Pogédaieff (10 results)

Condition: Bon. Livre 1950, Albert Guillot, in-8 en feuillets dans cartonnage, sous emboîtage, exemplaire n°1540, illustrations originales de Georges A. De Pogédaieff, graveés sur bois en couleurs par Gérard Angiolini | Etat : Bon état général, coffret un peu défraîchi, petite tâche sur le haut du dos (Ref.: G5127). POGEDAIEFF Georges A. de (illustrator). Livre.…

Couverture souple. Condition: Bon. tirage de tête. Joséphine BAKER. De LA CAMARA et P. APATINO. MON SANG DANS TES VEINES. Roman d'après une idée de Joséphine Baker. 1931, Éditions Isis, Paris. 1 vol. in-8, couverture illustrée, broché de 178 pages. Exemplaire à grandes marges, non coupé. Couverture légèrement salie, avec quelques plus, sans gravité, infime accroc en partie supérieure droite de la dernière de couverture, intérieur très frais. Édition originale illustrée par Georges de POGEDAIEFF. Magnifiques illustrations dans le style Art Déco sur papier couché. UN DES 250 EXEMPLAIRES DE TÊTE NUMÉROTÉS SUR VERGÉ BAROQUE, SEUL GRAND PAPIER. Les exemplaires en grand papier de cet ouvrage sont particulièrement recherchés, même si les tirages sur papier courant restent rares et appréciés. PRÉCIEUX ENVOI AUTOGRAPHE SIGNÉ PAR JOSÉPHINE BAKER ET LES DEUX AUTEURS. En 1929, à Munich, la police interdit le spectacle de Joséphine Baker sous le prétexte du risque des désordres et de la corruption des moeurs qu'elle risquait de provoquer. D'où nait l'idée de ce roman de trois auteurs, "l'histoire de Joan que j'ai connue . ou plutôt . des dizaines de Joan, des petites filles de Saint-Louis qui étaient toutes noires" comme l'exprime Joséphine Baker avec émotion. Georges de POGEDAIEFF (illustrator). Dédicacé par l'auteur.…

Paperback. Condition: Very good. Paperback. #119 of 266cc. Publisher's loose signatures in folder with onionskin jacket, all contained in a chemise folder. Box has some light wear to the extremities, else very good, book is near fine.

En feuilles. Condition: Très bon. Édition numérotée. In-4. Sous chemise et étui de l'éditeur. Notre exemplaire est l'un des 24 sur vélin d'Arches du tirage de tête comportant un dessin authentique (22,5 x 18,0 cm) à la craie de charbon de bois signé par l'artiste russe Georges de Pogédaïeff, deux états d'épreuves et une suite en noir. De plus, notre exemplaire présente des attributs additionnels à ceux prévus dans la description de cette série spéciale; en plus du dessin et de la suite en noir, il offre une planche en cuivre barrée d'un des dessins présents dans le livre, quatre (4) états d'épreuve, au lieu des deux (2) mentionnés, tous décrits et initialés par de Pogédaïeff, et finalement, le livre est signé en page de garde par Paul Claudel, ce qui n'est pas prévu dans cette édition non plus. Rare. Livre d'art pour bibliophiles. Dans ce chef-d'oeuvre de typographie, l'artiste russe Georges de POGEDAIEFF sublime à la pointe sèche cette série de petits poèmes de Claudel qui chantent Sainte-Agnès, la vierge de 13 ans immolée sur la voie Nomentane. Préface de Jacques Madaule: " Je vous laisse avec Paul Claudel et Pogédaieff, avec l'Agneau Pascal et Sainte Agnès, avec l'armée des Vierges et des Martyres, avec les petites filles aux yeux bleus pour qu'elles vous apprennent à prier et à ne pas craindre". Très bel exemplaire enrichi. Paul Claudel, Saint Agnès, illustrations by Georges A. de Pogedaïeff, foreword by Jacques Madaule, 1947, no. 20/24/270, Paris, on Presses de Coulouma Printer. Loose gathering presented in a binder inserted into the editing box. Onion skin jacket. Our copy is one of 24 on Arches vellum to feature an authentic drawing (22.5 x 18.0 cm) with charcoal chalk signed by the Russian artist George de Pogedaïeff, two (2) proof states and a black suite. Excellent condition. Our copy, moreover, has attributes additional to those provided in the description of this special series; in addition to the drawing and the black suite, it offers a crossed copper plate of one of the drawings present in the book, four (4) proof states, instead of only two (2) mentioned, all described and initialed by Pogédaïeff, and finally, the book is signed by Paul Claudel, which is not projected in this edition either. Georges A. de Pogédaïeff (illustrator). Signé par l'auteur et l'artiste.…

