Philipson Robin (18 results)

- Hardcover
- First Edition
Seller: Edinburgh Books, Edinburgh, United KingdomEdinburgh Books
Contact seller5-star sellerCondition: Used - Very good
US$ 11.81
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Hardcover. Condition: Very Good Plus. First Edition. 1976. 79pp. frontis, 40 colour & b/w plates. Very good condition with no inscriptions. Robin Philipson (illustrator).

- Hardcover
- First Edition
Seller: Edinburgh Books, Edinburgh, United KingdomEdinburgh Books
Contact seller5-star sellerCondition: Used - Very good
US$ 11.81
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Hardcover. Condition: Very Good. First Edition. 1976. 79pp. frontis, 40 colour & b/w plates. Very good condition with no inscriptions. Robin Philipson (illustrator).

- Softcover
- First Edition
Seller: timkcbooks, Penzance, United Kingdomtimkcbooks
Contact seller5-star sellerAssociation member: PBFA
Condition: Used
US$ 13.88
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First edition, first printing. Near fine paperback original. Sir Robin Philipson (illustrator).

Published by The Scottish Gallery., 1983
- Softcover
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 20.82
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Soft cover. Condition: Very Good. 1st Edition. Sq.8vo. Original paper wrappers, stapled. Price list loosely inserted. Foreward by Mary Rose Beaumont. 2 colour and 3 b/w plates, documentation.

Published by Roland, Browse and Delbanco., London, 1978
- Softcover
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 20.82
US$ 15.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. First edition. 12mo Folding card. Documentation,45 item catalogue, one colour plate.

- Softcover
- First Edition
Seller: Edinburgh Books, Edinburgh, United KingdomEdinburgh Books
Contact seller5-star sellerCondition: Used - Near fine
US$ 30.54
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Soft cover. Condition: Near Fine. First Edition. 2003. Unpaginated. c 32pp. Numerous colour pictures. Accompanies exhibition 'Sir Robin Philipson (1916-1992): 7-30 May 2012'; price list tipped in to rear. Excellent condition with only slight wear. Robin Philipson (illustrator).

Published by Roland, Browse and Delbanco., 1964
- Softcover
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 24.99
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Soft cover. Condition: Very Good. 1st Edition. 12mo. Original card covers, stapled. Introduction, 4 b/w plates, 70 item catalogue.

Published by Roland, Browse and Delbanco., London, 1975
- Softcover
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 24.99
US$ 15.50 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paperback. Condition: Very Good. First edition. Sq.8vo. Folding card. Documentation, 54 item catalogue, one colour plate. With the Private View invitation for the show.

Published by The Scottish Gallery., Edinburgh, 1976
- Softcover
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 24.99
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Paperback. Condition: Very Good. First edition. Oblong 8vo. Original paper covers. Documentation, one colour and 5 b/w plates, 65 item catalogue.
Published by Edinburgh International Festival, 1989
- Softcover
Seller: The Guru Bookshop, Hereford, United KingdomThe Guru Bookshop
Contact seller5-star sellerCondition: Used - Fine
US$ 13.88
US$ 32.35 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
paperback. Condition: Fine.

Published by Laing Art Gallery., 1970
- First Edition
Seller: Roe and Moore, London, United KingdomRoe and Moore
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US$ 20.82
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No Binding. Condition: Very Good. No Jacket. 1st Edition. Folding sheet, 2 colour and 8 b/w illustrations.
More imagesPublished by Edinburgh International Festival, United Kingdom, 1989
- Softcover
- First Edition
- Signed
Seller: M. C. Wilson, Perth, WA, AustraliaM. C. Wilson
Contact seller5-star sellerCondition: Used - Near fine
US$ 17.30
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Soft cover. Condition: Near Fine. 1st Edition. First edition, first impression 1989 Stapled Soft Cover SIGNED by Robin Philipson near fine book. 36 pages. Biography. Illustrations. Bibliography. Signed by Author(s).
Published by The Royal Scottish Academy, Edinburgh, 1976
- Softcover
- First Edition
Seller: Black Dog Books, Emerson, NJ, U.S.A.Black Dog Books
Contact seller4-star sellerWraps. Condition: Very Good Some Brown Spotting. First Edition. A very nice copy of this exhibition catalogue containing illustrations of featured sculptures and paintings, most in black and white, a few in color. Book.

