Petters S (6 results)

No Binding. Condition: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

No Binding. Condition: Very Good. ORIGINAL Article, disbound from journal; no covers; in very good condition. Journal.

Pamphlet. Condition: Very Good. Aug Issue, 1982, pp.1141-1149, Map, Illus, 4to, Extracted from orig vol, thus begins with title page, trimmed & stapled pamphlet, else VG.

Trade Paperback. Condition: Acceptable. May have underlining, highlighting, margin notes, remainder marks, inscriptions, book plates, tears, significant wear, and/or a missing dust jacket, box, or discs. Damaged item.

6pp, 3 figs, Printed Card Cover, VGC.

Hardcover. Condition: Fine. No Jacket. 1st Edition. 1st ed., 1st printing ; 111 pages : illustrations ; 30 cm ISBN 9780814625736, 0814625738 OCLC 41619735 illustrated boards ; no dustjacket ; Collaborating as writers, designers, photographers, and editors, friends of Joseph O'Connell offer a glimpse of his creativity in Divine Favor, a photographic collection of this master-artist's work Introducing Joseph O'Connell's principal works to a broader public, Divine Favor contains photographs of his work as well as background information and reflections. Readers will find a sketch of O'Connell's life and work in the "Chronology of Principal Events in the Life and Work of Joseph O'Connell," an affectionate introduction to the life of Joe as artist and friend in J. F. Powers "Dear Joe" and a tribute to the man and artist in Garrison Keillor's "He Was in the Arts, You Know". Other writers present reflections throughout the book on their favorite works, representing the hundreds of viewers who admire a favorite print or sculpture. Influenced as a young artist by Eric Gill's liturgical art, O'Connell produced many works inspired by religious themes. He had an unsettling ability to put familiar scriptural images, like Christ the King or Judas Iscariot, into a contemporary scene where we prefer not to see them. Working as a printmaker and sculptor of wood, metal, and stone, O'Connell developed his own visual voice, a unique style--at once representational and stylized, simple and elegant--which distinguishes his work from the work of other twentieth-century artists. He honed his skills as a sculptor, using no power tools, but only chisels and hammers like those of the master-crafters who carved stone images on the great medieval cathedrals. ; Articles and reflections in Divine Favor are "Dear Joe," by J. F. Powers; "He Was in the Arts, You Know," by Garrison Keillor; "Unbecoming: A Look at 'Eve in the Baraque,'" by Mara Faulkner, OSB; "A Bead on Human Folly," by Hilary Thimmesh, OSB; "Jazz and the Coming of the Kingdom," by Mary Schaffer; "The Gift of Joe," by Rosemary Boyle Petters; "A Degree in Theology and Fine Art," by Philip Morsberger; "A Work in Progress," by Larry Schug; "The Moses Man," by Mary Willette Hughes; "Transformation of the Commonplace," by Alan Reed, OSB; "Joe's Questions," by Nancy Hynes, OSB; "The Tree of Life," by Mark Conway; "Tapping," by Dennis Frandrup, OSB; " A Meditation on Peter's Denial," by Mary Hynes-Berry; and "Chronology of Principal Events in the Life and Work of Joseph O'Connell." ; FINE. Book.…