perfect. Condition: Sehr gut. 64 Seiten; M26-09-A-02-VG Sprache: Deutsch Gewicht in Gramm: 1.

Original vintage opera music and dance advertising poster for the Coq d'Or chants ballets tableaux vivants Theatre d'Art Russe presente par Anatole Dolinoff / Golden Rooster songs ballet living paintings Russian Art Theatre presented by Anatole Dolinoff - The Golden Cockerel by the notable Russian composer Nikolai Rimsky-Korsakov (1844-1908). Colourful and fun image of a man in a smart white tie suit behind a patterned stage curtain with a line of actors and entertainers dressed as animals streaming out below, including ballet dancers and people in period costume and traditional dress being led by a person dressed up as a cockerel with the bold stylised text down the side. Artwork by Georges de Pogedaieff (1897-1971). The Golden Cockerel is based on the poem The Tale of the Golden Cockerel by the notable Russian poet Alexander Pushkin (1799-1837). Printed by H. Chachoin, Paris. Large size. Good condition, folds, staining, printing errors, repaired tears, backed on linen. Size: 120x81cm. Georges A de Pogedaieff (illustrator).…

Condition: Very Good. First Edition. Original drawing of a French Legionnaire along with flamboyant inscription by artist and famed book illustrator Guy Arnoux. Of the printed program, this is No. 122 of 250 copies, all on Vélin du Marais Crévecoeur. Portfolio, in size, quarto, 28.5 by 19.5 cm. Unpaginated, with gatherings and leaves loose, as issued. Three folded sheets, together, 12 pages, followed by 12 leaves, each with a plate, and finally another gathering. Of the dozen plates, ten have color, and of these, six are full color plates, or at least have more than two colors. The Arnoux drawing is spread between two pages -- the final page of the third gathering and the first plate in the series which happens to be his printed illustrated contribution to the program. Arnoux's inscription and illustration are rendered in a thick black pencil. The Legionnaire is rendered in quarter profile. Behind him is a scribbled Legionnaire flame emblem -- the emblem is ubiquitous throughout the program, of course. The drawing is a complement to Arnoux's dramatic stylized Arc de Triomphe, the unknown soldier and flame vignette centered under the arch, its rich coloring a magnet to the eye. Arnoux made yet another contribution to the program -- one of the other color plates, this one, sponsored, it would seem, by a Parisian restaurant. The artwork is of a decidedly chunky manchild seraph, sporting a hat and scarf and nothing else. It is really the only illustration in the program to have perhaps a touch of whimsy. Yet the other plates, all sponsored by one business or another, celebrate the Legionnaires in all different ways and styles. Leatherette band serving as spine we assume replaced paper. The rest of the outer folder has moderate wear and soiling. Within light wear. Light card with leatherette spine band. Guy Arnoux, Hervé Baille, Bérard, Ray Bret-Koch, Paul Colin, Dignimont, Élisabeth Gross, Claude Lepape, Georges de Pogedaieff, Touchagues. (illustrator). …

