Peter Bermingham (71 results)

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Soft cover. Condition: Good. No Jacket. Unpaginated. Includes Bibliography and Chronology. Illus. with 61 B&W photos. Size is 10" W x 8" H. Cover lightly worn. Text clean, no tears.

Soft cover. Condition: Very Good. No Jacket. Soft Cover. Very Good/No Jacket. 8x10. No page numbers. Many b/w photos. Lipchitz collection of the University of Arizona Museum of Art. Jacques Lipchitz Chronology and Selected Bibliography at rear. Interior is unmarked, tight and clean.

Condition: Very good. moderate shelfwear, 0 vii, 216 p. : ill.; 28 cm. Includes Illustrations. Includes bibliographical references (p. 210-215).

Condition: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence!

Soft cover. Condition: Very Good. No Jacket. 1st Edition. 1982 Soft Cover Interior clean; binding tight. Wraps are clean.

Condition: Fair. Acceptable condition. (Arizona, Tucson, Sculpture, Art) A reading only copy. Boards/spine/hinges may be broken, detached, or missing. All pages of text are present, but they may include extensive notes/highlighting, be heavily stained, or detached. May be missing non-text pages (e.g. end pages, half title, title, frontispiece.).

paperback. Condition: Very Good. Modest shelfwear to cover, clean pages and sound binding. Errata slip laid in.

Soft cover. Condition: Very Good. Oblong 8vo. 61 black and white illustrations. Pictorial wraps. Light rubbing, edge-wear. Very Good.

Paperback. Condition: Near Fine. Squarish small 4to, 67 pp, near fine in wraps (covers shelf-rubbed, else fine). Profusely illustrated in b&w, some color. Excellent and uncommon exhibition catalog covering WPA art activity in the Southwest.

Soft Cover. Condition: Very Good+. First Edition; First Printing. 61 illustrations including many full page plates. Introduction by Peter Bermingham. ; Tight, clean and crisp. A hint of very light shelf/edge wear to wraps, otherwise a gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Unpaginated pages.

Trade Paperback. Condition: Very Good. No Jacket. Presumed First. Sl. Edgewear/Shelfwear. B/W Illus. 68 Pp. "An Exhibition Organized By The University Of Arizona Museum Of Art And Partially Funded By A Grant From The National Endowment For The Arts, A Federal Agency. The University Of Arizona Museum Of Art, Tucson: January 18 - February 15 Northern Arizona University Art Gallery, Flagstaff:, March 27- April 28 Phoenix Art Museum, Phoenix : May 24 - July 13.

paperback. Condition: Very Good. Dust Jacket Condition: Good. Museum of Art, The University of Arizona, Tucson [Published date: 1993]. Softcover, 32 leaves; illustrated in color and black and white; 29 cm. Edition of 3000 copies. Designed by Kiyo Higashi; color photography by Malcolm Varon and Ken Lieberman; black and white portrait by Ulrich Weichert. In very good condition with original opaque wraps in good condition. White stiff paper covers printed in light gray with "Max Cole" on front. Light bumping and creasing to edges and light handling wear. Binding tight. Pages clean and unmarked. Wrapper has a 1" tear to the paper at the top edge of the spine and light overall scuffing and soiling. Exhibition held October 31 - December 20, 1993, at the Museum of Art, University of Arizona, Tucson. Includes essays by Peter Bermingham and Dan Cameron, exploring Cole's meditative process within geometric abstraction and the influence of the desert landscape on her visual language. Illustrated with reproductions of Cole's ink drawings on Arches paper from 1992, and a portrait of the artist. Exhibition organized by the University of Arizona Museum of Art, curated by Peter Briggs. Contents include: Director's Statement (Peter Bermingham); Essay (Dan Cameron, August 1993); Plates; Chronology and Selected Exhibitions; Artist Portrait; Credits.

Softcover, 48 pages, very good condition, clean and crisp; inscribed and signed by Ed Colker on first blank page; no other internal marks.

Softcover, 48 pages, very good condition, small abrasion to last blank page; no internal marks.

Soft cover. Condition: Good. No Jacket. 2nd Edition. A Visual History of the Isles of Shoals. Second Edition. University of New Hampshire. Card covers. Good+ tight condition. Language: eng Language: eng 0.0.

Softcover, staple-bound; 16 pages, very good condition, except moderate rubbing to rear cover; inscribed and signed by "Shirley" on title page; no other internal marks. Foreign shipping may be extra.

Paperback. Condition: Very Good. Minor shelf wear, wear to edges, book has a barely noticeable pin hole through the covers and text, binding tight, pages clean and unmarked.

paperback. Condition: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Oversized.

Condition: Good. Good condition. (art, paintings, painters, exhibitions) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

91, (1)pp. Prof. illus. (partly color). Sq. 4to. Wraps. Published in conjunction with an exhibition at the National Collection of Fine Arts, Washington, D.C., Jan.-April 1975.

Wraps. Condition: Very Good. Oblong 8vo, 67 pp., 3 color plates, b/w throughout. Spine and corners lightly bumped, wrappers a bit handled and edgeworn.

Softcover. Wraps. 143 pp. 1 color, 101 bw plates. Preface written by Susan Faxon. She also wrote the lead essay "A History of the Isle of Shoals." Other essays by Alice Downey (Writing "Among the Isle of Shoals": Celia Thaxter as Woman and Writer) and Peter Bermingham (Art on the Shoals). Notes, selected bibliography, catalogue of the exhibition. An essential reference on this area of New Hampshire. Published to accompany an exhibition held in Durham, NH: University Art Galleries, University of New Hampshire, 1978. VG but pages coming loose from dried binding glue.

1982, Art, catalog, University of Arizona Museum of Art, 61 plates, good + Museum ex-library.

Softcover. Yellow and brown wraps. vi, 65 pp. 52 bw repros. Issued in conjunction with a 1968 exhibition of landscapes rendered by American artist Jasper F. Cropsey. With a preface by George Levitine, introduction by William Gerdts, text and catalogue by Peter Bermingham. A few works by others included in the exhibition: Thomas Cole, David Johnson, and George Inness. Nice! VG. Light wear to extremities and tanning to pages edges. Copy may have previous owner signature in pen on ffep.