Pincus John (74 results)

Condition: Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover, 32 pages, good condition, moderate wear to covers; no internal marks. (Blank blue spine) Foreign shipping may be extra.

Hardcover. Condition: Very Good. 20. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condition: Good. 20th. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condition: Good. 20th. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Broschiert. Condition: Gut. 176 Seiten Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 235. …

Condition: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condition: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

gebundene Ausgabe. Condition: Gut. 221 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 595.…

221pp + booklist. 8vo Statistical tables & formulas. Gray cloth. Ex-library, pockets removed from front endpapers, else VG+/no dj.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. 167 Pp. First Edition. Chocolate Brown Cloth. Interior As New. Dj As New. Limited To 3000 Copies. Color Plates (illustrator).

Paperback. Condition: New.

78 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. Traveled to Contemporary Arts Center, Cincinnati, Ohio, January 14 - February 21, 1982 and Contemporary Arts Museum, Houston, Texas, March 6 - April 18, 1982. Also traveled as "John Baldessari: Art as Riddle," held at University Art Galleries, Wright State University, Dayton, OH, January 1982 and to additional venues. Essays by Marcia Tucker and Robert Pincus-Witten. Includes an interview with the artist by Nancy Drew. Includes bibliography and exhibition history by Dan Cameron and Lore Lennon and an index. Good. Rubbing to covers. Remnants of a sticker on recto cover. Contents clean and unmarked.…

gebundene Ausgabe. Condition: Gut. 349 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten Bibliothek und kann die entsprechenden Kennzeichnungen aufweisen (Rückenschild, Instituts-Stempel.); der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 655.…

Sprache: Deu XV, 400 Seite. OriginalGanzleinen, etwas berieben u. bestoßen. Schnitt leicht angeschmutzt. Ehemaliges Bibliotheksexemplar aus der Auflösung einer internen Ministeriumsbibliothek mit Rückensignatur u. Stempeln. Insgesamt guter Zustand..

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Review Copy Slip Laid In. First Printing. Book.

300 S. mit zahlreichen Abbildungen. Englische Ausgabe (neuwertiges Exemplar, noch eingeschweisst). Sprache: Englisch Gewicht in Gramm: 3200 Gr.4° (33,5 x 29 cm). Orig.-Leinen mit Orig.-Umschlag.

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. A clean and bright copy. Careful packing and fast, efficient shipping including delivery confirmation. Please note: International and Domestic Priority orders for this item will require additional shipping.

Trade Paperback. Condition: Good. 1st Edition. first edition. text clean and unmarked. binding tight. covers have some light wear along edges and at corners. fore-edge, head and foot of book have light soiling.

paperback. Condition: very good(+). Second. Illustrated in black-and-white. 355 pages. Tall 4to, white pictorial wrappers. New York: Whitney Museum,1990.A good(+) copy.

Condition: Gut. Erstauflage / First edition. Bll. + 356 S. Text, u. mit s/w. u. farbig. Abbildungen der Skulpturen, Installationen u.a. / Cremefarbig.-Papier sauber. Sprache: Englisch Gewicht in Gramm: 1500 4°, OIll.-LeichtKarton./Paperback oder Broschur (soft). Minimal nachvergilbt. Gutes Exemplar.

Condition: Good / Bien. Barcelona: Sagitario, 1963.- 415 p.; 4º. Libro en español ECONOMÍA EXTRANJERA E INTERNACIONAL DE LOS SIGLOS XVI-XXI.

XV, 400 S. A.d.R.: The Atlantic Policy Studies. -Der OU mit leichteren Randläsuren und schwach gebräunt. -Aus der Bibliothek des Amerikahauses in München. -In englischer Sprache! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Englisch Gewicht in Gramm: 700 21,8x15,4 cm. cm. OLwd. mit OU. …

Condition: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,4100grams, ISBN:0721688640. …

Condition: Good. 221 pp., Hardcover, ex library else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.…

First Edition. First edition. Oblong softcover. 77 pages. Exhibition catalog for a show that ran March 14 through April 4 and April 8 -28, 1981 at the New Museum in New York and then traveled for additional dates. Features essays by Marcia Tucker and Robert Pincus-Witten and with the text of an interview between Nancy Drew and Baldessari. Includes numerous illustrations, bibliography, list of selected exhibitions, and a checklist. A very good plus copy in wrappers with some light wear and some slight sunning to and along the spine. Internally a clean copy of this somewhat uncommon catalog.…

Paperback. Condition: Near Fine. 1st. 355 pages, illustrations (some colour); 29 cm. Catalogue of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** An important publication on Minimalist and Post-Minimalist sculpture, accompanied with scholarly essays by notable critics and art historians. Profusely illustrated. *** CONTENTS: Between geometry and gesture, by Richard Armstrong; Postminimalism: an Argentine glance, by Robert Pincus-Witten; Beyond illusion: American film and video art 1965-75, by John G. Hanhardt; New York letter; Eccentric abstraction, by Lucy R. Lippard; The art of Bruce Nauman, by Fidel A. Danieli; New York: Eva Hesse, Fischbach Gallery, by Emily Wasserman; Anti form, by Robert Morris; 9 in a warehouse: an attack on the status of the object, by Max Kozloff; Robert Morris presents anti-form: the Castelli Warehouse Show, by Gre goire Mu ller; Barry Le Va: distributional sculpture, by Jane Livingston; Cayuga Salt mine site, by Robert Smithson; Richard Serra: slow information, by Robert Pincus-Witten; New York: Alan Saret, Bykert Gallery, by Emily Wasserman; Keith Sonnier: materials and pictorialism, by Robert Pincus-Witten. New York: process, Whitney Museum; Theodoron Awards, Guggenheim, by Emily Wasserman; Notes on sculpture, Part 4: beyond objects, by Robert Morris; An interview with Eva Hesse, by Cindy Nemser; The art of Richard Tuttle, by Robert Pincus-Witten; PheNAUMANology, by Marcia Tucker; New York: Richard Serra, Castelli Warehouse, by Philip Leider; Alan Saret's studio exhibition, by Emily Wasserman; New York: Keith Sonnier, Castelli, by Robert Pincus-Witten; Eva Hesse: the circle, by Lucy R. Lippard; Bruce Nauman, by Willoughby Sharp; Keith Sonnier at the Modern, by Kenneth Baker; The real thing, by Barbara Rose; Robert Smithson's development, by Lawrence Alloway; Wire/pencil/shadow: elements of Richard Tuttle, by Ellen Lubell; Reviews: Richard Tuttle at Betty Parsons, by Lizzie Borden; Richard Serra: sculpture redrawn, by Rosalind E. Krauss. Foam structures, by Klaus Kertess; Joel Shapiro: works in progress, by Jeremy Gilbert-Rolfe; Lynda Benglis: the frozen gesture, by Robert Pincus-Witten; Reviews: Lynda Benglis, the Clocktower, by Jeremy Gilbert-Rolfe; Reviews: Joel Shapiro, Paula Cooper Gallery, by James Collins; Barry Le Va: the invisibility of content, by Robert Pincus-Witten; Reviews: Lynda Benglis, by Thomas Hess. Size: 4to. Collectible.…

Paperback. Condition: Brand New. reprint edition. 278 pages. 10.00x8.00x1.00 inches. In Stock.