Peter Campus, First Edition (15 results)

Hardcover. Condition: Good. Campus, James; Punnell, Peter (cover photographs) (illustrator). 1st Edition. Good, near vg; no markings.NOT ex liby. Crease to top r/hand corner cover. Guaranteed condition.

Soft cover. Condition: Fine. First Edition. Fine in wrappers.

Paperback. Condition: Near Fine. 1st. [36] pages, illustrations (some colour); 22 x 26 cm. Published on the occasion of an exhibition at Freedman Gallery, Albright College, Reading, Pennsylvania, March 25 to April 26, 1987. Near fine. Firm binding, clean inside copy. Age toning. Size: Oblong. Collectible.

No Binding. Condition: Near Fine. 1st. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Postcard.

First Edition. First edition Softcover. 83 pages. Exhibition catalog for a show that ran May 11 through June 4, 1979 at Kolnischer Kunstverein and then August 10 through September 8, 1979 at Neuer Berliner Kunstverein. Features texts in English and German by Peter Campus, Wulf Herzogenrath, and Robert Smith. Includes numerous black and white illustrations, and biographical information. A near fine copy in wrappers.

Soft Cover. Condition: Near Fine. Dust Jacket Condition: Good. First Edition. printed folder with pockets holding loose sheets, as issued. 13 sheets with texts and illustrations. the illustrated folder has some edge-wear. the sheets are in flawless condition. inside of folder has handwritten note stating the title, place and date of the exhibition next to a stamp of boston/nyc galleries. contains essay by ross and statement by campus. Size: 4to - over 9¾" - 12" tall.

Condition: Fine. 1st Edition. First edition, first printing. Limited edition of 50 numbered copies and 10 unnumbered artist's proofs (this being an AP/Artist's Proof), with 8 original Iris inkjet prints produced by Nash Editions on 16 x 20-inch Rives BFK cotton-rag paper. Each print is signed by the artist and embossed with the Nash Editions seal. The portfolio includes a title sheet with artist's biographies, limitation and colophon, printed letterpress. The prints are contained in a custom-made orange cloth-covered portfolio, with title stamped in blue on cover. Portfolio size 16-3/8 x 20-5/8 inches. Fine. Prints and portfolio in flawless, pristine condition. The prints are as follows: 1) Shelly J. Smith, "Untitled Nanbird," 1992. Image size 14 x 15-1/2 inches. 2) Robert Heinecken, "Shiva, The Lord Whose Half Is Woman (Vacation), 1990." Image size 18 x 10-1/4 inches. 3) Paul Thorel, "Paola V.," 1993. Image size 15-5/8 x 14 inches. 4) Graham Nash, "Chrome Magnum," 1991. Image size 14 x 16 inches. 5) Peter Campus, "bee being," 1994. Image size 10-7/8 x 18 inches. 6) Eva Sutton, "Disintegration #8," 1991. Image size 14 x 15-1/2 inches. 7) Barbara Kasten, "Roman Amphitheater, Medieval Church, Tarragona, Spain," 1992. Image size 13-1/2 x 18 inches. 8) Martina Lopez, "Revolutions in Time 2," 1994. Image size 10-3/4 x 17-3/4 inches. From Mark Haworth-Booth: "The artists represented here work with the idea that manipulation -- technical, political, psychological and an endless menu of ramifications -- is the underlying reality of our time. The images here do not so much 'express' this; it's what they are." From the publisher: "'Metamorphoses' is among the first fine-art portfolios of digital photography ever produced. Featured are dynamic new works by some of the most significant established and emerging artists of our time. Marrying the revolutionary potentials of digital image-making with the Iris digital printing process, this portfolio represents the state of the art of a nascent form of photographic expression. At a pivotal moment in the history of photography, this work represents a metamorphosis: the transformation of the medium from its photochemical origins to a new, digital foundation. The artists included in the 'Metamorphoses' portfolio were chosen for the sophistication and eloquence of their visual statements. Working in collaboration with Nash Editions in the proofing and production of the edition, these artists have created digital prints of photographic images that were impossible or simply unimagined before the emergence of computer-imaging techniques. A new vision is emerging at the crossroads of art and technology, and now, along with it, we have a printing method compatible with that vision." Signed by Author.