Affiche lithographiée en couleurs signée en bas à droite dans la planche, Paris, imprimerie Chachouin, 1928, 120 x 80 cm. Très belle affiche de Georges Pogedaïeff (Pogedaïevka, Koursk 1897-1971 Paris) représentant les thèmes du théâtre russe : magiciens, danseuses, Raspoutines et babouchkas, cosaques, chevaux, fillettes et bien sûr, le coq d'or aux couleurs vives. Le théâtre du "Coq d'Or", dirigé et créé par Anatole Dolinoff (1869-1945), metteur en scène et acteur, présente des chants, ballets, tableaux vivants, théâtre d'art Russe. Oeuvre originale. . Illustrateur : POGEDAIEFF (Georges A. de). (illustrator). …

Paris, unpublished, ca. 1930. Oblong cardboard (35.8 x 44.7 cm). Gouache, watercolour, and pencil, heightened with silver. = An original design by the great illustrator, set and costume designer, painter and poet, Georges de Pogédaieff (Grigory Anatolyevich Pozhydaev - or Pozhidaev) (1897-1971). Artnet gives the following timeline: 1913, student of A. Arkhipenko and N. Kasatkin in the Moscow Art, Sculpture and Architecture School; 1918, worked as designer in St Petersburg; 1918-1919, joint exhibitions with Goleyzovski in Moscow; 1920, emigrated to Berlin, Germany; 1922, personal exhibition in Berlin; 1924, exhibited in the Neue Gallery in Vienna; 1946, exhibited in Paris Gallery L. Reimann; 1955, exhibited in Paris Gallery Margueritte; 1930-1971, lived and worked in Paris, France (until his death in 1971). De Pogédaieff is best known for his work as a theatre set designer and costume designer, and for being a portrait painter: his portrait of Nathan Altman was sold at auction in 2014 for £37,500. His designs were commissioned by the Bolshoi Theatre, and, after the Russian revolution, leading theatres in Berlin, Vienna, and Paris. The current design shows three costumes, for two sylvan spirits and a dryad, clad in leaves. The signature in the top left corner is Pogédaieff's. This is possibly a design for a ballet production of Rimsky-Korsakov's opera Le Coq d'Or [The Golden Cockerel]; circa 1925-27, as noted in a Parke Bernet catalogue. Board a bit toned, but the colouring of the illustrations fresh and vivid. A very good unique item. …

Paris, unpublished, ca. 1930. Oblong cardboard (35.8 x 44.7 cm). Gouache, watercolour, and pencil, heightened with silver. = An original design by the great illustrator, set and costume designer, painter and poet, Georges de Pogédaieff (Grigory Anatolyevich Pozhydaev - or Pozhidaev) (1897-1971). Artnet gives the following timeline: 1913, student of A. Arkhipenko and N. Kasatkin in the Moscow Art, Sculpture and Architecture School; 1918, worked as designer in St Petersburg; 1918-1919, joint exhibitions with Goleyzovski in Moscow; 1920, emigrated to Berlin, Germany; 1922, personal exhibition in Berlin; 1924, exhibited in the Neue Gallery in Vienna; 1946, exhibited in Paris Gallery L. Reimann; 1955, exhibited in Paris Gallery Margueritte; 1930-1971. lived and worked in Paris, France (until his death in 1971). De Pogédaieff is best known for his work as a theatre set designer and costume designer, and for being a portrait painter: his portrait of Nathan Altman was sold at auction in 2014 for £37,500. His designs were commissioned by the Bolshoi Theatre, and, after the Russian revolution, leading theatres in Berlin, Vienna, and Paris. The current design shows three costumes of samurai-like swordmen. The signature in the top left corner is Pogédaieff's. This is possibly a design for a ballet production of Rimsky-Korsakov's opera, Le Coq d'Or [The Golden Cockerel]; circa 1925-27, as noted in a Parke Bernet catalogue. Board a bit toned, but the colouring of the illustrations fresh and vivid. a very good item. …