Picasso Pablo, Signed (306 results)

Hardcover. Condition: very good. Dust Jacket Condition: very good. First Edition, no additional pri. NOT an ex library book. Signature of author. Prior owner name with 1970 date on front endpaper. Colorful frontis by Pablo Picasso. 78 pages. Dust jacket has 1/2" tear, no chips. Price is not clipped. Signed by author.

Soft cover. Condition: Very Good. 1st Edition. Oversized softcover. White pictorial covers with red and orange lettering. Covers have some rubbing and light scratching, but overall remain clean. Some shelf-wear along bottom edges. Binding is strong. Title page dated 1993. Copyright page dated 1991. Clearly inscribed on title page to Mary Case by someone, but the name is indiscernible -- a "Felix A----", most likely. Pages free of marks or tears, with illustrations throughout. Please e-mail us with questions or to request photos -- or if you know who this mystery signature might belong to! This is an oversized book. Extra shipping charges may be required for international or priority delivery. Signed by Author(s).

Hardcover. Condition: Fine. Autorensignatur; Leichte Rillen / Abschürfungen / Risse / Knicke.

Broschiert. Condition: Gut. 128 S. : überw. Ill. ; Das Buch ist in einem neuwertigen Zustand. Mit persönlicher Widmung des Autors. Sprache: Deutsch Gewicht in Gramm: 510.

4°, Hardcover/Pappeinband. Condition: Gut. 100 S., zahlr. Abb. Gebraucht. guter Zustand. Mit Signatur von Roland Doschka. SU., gebraucht; Innendeckel mit Exlibris Aufkleber, ansonsten guter und sauberer Zustand. Aus dem Inhalt: Vorwort / Roland Doschka: Zur Genese des schöpferischen Prozesses. Picassos Zeichnungen zwischen Eros und Thanatos - Werke von existenzieller Dimension / Marilyn McCully: Picassos kubistische und postkubistische Zeichnungen / Anne Baldassari: Das Auge Goethes. Über die Farbe im zeichnerischen Werk Picassos. Sprache: Deutsch Gewicht in Gramm: 1582.

hardcover. Condition: very good(+). Dust Jacket Condition: very good(+). Picasso, Pablo (illustrator). First. 48 full-page color plates, other black-and-white illustrations. xiii + 400pp., large 4to, cloth-backed blue boards, d.w. New York: Atlantic Monthly Press, (1995). First edition. A very good (+) copy in a very good (+) dust wrapper. Signed by Norman mailer on the half-title page.

First Edition. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii, 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists' preparatory studies. French art. Art history. European painting. Visual arts. 3 Kg.

Condition: Good. Autographed. 4to. 86 pp. Soft cover. Good. Illustrated paper wraps. Some shelf wear, creasing at corners, and staining on front right edge. Minor loss at bottom corner at verso. Mild toning of pages, else pages fine. Color and B&W plates throughout. Signed by Peter Selz on first page and dated 1962. From the Collection of the Art Historian Peter Selz. M. Knoedler and Co.: 1895-1909 --Saidenberg Gallery: Cubism --Paul Rosenberg and Co.: The twenties --Duveen Brothers, Inc: The classic phase --Perls Galleries: The thirties --Staempfli gallery, Inc.: The forties --Cordier-Warren Gallery: The fifties --The New Gallery: Drawings --Otto Gerson Gallery: Sculpture.

Condition: FINE. First printing. A book which "sets out to capture the meaning of Picasso's life and art and explores in bold fashion the originality of his ambition." Illustrated with 48 full-page color plates, other black-and-white illustrations. SIGNED on the title page and dated in the year of publication. Notes, bibliography, photo credits. A large quarto. xiii, 400 pp. Fine in red cloth-backed blue boards in a very near fine dust jacket (some fading to lettering on spine and front cover, but blue background is bright and unfaded).

. In-12 br. Étude autour de la polémique provoquée, à la mort de Staline, par la publication de son portrait par Picasso dans Les Lettres Françaises, hebdomadaire dirigé par Aragon. Illustrations. E.O. Envoi autographe de Laurent Lévy.

Condition: Good. Color silkscreen print after Picasso. Signed Picasso - Vea in the plate. 12 x 9 inches.