Brossura. Condition: ottimo. prima edizione. CAMPUS Peter (New York 1937) Köln, Kolnischer Kunstverein - DAAD, Green und Bechtold, Köln, 1979, 20,6x20,6 cm., paperback, pp. 84, catalog with illustrated cover containing more than 80 black and white photographs taken from the artist's video installations and performances. Texts by Wulf Herzogenrath, Peter Campus and Roberta Smith. Published on the occasion of the exhibition (Köln, Kölnischer Kunstverein, 11 May - 4 June 1979; Berlin, Neuer Berliner Kunstverein, 10 August - 8 September 1979).

First Edition. First edition. Softcover. This issue features the images of among others Lee Friedlander, John Baldessari, Christian Boltanski, David Levinthal, Sally Mann, Zeke Berman, and Duane Michals. Also includes a conversation between Baldessari and Christian Boltanski. A clean very near fine copy in photo illustrated wrappers. Early issues of this important photography magazine are uncommon.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. HBDJ, FIRST PUBLISHED IN 1974 , STATED 1ST EDITION, #1 IS INTACT IN # LINE. NF+/NF+ Near Fine in Near Fine dust jacket. 1974. Hardcover. 0670691674 . First printing. Near fine in a near fine (some light foxing) dust jacket. . Hardback cloth illustrated cvr matches dj Illustration ,He was 1 of many turtles back in Mesozoic Era who wondered how he would survive the Coming Ice Age. settling Himself Under a Tree, he waited Until a thick Layer of resin had dripped on His back & so he became 1st turtle with a Shell. Many such Unknown facts of turtle History make up th etales Aunt Myrtle tells to Her Niece GLORIA & NEPHEW WITHERSPOON. . WE OWE GROUNDHOG DAY TO HER & HER HUSBAND HERMAN. Uncle Herman inspired edison to invent Lite Bulb too, Eavesdropping on Illustrious Turtle family.

Portfolio. Condition: Very Good+. First Edition. Square 8vo. Unpaginated. Illustrated with b&w photo reproductions. Silvered stiff paper portfolio folder without titles containing thirteen leaves of coated paper printed recto. Cover with scuffs and rubbed edges, leaves crisp and bright. Documentation for the and/or exhibition held October-November 1975, with an introduction by Anne Focke. Two leaves are dedicated to each artist, including comments, photos, and selected exhibitions. Wegman's entry includes two drawings.Organized by Focke in 1974, the and/or alternative exhibition and performance space nurtured experimental arts. Now housed in a removable, clear archival sleeve with an acid-free backing.

4°, 256 S. mit sehr vielen, teils farbigen Abbildungen, Orig.-Karton. Erste Ausgabe.- Kapital gering gestaucht, gutes Exemplar.

senza rilegatura. Condition: ottimo. prima edizione. CAMPUS Peter (New York 1937) New York, Paula Cooper Gallery, 1983, 11x15,3 cm., invitation cardboard illustrated with a black and white photographic image by the artist, published on the occasion of the exhibition (New York, Paula Cooper Gallery 5 March - 2 April 1983). Mailed copy.

senza rilegatura. Condition: ottimo. prima edizione. CAMPUS Peter (New York 1937) New York, Bykert Gallery, 1975, 15,5x17,8 cm, invitation card, illustrated with a black and white photographic image, published on the occasion of the exhibition (New York, Bykert Gallery, 11 - 30 January 1975). [Bibliography: Tonini 2019: pag. 160 n. 235].

senza rilegatura. Condition: ottimo. prima edizione. CAMPUS Peter (New York 1937) New York, Leo Castelli, [1976], 19,5x15,3 cm., black and white illustrated invitation card, published in occasion of the exhibiton (New York, Leo Castelli 420 W Broadway, January 31 - February 14, 1976). Exemplar mailed.