Peru Cusco (8 results)

Condition: Gut. 8° (22x17 cm.). 16 p. Folleto engrapado, Sprache: Spanisch, il. b/n. Buen estado. Ejemplar intonso. Cubiertas: algo tostadas y sombra por exposición a luz, leves roces y manchas ligeras. Interior: hojas ligeramente tostadas (amarillentas). USADO / GEBRAUCHT / USED. "Fundamentación documental del cuadro por el Dr. Manuel Chávez Ballón, catedrático de investigaciones arqueológicas de la Universidad Nacional del Cuzco" [Texto en portada] Contenido: 1. Proemio por el pintor Alfredo Rocha Segarra 2. Reproducción del cuadro Inti Raymi 3. Fundamentación documental del cuadro por el Dr. Manuel Chávez Ballón 4. El Inti Raymi según los cronistas Inca Garcilaso de la Vega, Cristóbal de Molina, Guamán Poma de Ayala y Cieza de León 5. Glosario de términos quechuas 6. Soneto "Inti Raymi" Alfredo Rocha Segarra (a veces escrito Zegarra), fue un pintor autodidacta, acuarelista, caricaturista, músico, actor, torero, investigador, matemático, políglota peruano nacido en Celendín, Cajamarca, en 1917. Manuel Jorge Chávez Ballón fue un educador, historiador y arqueólogo peruano. [Perú+Inti Raymi+Cuzco+Cusco+pintura+historia del arte+latinoamericano+rareza]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 30,60 (original price 34,00) **.

By: Sebastien MünsterDate: 1550 (circa) BaselDimensions: 11.75 x 14.8 inches (29.85 x 37.6 cm)This splendid birds-eye-view of Cusco is one of the earliest maps of European origin of the city to become available, during the Age of Discovery.Highly detailed, the map depicts the ancient city while there were yet architectural vestiges of its Incan empire builders, for whom it had been the primary seat of government. The map appears to be based on the work of Venetian cartographer Benedetto Bordone, whose map was published in several editions.The foundations of the ancient Incan temple of the sun, called Qoricancha by its builders, can be seen beneath a large Spanish-built church, indicating that the map was drawn following the Spanish conquest of the Incan nation. Before its near destruction during the conquest, Qoricancha had been one of the one of the most beautiful and most sacred of all temples of the Incan empire.Pizarro described its exterior as being studded with gold plates with the temple's environs including convents and dormitories for priests. He went on to say that he and his compatriots were taken by surprise by the beauty and sophistication of Cusco, marveling that the stonework of its many palaces and other major edifices surpassed that of contemporary Spanish work. As in many European cities, foundations of earlier buildings were preserved and used as a base for construction of more modern structures, and many are visible to this day. The city is shown surrounded by huge crenellated walls, with towers at each corner and at midway between them, with gates in each allowing entrance to the city. Small vignettes depict both scantily clad indigenous people and European-clad individuals, replete with armor and plumed helmets.Following the plundering and rebuilding of the city, it soon became an important mercantile center, as well as becoming the major center for Spanish colonization and spread of Christianity in the Andean world. Its prosperity was due to local agriculture, animal husbandry, and mining, with its prosperity thanks to agriculture, cattle raising and mining. Colonists, primarily from Spain, constructed churches and convents, a cathedral and archdiocese, and a university.The Verso: Map of Tenochtitlan and its Influence on Venetian ExplorersThe verso depicts Tenochtitlan, the miraculous (to the Spanish) city in the middle of a lake, now known as Mexico City, on one side and on the other is the title page for the map of Cusco. The earliest known Europeans to visit Tenochtitlan were enthralled by the city, comparing it to Venice, with some even saying it outshone its Italian counterpart with its magnificence.The comparison led Venetian explorers and travelers to become interested in the wealthy city and its treasures. Venetian cartographers were intrigued by the wealth and sophistication of the city and some of their early maps depict the city as it was before being virtually razed by Spanish conquistadores led by Hernán Cortés. This map depicts a combination of vestiges of the ancient city along with European-inspired architectural edifices which would have been built during the reconstruction of the city. Condition: Map is in B+ condition in its original, uncolored state with a few faint areas of foxing but no holes and one marginal tear that has been mended on the verso. Margins are full on all sides and the verso provides a clean map of Tenochtitlan.Inventory #126741200 West 35th Street, #425, Chicago, IL 60609| Phone: (312) 496 - 3622.

Kupferstich ( m. Bordüre ) v. G.M.T. aus Il Gazzettiere Americano, 1763, 20 x 16,5 (H).

Kupferstich aus Valegio, 1600, 8,2 x 13.

Kupferstich aus Meisners Schatzkästlein, 1678, 10 x 15.

Holzschnitt aus Münster ( dt. Ausgabe ), 1578, 27,2 x 37,5 Fauser 2832. - Kopie der Darstellung Cusco von Giovanni Ramusio aus dem Jahr 1556. Ab 1572 wurde der Holzstock von Du Pinet bei Seb. Münster wiederverwendet.

Holzschnitt aus Münster ( dt. Ausgabe ), 1598, 27,2 x 37,5 Fauser 2832. - Kopie der Darstellung Cusco von Giovanni Ramusio aus dem Jahr 1556. Ab 1572 wurde der Holzstock von Du Pinet bei Seb. Münster wiederverwendet.

Kupferstich aus Montanus "Die unbekante Neue Welt oder . Amerika, 1673, 27,2 x 35.