First Edition. Very good paperback copy; edges and panels somewhat dust-dulled and nicked. Remains quite well-preserved overall. Publishers presentation copy. Series; Les sentiers de la creation. Physical description; ii, 118 pages : illustrations ; 22 cm. Subjects; Mural painting and decoration. French artists' preparatory studies. French art. Art history. European painting. Visual arts. 1 Kg.

kart. Condition: Sehr gut. 2., rev. und erg. Aufl. 419 S. : zahlr. Illustr. Gutes Exemplar mit geringfügigen Gebrauchsspuren. - Sehr zahlreiche Abbildungen. / INHALT : Inhalt -- Die frühen Bronzen -- Größere Formate -- Gosol und die Abwendung vom Psychologischen -- Außereuropäische Einflüsse -- Die Rolle der frühen Plastik im Gesamtwerk -- Der Frauenkopf und die kubistische Plastik -- Umkehrung von Positiv-Negativ-Verhältnissen -- Das anthropomorphe Musikinstrument -- Das Absinthglas, Begegnung von Realität und Reflexion -- Konstruktionen und Stilleben -- Physiognomische Darstellung und Bühnenplastik -- "Raumzeichnungen". Entwürfe für eine Statue. "Aus nichts, aus Leere" (Apollinaire) -- Biomorphe Verzerrung -- Arbeiten aus Metall -- Reliefs und geschnitzte Statuetten -- Modellieren und Konstruieren -- Das Atelier in Boisgeloup -- Die Liegende Badende. Picasso und Matisse -- Tierplastik -- Verselbständigung organischer Massen -- Die vier Frauenköpfe -- Relieftechnik und Übernahme von Texturen -- Fundstücke und Der Stierschädel -- Plastische Skizzen -- Großformatige Arbeiten in Paris -- Die Verwendung der Schneiderpuppe - Mann mit Lamm -- Der Totenkopf -- Keramik und plastisches Arbeiten -- Blume und Vase -- Die "enzyklopädischen" Skulpturen Ziege und Pavian mit Jungem Skulptur und Malerei Bemalte Strukturen Klappskulpturen aus Blech Die Gruppe der Badenden Beschränkung auf Flächenskulptur Nachwort Anmerkungen -- Werkverzeichnis der Skulpturen -- Einführung -- Abbildungen -- Beschreibung der Werke -- Konkordanz von Katalognummern und Seiten der Abbildungen -- Verzeichnis der Abbildungen im Text -- Biographie -- Ausgewählte Bibliographie. // Dieses Buch zeigt das gesamte plastische Werk Picassos. Das erweiterte Oeuvreverzeichnis, das hier vorgelegt wird, reproduziert und beschreibt nahezu 740 Werke. Die Übersicht reicht von winzigen, aus Papier gerissenen Figuren über Konstruktionen aus Metall, Holz und Fundstücken, modellierten Skizzen, Klappskulpturen aus Blech zu den großen, oft monumentalen Arbeiten. All dies übersteigt die Gattungsgrenzen, die der Plastik lange vorgeschrieben waren. Picasso selbst hat im Gespräch Brassai gegenüber unmißverständlich die Ansicht geäußert, daß auch seine kleinste Invention zum plastischen Werk gehöre: "Mir, Picasso, beibringen zu wollen, was eine Skulptur und was keine ist! So eine Unverschämtheit! . Was ist eine Plastik? Was ist Malerei? Immer klammert man sich an altmodische Ideen, an überlebte Definitionen, als ob es nicht gerade die Aufgabe des Künstlers wäre, neu zu finden." Die Publikation ist wohl die umfassendste Darstellung von Picassos plastischem Werk. Zahlreiche, zum Teil unveröffentlichte Zeichnungen und Dokumente illustrieren den Text. Als Werner Spies Picasso 1971 die erste Fassung seines Skulpturenbuches überreichte, meinte dieser: "Es kommt einem vor, als entdeckte man eine unbekannte Zivilisation." Eine faszinierendere Definition läßt sich für diese Arbeiten wohl kaum finden. "Umfassender noch als seine Gemälde erschließen Picassos Skulpturen die gesamte Kunst des Jahrhunderts in ihren Ursprüngen und Verwandlungen aus klassischer Tradition bis zu Kunsttendenzen der Gegenwart. In immer neuen Grenzüberschreitungen mißt dieses erregende Oeuvre, vor dem niemand gleichgültig bleibt, den Reichtum aller formalen und technischen Möglichkeiten findend und erfindend aus" (Süddeutsche Zeitung). (Verlagstext) ISBN 9783775711098 Sprache: Deutsch Gewicht in Gramm: 2900.

