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Pizzello Stephen (5 results)
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American Cinematographer (June 2003, Vol. 84, No. 6)
Language: English
Published by American Cinematographer, 2003
Paperback. Condition: Very Good. Unmarked text. Lavishly illustrated. 136pp. Features The Matrix Reloaded, The Italian Job and Charlie's Angels: Full Throttle and more.
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American Cinematographer Vol 78 No 2
Published by American Cinematographer, Hollywood, 1997
Seller: Victoria Bookshop, BERE ALSTON, DEVON, United Kingdom
Seller rating 3 out of 5 stars
Paperback. Condition: Very Good. First. 4to. Book.
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American Cinematographer Vol 77 No 2
Published by American Cinematographer, Hollywood, 1996
Seller: Victoria Bookshop, BERE ALSTON, DEVON, United Kingdom
Seller rating 3 out of 5 stars
Paperback. Condition: Very Good. First. 4to. Book.
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American Cinematographer Magazine January 2009 ( Leonardo DiCaprio Revolutionary Road Cover)
Published by American Cinematographer, Hollywood, 1994
First Edition
Magazine. Condition: Fine. First Edition. Articles include - REVOLUTIONARY ROAD - ROGER DEAKINS, ASC, BSC EXPOSES MARITAL STRIFE, THE CURIOUS CASE OF BENJAMIN BUTTON - CLAUDIO MIRANDA TURNS BACK TIME, EDUARDO SERRA, ASC, AFC INSPIRES DEFIANCE, JACK GREEN, ASC EARNS LIFETIMEACHIEVEMENT AWARD.
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![Seller image for American Cinematographer: The International Journal of Film & Digital Production Techniques (September 1998) [cover: Billy Crudup in WITHOUT LIMITS] for sale by ReadInk, ABAA/IOBA](https://pictures.abebooks.com/inventory/md/md32042873581.jpg)
American Cinematographer: The International Journal of Film & Digital Production Techniques (September 1998) [cover: Billy Crudup in WITHOUT LIMITS]
Published by ASC Holding Corp., Hollywood CA, 1998
Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.
Association Member: ABAA ILAB IOBA
Seller rating 5 out of 5 stars
Magazine / Periodical
Magazine. Condition: Near Fine. (Vol. 79, No. 9). [light handling wear only]. (color & B&W photographs, ads, graphics) Feature stories in this issue: Cinematographer Conrad Hall (interviewed by fellow lenser Caleb Deschanel) discusses the filming of WITHOUT LIMITS, the film about legendary track star Steve Prefontaine; a production article about LOVE IS THE DEVIL, a biopic of the notorious British artist Francis Bacon; an article about the creation of a stylish Ralph Lauren ad campaign; a piece about the collaboration of a professional couple, cinematographer Rolf Kestermann and his director/wife Paula Walker; an article about the latest digital postproduction systems; a profile of a Santa Monica-based commercial company, Fuel; and, most interestingly (to me anyway), an excellent article by historical editor George Turner about the production of Orson Welles's TOUCH OF EVIL, including information about the 1998 re-edit of the film, performed by editor Walter Murch and others to incorporate recently-discovered outtakes in an attempt to create something closer to Welles's original version.
