Perry Gillian (124 results)

Paperback. Condition: Good. This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.…

Paperback. Condition: Good. Encompassing European art, architecture and design from the 16th century to the present day, this volume uses case studies to examine the role of gender difference in the production, consumption and interpretation of works of art.

Paperback. Condition: Good. This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian.…

Paperback. Condition: Good. Encompassing European art, architecture and design from the 16th century to the present day, this volume uses case studies to examine the role of gender difference in the production, consumption and interpretation of works of art.

Paperback. Condition: Good. This volume examines the ways in which works of art have achieved a position in the canon of Western art. Focusing on art and institutions in Britain and France from the 17th to the 19th century, the contributors explore the construction and evolution of canonical values.

Paperback. Condition: Very Good. This volume examines the ways in which works of art have achieved a position in the canon of Western art. Focusing on art and institutions in Britain and France from the 17th to the 19th century, the contributors explore the construction and evolution of canonical values.…

Hardcover. Condition: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Fair.

Condition: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condition: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condition: Very Good. This volume presents a survey of art from the first two decades of the twentieth century. The authors begin by exploring how aspects of the primitive were invoked by the rural artists' colonies formed in France and Germany at the end of the nineteenth century and by the work of the Fauves and the German Expressionists a few years later. The book then develops an analysis of Cubist works based on semiotic theory, considering the social and cultural values encoded in such signifying systems, and investigating the relationship between representation and ideology. The final chapter considers some problems of interpretation and evolution posed by specific examples of abstract art ranging from Malevich to Mondrian. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Condition: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: Very Good.

Paperback. Condition: Very Good-. First Paperback Edition. In pictorial wraps, 4to, 149pp. Illustrated profusely. (light crease at spine). Size: 4to - over 9¾" - 12" tall. Color and b/w Illustrations (illustrator). Book.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Paperback. Condition: Very Good. Encompassing European art, architecture and design from the 16th century to the present day, this volume uses case studies to examine the role of gender difference in the production, consumption and interpretation of works of art. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

hardcover. Condition: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. First American Edition. With 24 pages of full color illustrations and 93 duotones. The binding is tight, corners sharp. The price-clipped dust jacket shows light edge wear with a few short closed tears, some creasing to front flap, in a mylar cover. Text and images unmarked. 149 pp.…

Paperback. Condition: Very Good. Please pass the scones: A social history of English afternoon tea This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

paperback. Condition: Very Good. Covers lightly rubbed. U.S. orders are shipped from N.Y. state.

Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condition: Very Good. No Jacket. Small crease to lower right front cover.

Paperback. Condition: Very Good. Social historian and author Gillian Perry takes us on a highly entertaining whistle-stop tour of the history of the English afternoon tea, enhanced by many luscious illustrations to make you salivate, and to bring forth your own wonderful memories.

Condition: As New. Unread book in perfect condition.

hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. First American Edition. Unread. No markings in book. Binding is fine. DJ, in mylar, with a couple of foxing marks on DJ spine. 149pp.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condition: Very Good. Women's Press, London, 1979. Softcover, 149 pp. Illustrated in color and black & white. Very good, with the original bookstore sticker on the rear wrap.