Original-kartoniert. Condition: Sehr gut. 4 Original-kartoniert en 280 pp. - Information zur Signatur: with Deborah Rothschilds dedication to the historian Brigitte Hamann. 1.

. Fort volume in-8 br. de 736 p. Importante enquête sur les pas de Picasso qui tente de répondre à de nombreuses questions : pour quelle raison est-il signalé comme anarchiste en 1901, pourquoi en 1914 près de 700 oeuvres cubistes sont séquestrées pendant 10 ans, quelles sont les raisons de l'absence presque totale de ses oeuvres dans les musées français jusqu'en 1947, etc. Illustrations, bibliographie, index, etc. E.O. Très bel envoi autographe d'Annie Cohen-Solal.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 1st Edition. 245 Pp. A Much-Enlarged Edition Of Armitage's 1936 Book, Which Was The First English Language Book About Stravinsky, With Much New Material Added. Black Cloth Printed In Yellow. End Sheets By Carlos Dyer And Edward S. Stevens Jr. Designs And Drawings By Merle Armitage And Executed By Al Ewers. Portrait Photographs By Edward Weston, John Vachon, Fred Plaut, Arnold Newman; Portraits Of Stravinsky By Klee, Pablo Picasso, Russell Cowles, J E Blanche, Marc Chagall, Pasquale Giovanni Napolitano; Drawings By Carlus Dyer And E S Stevens. Inscribed From Merle Armitage, His Wife And His Daughter To Dorothy (Brett). "Editor And Book Designer Merle Armitage Wrote A Book About This Time In New Mexico. Taos Quartet In Three Movements Was Originally To Appear In Flair Magazine, But The Magazine Folded Before Its Publication. This Short Work Describes The Tumultuous Relationship Of D. H. Lawrence, His Wife Frieda, Dorothy Brett And Mabel Dodge Sterne, A Wealthy Patron Of The Arts. Armitage Took It Upon Himself To Print 16 Hardcover Copies Of This Work For His Friends. Richard Pousette-Dart Executed The Drawings For Taos Quartet That Was Published In 1950." (Wikipedia). A Near Fine Example With Just A Trace Of Rubbing At Corners. Dj Complete, Not Price Clipped, No Fading, Slight Browning And Faint Splash Marks On Spine Panel, 1/4" Closed Tear At Center Of Top Edge Of Spine. Inscribed by Author(s).

Hardcover. Condition: Very Good. 1st. First printing, limited edition of 300 deluxe copies, hors de commerce, of which this is number 64. Printed by l'Imprimerie Moderne du Lion on vellum paper Arjomari. 307 pp. in about 24 unbound quarto signatures, all in a white linen box. Includes presentation bookplate plus loose colophon signed by M. Gaudieri. Contents are Very Fine, unread. clamshell box has a few light soils pots from handling. A spectacular production. Rare. Very large heavy book, will require additional shipping cost. Signed by Author(s).

Hardcover. Condition: Near Fine. 1st Edition. Signed by the author. Near-fine with a bit of sunning to spine, otherwise clean and tight (351 pages). Laid in is a four-page Editor's Note. Number 121 of a first printing of 1,000 sold to subscribers, of which half were eaten by rats while in storage in Normandy. The author, French poet and painter Marc Sabatier-Leveque, began writing this massive poem at the age of 14; he rewrote it when he was 22 and it was published in 1955 thanks to André Malraux. Illustrated with 16 portraits of the author by Pablo Picasso, who was the initiator of the subscription and said to the poet: "You are the one who brought French literature out of its Louis-Philippard style." Malraux, who considered this text to be "one of the major works of the 20th century," wrote to its young author: "You will be discovered in 30 years." Sabathier-Leveque died at the age of 37 without publishing another book. A scarce title, made rare (perhaps unique) by the author's signature at the top of the half-title page. Signed by Author(s).