Published by The Scottish Gallery, Edinburgh, 1976
- Softcover
- First Edition
Seller: David Bunnett Books, London, United KingdomDavid Bunnett Books
Contact seller5-star sellerCondition: Used - Fine
US$ 30.54
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SOFTCOVER. Condition: Fine. 1st Edition. Slim, large landscape 4to. in colour printed stiff glossy card covers, unpaginated, approx. 8pp on glossy art paper, b/w plates etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers very slightly tanned) ] . To see more of our Art Monographs etc type DbbARTIST… in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.
Published by Royal Scottish Academy, 1976
Seller: EYES WIDE OPEN, London, United KingdomEYES WIDE OPEN
Contact seller4-star sellerCondition: Used
US$ 6.94
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Card 96pp col/BW illus.VG+.
More imagesPublished by Edinburgh: University of Edinburgh Press, 1976
- Hardcover
- First Edition
Seller: William Cowan, Oban, United KingdomWilliam Cowan
Contact seller4-star sellerAssociation member: PBFA
Condition: Used - Fine
US$ 34.70
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Hardcover. Condition: Fine. 1st Edition. [PHILIPSON, Robin]. LINDSAY, Maurice. Robin Philipson: Modern Scottish Painters, Number Six. Edinburgh: University of Edinburgh Press 1976. Illustrated in colour and b&w. Bound in pictorial boards. Fine copy, as issued.

Published by Self-published., Edinburgh, 1976
- First Edition
- Signed
Seller: Roe and Moore, London, United KingdomRoe and Moore
Contact seller4-star sellerCondition: Used - Very good
US$ 76.35
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Single sheet. Condition: Very Good. First edition. Two autograph signed letters from Robin Philipson to Heinz (Henry) Roland. one RSA headed paper dated July 26th 1976. Discusses forthcoming show at The Scottish Gallery and the Festival.

Published by [Privately Published by] Margaret Tait, Edinburgh, 1960
- Hardcover
- First Edition
Seller: Quair Books PBFA, Leeds, United KingdomQuair Books PBFA
Contact seller5-star sellerAssociation member: PBFA
Condition: Used - Near fine
US$ 277.63
US$ 28.98 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Paper boards. Condition: Near Fine. FIRST EDITION ('Interim Edition'). 8vo, pp. [iv], 44. Faintest rubbing at extremities, gentle pushing to spine ends. Bands of offseting to feps, a few fox spots, else, clean and tight. Near fine in original clear acetate dust jacket. A lovely copy of the charming first ('interim') edition of M…argaret Tait's second collection of poems, featuring Robin Philipson's striking lithographs to its boards. The Orcadian experimental filmmaker, poet and medical doctor, Margaret Tait (19181999) is best known for her lyrical "film poems" (32 short films and a single full-length film, Blue Black Permanent), which she shot and produced in the early 1970s on Orkney. As Tait's description suggests, her film work was poetic (in both form and content, including Hugh MacDiarmid, A Portrait), as well as in conversation with the natural world and Orcadian culture. Just over a decade earlier, Tait had self-published her own poems and short stories in five volumes (issued from her home on Rose Street, Edinburgh) in what she referred to as 'interim' editions, but no further editions ever followed. Her poetry and prose would only be reissued after her death in the 2012 collection Poems, Stories, and Writings, edited by Sarah Neely and with an introduction by Ali Smith (itself reissued in 2023). Smith described Tait's poems as "a revelation in so many ways, of her voice, her eye, her playful idiosyncrasy, her craft, her timing. They reveal her sources: the Bible, myth, medieval ballad, folk form and popular song, united with a modern legacy of breath-rhythm, directness of voice and openness of form characteristic of writers as vibrant and shape-shifting as Whitman, Hopkins, Lorca and Ginsberg, as argumentative, spontaneous-seeming and energetic as D.H. Lawrence (whose empathy, for instance, she emulates and simultaneously, very enjoyably, takes to task).".