: Go beyond the story of a single artist to understand how a shared environment can become one of the most powerful forces for creative inspiration.…

Hardback. Condition: Good. Longlisted for the National Book Award · A New York Times Notable Book of the Year · Winner of the New York City Book Award · Shortlisted for the Apollo Book of the Year Award · Shortlisted for the Plutarch Award for Best Biography · Finalist for the Gotham Book Prize · Finalist for the Pattis Family Foundation Creative Arts Book Award at Interlochen The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art and become foundational to mid-century modernism. Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable group biography, as transformative as the artists it illuminates, questions the very concept of a "group" or "movement," as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives. An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community and artistic inspiration, and makes an argument for how we are shaped by it, and how it in turns shapes our work.  This is a story of place, art, and the human connections that shape history. An Unsung Art Community: Discover the circle of friends--including Robert Indiana, Ellsworth Kelly, and Agnes Martin--who quietly changed the art world from a handful of dilapidated warehouses on Coenties Slip. American Art History: Explore the pivotal decade between 1956 and 1967 when abstraction, Pop Art, and experimental film collided, fueled by friendship and shared solitude. New York City History: Trace the story of a single street from the city's colonial beginnings and maritime past to the urban development battles between Jane Jacobs and Robert Moses. The Power of Place: Go beyond the story of a single artist to understand how a shared environment can become one of the most powerful forces for creative inspiration.…

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condition: good. All pages and cover are intact with minor wear to the pages, binding, and possible minor marks within. 100% Satisfaction Guarantee!! **Ships SWIFTLY!** Occasionally a book in our inventory had a previous life in a library. While the story inside is exactly the same, libraries often purchase specially reinforced editions and add protective covers and labels â" which can actually make for a sturdier copy.…

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condition: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Dust jacket covered in protective mylar sleeve.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. Yellow cloth over black boards with spine titles in black. Large octavo, 411 pages, notes, index. 18 pages of photos. Fine copy in a fine dust jacket in a mylar protector.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Fine. 1st. xx, 411 pages, [16] pages of plates, illustrations, maps; 24 cm. Near fine. Tight, clean copy. Remainder mark/tail edge. Stated First Edition. Dust jacket protected in a mylar cover. *** "For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the southern tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art." - Publisher. *** CONTENTS: PART I. BEFORE. The Slip; The French prelude. PART II. ARRIVALS. Ellsworth Kelly; Robert Indiana; Delphine Seyrig and Jack Youngerman; Agnes Martin; Lenore Tawney; James Rosenquist. PART III. GETTING TO WORK. The nature of it; Money; Structure; Auditions; First words; Sixteen Americans and two Frenchmen; Dark river; Simple things; The American dream; Pop will eat itself; PART IV. DEPARTURES. A delicate city; Delphine and Jack; Lenore; Ellsworth; James; Robert; Agnes; Afterword. Collective solitude. Size: 8vo.…

Condition: New.

Condition: As New. Unread copy in mint condition.

Hardcover. Condition: Used - Very Good.

Hardcover. Condition: Used - Very Good. The never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a 'group' or 'movement,' as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives.An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community, and makes an argument for how we are shaped by it, and how it in turns shapes our work. 'A group portrait of artists Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, Jack Youngerman, and the street they all called home, Coenties Slip in the 1950s and 1960s'-- Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.…

Condition: New.

Hardcover. Condition: new. Hardcover. Longlisted for the National Book Award - A New York Times Notable Book of the Year - Winner of the New York City Book Award - Shortlisted for the Apollo Book of the Year Award - Shortlisted for the Plutarch Award for Best Biography - Finalist for the Gotham Book Prize - Finalist for the Pattis Family Foundation Creative Arts Book Award at InterlochenThe never-before-told story of an obscure little street at the lower tip of Manhattan and the remarkable artists who got their start there. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower tip of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art and become foundational to mid-century modernism.Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable group biography, as transformative as the artists it illuminates, questions the very concept of a "group" or "movement," as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones--one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artists's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art--eclectic and varied work that was made from the wreckage of the city's many former lives.An ambitious and singular account of a time, a place, and a group of extraordinary people, The Slip investigates the importance of community and artistic inspiration, and makes an argument for how we are shaped by it, and how it in turns shapes our work. This is a story of place, art, and the human connections that shape history.An Unsung Art Community: Discover the circle of friends--including Robert Indiana, Ellsworth Kelly, and Agnes Martin--who quietly changed the art world from a handful of dilapidated warehouses on Coenties Slip.American Art History: Explore the pivotal decade between 1956 and 1967 when abstraction, Pop Art, and experimental film collided, fueled by friendship and shared solitude.New York City History: Trace the story of a single street from the city's colonial beginnings and maritime past to the urban development battles between Jane Jacobs and Robert Moses.The Power of Place: Go beyond the story of a single artist to understand how a shared environment can become one of the most powerful forces for creative inspiration. "A group portrait of artists Robert Indiana, Ellsworth Kelly, Agnes M Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: Very Good.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condition: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Stiff Wrappers. Condition: Fine Condition. 124 pages color illustrations throughout. Preface by David Mickenberg. Introduction Anja Chávez. Notes. Checklist. Book.

hardcover. Condition: New. Special order direct from the distributor.

Condition: New.

Condition: New.

Hardcover. Condition: Brand New. 384 pages. 9.00x6.00x0.89 inches. In Stock.

Condition: Very Good.

Buch. Condition: Neu. Neuware - In this exquisite biography, an art historian and critic captures a singular moment of community and creativity in mid-twentieth-century New York City, bringing to life a group of struggling artists and the place they all called home, an obscure little street at the lower tip of Manhattan, Coenties Slip. For just over a decade, from 1956 to 1967, a collection of dilapidated former sail-making warehouses clustered at the lower edge of Manhattan became the quiet epicenter of the art world. Coenties Slip, a dead-end street near the water, was home to a circle of wildly talented and varied artists that included Robert Indiana, Ellsworth Kelly, Agnes Martin, James Rosenquist, Delphine Seyrig, Lenore Tawney, and Jack Youngerman. As friends and inspirations to one another, they created a unique community for unbridled creative expression and experimentation, and the works they made at the Slip would go on to change the course of American art.Now, for the first time, Prudence Peiffer pays homage to these artists and the unsung impact their work had on the direction of late twentieth-century art and film. This remarkable biography, as transformative as the artists it illuminates, questions the very concept of a ?group? or ?movement,? as it spotlights the Slip's eclectic mix of gender and sexual orientation, abstraction and Pop, experimental film, painting, and sculpture, assemblage and textile works. Brought together not by the tenets of composition or technique, nor by philosophy or politics, the artists cultivated a scene at the Slip defined by a singular spirit of community and place. They drew lasting inspiration from one another, but perhaps even more from where they called home, and the need to preserve the solitude its geography fostered. Despite Coenties Slip's obscurity, the entire history of Manhattan was inscribed into its cobblestones?one of the first streets and central markets of the new colony, built by enslaved people, with revolutionary meetings at the tavern just down Pearl Street; named by Herman Melville in Moby Dick and site of the boom and bust of the city's maritime industry; and, in the artist's own time, a development battleground for Jane Jacobs and Robert Moses. The Slip's history is entwined with that of the artists and their art?eclectic and varied work that was made from the wreckage of the city's many former lives.An ambitious multifaceted biographical portrait and riveting historical account, The Slip explores the role of place in creativity?how we are shaped by our environment, and how it in turn shapes our work. The Slip is illustrated with 20 photos in two 8-page inserts.…