Hardcover. Condition: Fine. 1st Edition. 60 Pp. Yellow Cloth Printed In Brown And Black On Front Cover, As Issued. 5 13/16" X 4 1/2". First Book Publication Of Two Magazine Articles By Picasso, First Published In 1923 And 1930. One Of 112 Copies, Designed By Merle Armitage, Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso, By (Pasquale) Giovanni Napolitano, Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally, Inscribed By Armitage To The Illustrator Napolitano And His Wife: "This First Copy- Born On April 3, 1936, Is For Emmie And Jonnie Napolitano- Who Like This Book. Merle Armitage". A Fine Copy, No Wear Or Stains. Inscribed by Author(s).

Hardcover. Condition: Near Fine. Original Signed Lithograph By Pasquale Giovanni Napolitano (illustrator). 1st Edition. 60 Pp. Beige Morocco, Blindstamped In Similar But Not Duplicative Design As The Regular Clothbound Issue, But In A Larger Format 6 9/16" X 5 3/32" Which Preserves More Of The Original Lithographic Drawing (We Also Have Available Separately A Full Page Printing Of The Lithograph, Signed And Annotated By Napolitano, Which Image Is Abbreviated Even In This Large Paper Copy).There Is A Stated Limitation Of 112 Copies, This Copy Numbered 116 (One Of Armitage's Copies Of A Small Overage In The Print Run). Designed By Merle Armitage, Printed By Adcraft Under Supervision Of Lynton R. Kistler. Frontispiece Lithograph Portrait Of Picasso, By Napolitano, Pulled By Hand From Stone By Lynton Kistler And Signed In Pencil By Napolitano. Text Printed In Bodoni 12 Pt. Additionally, Inscribed By Armitage "A Special Leather Bound Copy For Napolitano, Merle Armitage 1936". A Near Fine Copy, Slight Rubbing At Corners Of Binding. A Possibly Unique Armitage Printing In This Larger Format. Inscribed by Author(s).

First edition hard back binding in publisher's original black cloth covered boards, blocked and lettered silver back. 4to. 11'' x 9ĵ''. Contains 65 duotone photographs throughout. Two ink messages, one to the front paste down, the other to the margin of one photograph, signed 'Funk Dismeskinty?'. Very Good condition book in Very Good condition dust wrapper with light rubbing to the tips and corners. SIGNED initials by Duncan to the verso of the last photograph 'DDD'. Member of the P.B.F.A. PHOTOGRAPHY.

Condition: Good. Offset lithograph after Picasso. Signed in the plate. Black and white on heavy vellum paper. 8.5 x 11 inches. 21.5 x 28 cm.Oblong.

Condition: Good. Offset lithograph after Picasso. Signed in the plate. Black and white on heavy vellum paper. 8.5 x 11 inches. 21.5 x 28 cm.Oblong.

Condition: Good. Serigraph after Picasso. Four colors. 9 x 12 inches. Larger format signed and dated 1958 in the plate. Picasso Project no. 58-082; Zervos no. XVIII, 055.

Condition: Good. Serigraph after Picasso. Four colors. 10 x 12 inches. Signed and dated 1962 in the plate.

Encuadernación de tapa blanda. Condition: Muy bien. ////Grabado de 30x20,5 cms. Numerado (45/120) y firmado por el autor, Jirího Vavriny. Publicado por la Galería de Bohemia Oriental en Pardubice en abril de 1974, con motivo de la publicación de "Escribió y dijo Picasso".////En carpeta original. /Muy buen estado./Arte., Picasso. Firmado por el autor.

Fourth Edition. Very good copy in the original title-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Provenance; the critic and poetry activist Charles Tomlinson's copy; signed by him. Physical description: 6 preliminary leaves, plates 1 illustration 26 x 21 cm.Subjects: Picasso, Pablo 1881-1973. Art history. Cubism. Spanish artists biography. 3 Kg.

Condition: Good. Serigraph after Picasso. Black and white. 12 x 9 inches. Signed and dated in the plate. Reverse image of Bloch No. 1557.

Condition: Good. Serigraph after Picasso. Black and white. 9 x 12 inches. Signed and dated 3.9.68 in the plate. Reverse image of Bloch no. 1789.

Original-Broschur. Condition: Gut. Picasso, Pablo (illustrator). 1. Auflage. dem unsignierten Buch liegt eine Karte bei signiert von dem russischen Dichter und Schriftsteller Jewgenij Jewtuschenko (1932-2017). leichte Gebrauchsspuren, etwas berieben.with card signed by author Size: 4°. Buch.