Piano Michael (29 results)

audioCD. Condition: Good.

First editionl fine in original wrappers.

Paperback. Condition: Very Good. Pictorial Printed Wraps; Moderate Wear Only, 160 Clean, Unmarked Pages; Tiny Pencil Marks On Contents Pages. Michael Leonard (illustrator).

Paperback. Condition: Acceptable. Note! Very rough reading copy. Has loose spine/binding. Pages still intact. Has tearing. Has lots of wear. Meets the acceptable condition guidelines. Five star seller - Buy with confidence.

Soft cover. Condition: Very Good. 176 pages. Illustrated. John A Rice "The Tuscan piano in the 1780s Some builders, composers and performers" / Michael Latcham "The check in some early pianos and the developmenr of piano technique aroind the turn of the 18th century" / Bruce Wood and Andrew Pinnock "The Fairy Queen: a fresh look at the issues" / Janet K Page "'To soften the sound of the hoboy' The muted oboe in the 18th and early 19th centuries" / George B Stauffer "Boyvin, Grigny, D'Anglebert, and Bach's assimilation of French Classical organ music" / Michael Cole "A Handel harpsichord".…

SOFTCOVER. Condition: As New. Dust Jacket Condition: As New. 1st Edition. Small octavo size (8vo) in printed card covers, with semi-opaque colour printed wrapper. 126pp, colour plates, etc. Dual text in Danish and English . [CONDITION: AS NEW in an AS NEW complete Dust Jacket (very slightly nicked at head of spine panel) ] . __.To see more of our books on Interiors and Architecture type DbbARCH in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Soft cover. Condition: Very Good+. 1st Edition. First edition dated 1954 but could be later Large thick quarto Paperback. Cream textured cover Vocal score with piano reduction 420 pp Very Good + condition. No inscriptions.

Soft cover. Condition: Very Good. 180 pages. Illustrated. New Light on Robert Cambert in London, and His "Ballet et Musique" (pp. 198-202+205-206+208-210+212-214+217-220) John Buttrey Music and Musicians of Early Tudor Westminster (pp. 223-228+231-240) Fiona Kisby Domenico Scarlatti and the Florentine Piano (pp. 243-246+249-256) David Sutherland The Earliest Paintings of the Clarinet (pp. 258-266) Eric Hoeprich 'Gallimaufry' at Covent Garden: Purcell's "The Fairy-Queen" in 1946 (pp. 268-284) Michael Burden Mozart's Pedal Piano (pp. 287-296) Richard Maunder and David Rowland Sense and Sensibility in Late-Medieval Music: Thoughts on Aesthetics and 'Authenticity' (pp. 298-304+306-308+310-312) Rob C. Wegman.…

audioCD. Condition: Befriedigend. Seiten; Artikel stammt aus Nichtraucherhaushalt! NB1-13767 Sprache: Englisch Gewicht in Gramm: 500.

254 S. Kartoniert mit Umschlagklappen. Sauberes Exemplar ohne Stempel und Anstreichungen. Mit zahlreichen Abbildungen und Tafeln. Einband stark berieben. Buchrücken zum Teil von Bindung gelöst. Sonst gut erhalten. Texte auf Englisch, Französisch und Italienisch. Sprache: eng.

Condition: Fine. Number of books: 1 book.

Vinyl. Condition: Sehr gut. ca. 45 min Spieldauer. Cover mit leichten Gebrauchsspuren, LP sehr gut erh.!! Sprache: Englisch Gewicht in Gramm: 1550.

Condition: New. Leslie Carr-Riegel studied at Kalamazoo College, USA, before transferring to complete her BA at the American University in Rome. She took her first MA from the University of Durham before completing her second MA and PhD at the Central E.

Buch. Condition: Neu. Neuware - Why did Italian culture come to occupy such privileged status and interest among the societies of East-Central Europe during the period 1300-1600 In 1300, East-Central Europe regarded Italy not necessarily as an undisputed center of cultural emulation but drew from a much wider range of models centered in France, Germany, and even Kievan Rus'. Two centuries later the same region was saturated with Italianate forms - architecture, humanism, diplomacy, commerce, and print - that rivaled the most sophisticated centers of the High Renaissance.This volume argues that the transformation was neither passive reception nor mere 'Italianism.' Rather, East-Central-European societies deliberately appropriated, hybridized, and reinterpreted Italian practices and values specifically to achieve their own political, economic, and intellectual aims and meet an array of regional challenges.Ranging in focus from the fourteenth-century Italian mining practices to digital Latin corpus analysis, diplomatic history, and early print studies, together the chapters in this volume present nine case studies that draw on a number of methodologies, new sources, and fresh archival research that all advance an understanding of this important and complex phenomenon. This book is a vital reading for scholars of cultural transfer, early modern studies, and East-Central European history more broadly.…

Condition: Very Good. Vintage piano sheet music in colour illustrated white paper covers. 14'' x 10½''. Contains 8 pages including the covers. Scored for voice and piano with lyrics. In Very Good condition. Member of the P.B.F.A. SHEET MUSIC.

audioCD. Condition: Gut. Seiten; Artikel stammt aus Nichtraucherhaushalt! NB1-12963 Sprache: Deutsch Gewicht in Gramm: 500.

Vinyl. Condition: Sehr gut. Ings. 19 Stücke. Inkl. liner notes. Cover etw. berieben, LP nahezu tadellos erh.!! Sprache: Deutsch Gewicht in Gramm: 1550.

