Peter C Fine (37 results)

Condition: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condition: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Soft cover. Condition: Near Fine. Near Fine/, $28.77 0802802397 a GUIDE to DUTCH ART in AMERICA * SUTTON, Peter C. Netherlands~American Amity Trust, Inc; Wm. B. Eerdmans 1986 Grand Rapids; Kampen * * * * * UnStated Edition Glossy Blue Spine With Title In 0ff~White Letters, Soft Cover B00K: Near Fine/, Slight Shelf, Edge And Corner Wear. Front Cover Starting To Lift Up, Due To Exposure To Light. 350 Numbered Pages, Clean And Tight To The Spine, Slight Use. D/j: None. = No Odors, No Writing, No Names, No Rippling, Not Stuck Together, No Book Plate, Not X~Library, No Remainder Or Other Marks. = This Item Will Be Sent Wrapped In Plastic, Taped Shut And In A = Padded Mailing Envelope = To Prevent Shipping Damage So That It Will Arrive In The Description Described Which Applies To This B00K, Only. Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift, For The Discriminating Reader / Collector. = WORLD WIDE SHIPPING, AVAILABLE *. Near Fine/, 1986 (illustrator).…

54, [1] pages. Oblong paperback: H 21.5cm x L 27.75cm. Brown paper covers with light foxing. faint foxing to interior pages which are otherwise clean. Binding is firm. Prepared as the accompanying catalog for an exhibition opening at the Corcoran Gallery of Art from February 22 to April 6, 1980 and thereafter touring to Boston's Museum of Fine Arts from July 20 to August 24, 1980 and three other American museums through January 1981.…

Softcover. Condition: Very Good+. Stiff new-looking book with four crinkled pages; in glossy covers; 10.9 X 10.8 X 0.6 inches.

Soft cover. Condition: Good. 1980. Art, Africa. Corcoran Gallery of Art, Washington, D.C. good+ paperback with scuffing to covers, text is tight and clean 54p. 6/26.

Hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condition: New. Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design.…

Condition: New.

Hardcover. Condition: Near Fine. Near Fine. First Edition. Original cloth. Exhibition publications. Points gently bumped, very slight spine lean. The DJ is softened to points.; quarto; 192 pages.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condition: Used - Acceptable. This volume celebrates one of America's great museums.

PAP. Condition: New. New Book. Shipped from UK. Established seller since 2000.

Condition: New. pp. 224.

Condition: New. pp. 224.

Brossura. Condition: fine. English Text.Boston, 1988; paperback, pp. 563, b/w and col. ill., cm 26x22. Libro.

Softcover. Condition: Very good condition. xi, 159 pp. Metropolitan Museum of Art Symposia. Softcover.

Soft cover. Condition: Fine. 1st Edition. B00K: Fine/ $39.83 USE and INTERPERTATION of TESTS in ONCOLOGY * AZIZ Douglas C., M.D. Ph.D.; RITTENHOUSE, Harry J., Ph.D.; RANKEN, Raymond, Ph.D.; PETER, James B., M.D., Ph.D. SPECIALTY LABORITIES Santa Monica, CA * * * * * 1991 1sT Edition S/C. Glossy Two Stapled Blue Spine, With No Title, Soft Cover B0K: Fine/, Slight Shelf, EDGE And Corner Wear, 68 Numbered Pages Printed On Off White Paper, In As New/ Condition, That Were Lightly Viewed, Clean And Tight To Spine. D/J: None. This B0K Is Hard To Find, Will Be Packaged And Shipped Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift For The Discriminating Collector / Reader. WORLD WIDE SHIPPING, AVAILABLE. SPECIALTY LABORITIES. 1991 B00K: Fine/ (illustrator).…

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Hardcover in dust jacket, 2002-first edition/1st printing; unused and carefully stored; No marks or "shelf wear"; (as New/as New). We will add a custom fitted archival quality mylar cover, bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.…

Condition: New. pp. 224.

Soft cover. Condition: Good. 1st Edition.

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.…

Condition: Good. Used Item. Does not include New Access Codes , Cd's or one time use items that come when New. This item is Used.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Qto.,192 pages, illustrated with large colour plates and numerous others in black and white. A Fine copy in dust jacket.

Soft cover. Condition: Very Good. 1st Edition. Book and dust jacket are in very good condition. 192pp with colour and b/w illustrations.

Condition: Good. 12mo. Folded Card, Very Good. Illustrated. Peter Zokosky One Artist Show at Louis Stern Fine Arts (West Hollywood, CA).

Taschenbuch. Condition: Neu. Neuware - Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design.…

Paperback. Condition: New. Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction - typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design.…

Condition: Very Good.

Condition: Good. Please note: below is a general description of how we classify our condition types. If you would like a closer look or have any specific questions, please feel free to send us a message, and we will gladly check it for you. Condition descriptions: UsedlikeNew: Barely any signs of use, almost like new. UsedGood: May show some light signs of use, such as slight discoloration or a name written on the front endpaper, but generally no markings or notes in the text. UsedAcceptable: Book in acceptable condition. May show signs of use, such as some discoloration, reading creases in the spine, underlining, notes, slight dirt on edges, dog-eared pages, or a bent spine. New: Book is new. ZB 29-12 250624.…