Pizzello Stephen (4 results)

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  • Published by American Cinematographer, Hollywood, 1997

    • Softcover

    Seller: Victoria Bookshop, BERE ALSTON, DEVON, United KingdomVictoria Bookshop

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    Condition: Used - Very good

    US$ 4.92

    US$ 13.14 shipping 
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    Paperback. Condition: Very Good. First. 4to. Book.

  • Published by American Cinematographer, Hollywood, 1996

    • Softcover

    Seller: Victoria Bookshop, BERE ALSTON, DEVON, United KingdomVictoria Bookshop

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    Condition: Used - Very good

    US$ 4.92

    US$ 13.14 shipping 
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    Paperback. Condition: Very Good. First. 4to. Book.

  • Published by American Cinematographer, Hollywood, 1994

    • Softcover
    • First Edition

    Seller: Oddball Books, Burbank, CA, U.S.A.Oddball Books

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    Condition: Used - Fine

    US$ 14.95

    US$ 6.99 shipping 
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    Magazine. Condition: Fine. First Edition. Articles include - REVOLUTIONARY ROAD - ROGER DEAKINS, ASC, BSC EXPOSES MARITAL STRIFE, THE CURIOUS CASE OF BENJAMIN BUTTON - CLAUDIO MIRANDA TURNS BACK TIME, EDUARDO SERRA, ASC, AFC INSPIRES DEFIANCE, JACK GREEN, ASC EARNS LIFETIMEACHIEVEMENT AWARD.

  • Published by ASC Holding Corp., Hollywood CA, 1998

    • Softcover
    • Magazine / Periodical

    Seller: ReadInk, ABAA/IOBA, Los Angeles, CA, U.S.A.ReadInk, ABAA/IOBA

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    Association member: ABAAIOBAILAB

    Condition: Used - Near fine

    US$ 25.00

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    Magazine. Condition: Near Fine. (Vol. 79, No. 9). [light handling wear only]. (color & B&W photographs, ads, graphics) Feature stories in this issue: Cinematographer Conrad Hall (interviewed by fellow lenser Caleb Deschanel) discusses the filming of WITHOUT LIMITS, the film about legendary track star Steve Prefontaine; a production article about LOVE IS THE DEVIL, a biopic of the notorious British artist Francis Bacon; an article about the creation of a stylish Ralph Lauren ad campaign; a piece about the collaboration of a professional couple, cinematographer Rolf Kestermann and his director/wife Paula Walker; an article about the latest digital postproduction systems; a profile of a Santa Monica-based commercial company, Fuel; and, most interestingly (to me anyway), an excellent article by historical editor George Turner about the production of Orson Welles's TOUCH OF EVIL, including information about the 1998 re-edit of the film, performed by editor Walter Murch and others to incorporate recently-discovered outtakes in an attempt to create something closer to Welles's original version.…