Condition: 1930-1980. IPPOLITOW-IWANOW Michael Kaukasische Skizzen - Esquisses Caucasiennes - Caucasian Sketches Suite in viers Sätzen - Suite en 4 mouvements - Suite in four parts pour Piano solo par Michael Ippolitow-Iwanow op. 10 Anton J. Benjamin Editeur A. J. B. 4153 XXe siècle 21 pages Très bon état 016235 Nouveau.…

Condition: 1930-1980. Little Boy Blue A new setting of an old rhyme Pour Chant et Piano By J. Michael DIACK In the Handelian Manner U. S. A, Paterson's Publications Ltd 1940 4 pages 31 x 24.8 cm Très bon état 056836 Chant et Piano.

Condition: 1850-1900. Lake-Land - No 1 Windermere Mazurka élégante pour Piano by Michael Watson London, B. Williams 8430 XIXe siècle 7 pages 33.8 x 25.0 cm Bon état, anciennes restaurations 050096 Piano solo.

Condition: 1900-1930. Sonate en Si mineur de Michael Christian Festing pour Piano et Violon par J. Jongen et Joseph Debroux Paris, Henry Lemoine & Cie Editeurs XXe siècle 1910 7 + 3 pages 35.4 x 27.5 cm Très bon état 049004 Violon et Piano.

Condition: 1930-1980. The Lass with the Delicate Air Pour Chant et Piano Pour Soprano or Ténor Par Michael ARNE New York, G. Schirmer INC. 14516 1930 7 pages 30.5 x 22.8 cm Parfait état 058109 Chant et Piano.

Condition: 1930-1980. Such Lovely Things Song Words by Henrik Ege Pour Chant et Piano Music by MichaelNORTH London, Boosey & Hawkes, B. & H. 16580 1949 5 pages 31.2 x 23.7 cm Très bon état 050348 Chant et Piano.

Condition: 1930-1980. Aimez-vous les longs baisers (Haben sie schon mal im dunkeln geküsst) Fox-Trot du film "Carnaval d'amour" Pour Chant et Piano Chanté par Nila Cara Paroles Françaises de Louis Sauvat Paroles Allemandes de Hans Fritz Beckmann, Aldo von Pinelli Musique de Michael JARY Paris, Editions continental, CAL 794 1942 3 pages 32 x 25 cm Très bon état Partition illustrée 035470 Chant et Piano. …

Condition: 1930-1980. Le Général Dort Debout "The General's Fast Asleep" Pour Chant Piano Paroles anglaises et musique de Jimmy KENNEDY & Michael CARR Paroles françaises de Jean Féline Paris Publications Francis-Day P. F. D. 2585 1936 3 pages 31.5 x 24.5 cm Très bon état Partition illustrée 027423 Nouveau.…

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1798 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 88 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 88 Language: English.…

Condition: 1850-1900. Naaman Oratorio Poème de Bartholomew Traduit de l'Anglais par Emilien Pacini Musique de Michel Costa pour Chant et Piano Paris, Choudens Editeur A. C. 1432 XIXe siècle ca1867 228 pages 28.3 x 19.3 cm Bon état, couverture très défraîchie, pages non coupées 060266 Oratorio.

Hardcover. Condition: new. Hardcover. Why did Italian culture come to occupy such privileged status and interest among the societies of East-Central Europe during the period 13001600? In 1300, East-Central Europe regarded Italy not necessarily as an undisputed center of cultural emulation but drew from a much wider range of models centered in France, Germany, and even Kievan Rus. Two centuries later the same region was saturated with Italianate forms architecture, humanism, diplomacy, commerce, and print that rivaled the most sophisticated centers of the High Renaissance.This volume argues that the transformation was neither passive reception nor mere Italianism. Rather, East-Central-European societies deliberately appropriated, hybridized, and reinterpreted Italian practices and values specifically to achieve their own political, economic, and intellectual aims and meet an array of regional challenges.Ranging in focus from the fourteenth-century Italian mining practices to digital Latin corpus analysis, diplomatic history, and early print studies, together the chapters in this volume present nine case studies that draw on a number of methodologies, new sources, and fresh archival research that all advance an understanding of this important and complex phenomenon. This book is a vital reading for scholars of cultural transfer, early modern studies, and East-Central European history more broadly. Why did Italian culture come to occupy such privileged status and interest among the societies of East-Central Europe during the period 13001600? Two centuries after 1300, East-Central Europe was saturated with Italianate forms that rivalled the most sophisticated centers of the High Renaissance. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condition: new. Hardcover. Why did Italian culture come to occupy such privileged status and interest among the societies of East-Central Europe during the period 13001600? In 1300, East-Central Europe regarded Italy not necessarily as an undisputed center of cultural emulation but drew from a much wider range of models centered in France, Germany, and even Kievan Rus. Two centuries later the same region was saturated with Italianate forms architecture, humanism, diplomacy, commerce, and print that rivaled the most sophisticated centers of the High Renaissance.This volume argues that the transformation was neither passive reception nor mere Italianism. Rather, East-Central-European societies deliberately appropriated, hybridized, and reinterpreted Italian practices and values specifically to achieve their own political, economic, and intellectual aims and meet an array of regional challenges.Ranging in focus from the fourteenth-century Italian mining practices to digital Latin corpus analysis, diplomatic history, and early print studies, together the chapters in this volume present nine case studies that draw on a number of methodologies, new sources, and fresh archival research that all advance an understanding of this important and complex phenomenon. This book is a vital reading for scholars of cultural transfer, early modern studies, and East-Central European history more broadly. Why did Italian culture come to occupy such privileged status and interest among the societies of East-Central Europe during the period 13001600? Two centuries after 1300, East-Central Europe was saturated with Italianate forms that rivalled the most sophisticated centers of the High Renaissance. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…