Point Valentine (15 results)

Condition: very good. Photo non contractuelle. Envoi rapide et soigné.

paperback. Condition: Good. Il cofanetto (se previsto) può presentare modeste tracce d'uso, piccole lesioni, fioriture e macchie non invasive. Sovraccoperta con modeste tracce d'uso. Può presentare piccole mancanze, leggere bruniture, rade fioriture o macchiette. Copertina con modeste tracce d'uso. Può presentare minime mancanze, qualche rada fioritura o macchietta, leggere bruniture o piccole pieghe. Dorso in buone condizioni. Può presentare un fisiologico stress da lettura, piccole mancanze e segni di cedevolezza in prossimità delle cerniere. Tagli moderatamente bruniti . Buono (Good). Book.

Cloth. Condition: Near Fine. Dust Jacket Condition: Near Fine. 307 pages. Hardcover exhibition catalogue, bound in illustrated cloth covered boards and wrapped in an illustrated paper dustjacket. Texts in Spanish. Mild shelfwear to the edges of the dustjacket, with some associated rubbing to the covers of the jacket. Else, the binding is tight and solid, with sharp edges and corners on the boards and a clean, unmarked interior. Published on the occasion of the exhibition held from January 29-March 30, 2008 which featured works by Leonora Carrington, Frida Kahlo, Kathe Kollwitz, Tamara de Lempicka, Dora Maar, Lee Miller, Georgia O'Keeffe, Kay Sage, and many others.

Soft cover. Condition: As New. ~ First and only issue of this magazine of the first Portuguese modernism, which appeared with the Algarve futurist artist Carlos Filipe Porfírio as its official director, while who really directed it was the painter Guilherme de Santa-Rita (Santa-Rita Pintor). Texts by Almada Negreiros, Fernando Pessoa, Mário de Sá-Carneiro, Bettencourt Rebello, Raul Leal, translations of texts of Italian futurist Marinetti and the "Futurist Manifesto of Lust" (Manifeste futuriste de la luxure) by Valentine de Saint-Point, poems in French by Guillaume Apollinaire and Blaise Cendrars and also the "Futurist Ultimatum to the Portuguese Generations of the 20th Century", text read by Almada in a Futurist soirée that took place on 14 April 1917 at the Teatro República in Lisbon. However, the most famous "specimen" is «Ultimatum» by Álvaro de Campos (heteronym of Fernando Pessoa) which, though not pro-German (being anti everything, Allied and German), contains caustic slurs on the Allies, reason why, having appeared in the booksellers' windows on October 31st 1917, was seized two days later by the police ~ This edition includes two very important studies on Portuguese Futurism, one by Nuno Júdice: "The Futurism in Portugal" (12 pp.), and one by Teolinda Gersão: "For the Study of Literary Futurism in Portugal" (20 pp.) ~ Publisher's wrappers ~ XL+42p ~ 32x23x1cm. ~ As New, just an imperceptible wrinkle at spine bottom ~ LANGUAGE: Português & Français / Portuguese Literature / Futurism / Avant-garde // We accept PayPal & EU bank transfer in EUROS //. Magazines & Periodicals.

Hardcover. Condition: Fair. 1st Edition. Mezza pelle; oblongo, 22x31cm. 4 fascicoli, 6 numeri della seconda serie della famosa rivista futurista, diretta da Mario Dessy. Con testi inediti di James Joyce (A memory of the Players in a mirror at midnight); Marinetti (Grand Hôtel Poire et singes dans le noir; Vulcani di Poesia; Il Cracracracranio della notte e traduzioni); Jean Cocteau (Rebus; Journal des Voyages; D'Annunzio (La Maestria); Pierre Reverdy; Valentine de Saint-Point (Etre) e un sorprendente inedito del giovanissimo Jorge Luis Borges (Russia) en el artículo "El movimiento ultraista en España", e molti altri autori. Testi in italiano, francese, inglese, neerlandese e spagnolo. La rivista afferma che pubblica solo testi inedite, mas il poema di Ezra Pound, The Study in Aesthetics, non era inedito. Dorso con mancanza alla base; mancano le copertine dei fascicoli, con le informazioni editoriali; ogni fascicolo comincia dalla pagina 1, manca solo la coperta; in uno dei fascicoli, una iscrizione dell'ex proprietario, con data, dicendo che ha ricevuto la rivista dallo stesso Marinetti. Con illustrazioni a colori o in nero di Giacomo Balla, Emilio Notte, Arnaldo Ginna, Fortunato Depero. Rarissimo.

Leatherbound. Condition: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 162. A perfect gift for your loved ones. Reprinted from 1911 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French Pages: 162.

290x230 mm, Milano, Direzione del Movimento Futurista (Tip. A. Taveggia), 1913 (11 gennaio [ma: marzo(?)]), Prima edizione in italiano. Eccellente esemplare stampato su una carta molto chiara. Raro così. Non comune secondo manifesto di Valentine de Saint-Point, fu commentato da Italo Tavolato su «Lacerba» del 15 marzo 1913 («Glossa sopra il Manifesto futurista della lussuria»), da cui l'ipotesi di datazione posticipata, sostenuta con sicurezza nel repertorio di Paolo Tonini. La «lussuria» è vista «neither as a vice nor as a sin but as an importa source of energy. An essential element in life's dynamic dance, Lust [Luxure], for Saint-Point, was the force that powered both creativity and physical activity, and it deserved to be recognized as such, not concealed behind awkward euphemisms and sentimental veils» (Bohn in Handbook of International Futurism, p. 452). «Il "Manifesto futurista della Lussuria", firmato da Valentine de Saint-Point, porta una data, 11 gennaio 1913, ed un recapito a Milano che è quello stesso di Marinetti, la famosa "casa rossa" di corso Venezia 61. A Marinetti [il manifesto] non piace: la sua concezione del sesso è, come dire? più aggressiva. Più maschilista. Più cosmica. [.] la prosa della Saint-Point, il suo modo passatista di argomentare, certi tratti tipicamente femminili che qua e là affiorano nel discorso non entusiasmano Marinetti, anzi lo lasciano dubbioso. Ma questa donna è amica di Boccioni ed è abbastanza spregiudicata per esibirsi a teatro in una serata futurista. Ed è una gran dama e un'attrice [.]. Il "Manifesto della Lussuria" è pronto a fine gennaio. Spedito per posta, lanciato dagli automobili e affisso nottetempo a qualche angolo di strada, non suscita eccessivo clamore. La bella Valentina resta a Parigi. Presto scomparirà dal cuore di Boccioni e anche per un contrasto con Marinetti a proposito di danza dagli elenchi dei futuristi in servizio effettivo. Addio» (Vassalli, Alcova elettrica, cap. 1.8). Tonini, I manifesti del futurismo italiano, n. 52.2; D'Ambrosio, Nuovi archivi del futurismo II: Manifesti, n. 1913/86; Salaris, Futurismi nel mondo: Futurisms in The World, pp. 475-476 290x230 mm, un bifolio per pp. [4]. Prima edizione in italiano. Eccellente esemplare stampato su una carta molto chiara. Raro così.

autocopertinato a bifolio, Milan, Direction du Mouvement Futuriste: Corso Venezia, 61 (A. Taveggia - S. Margherita 7) 1913, 11 janvier, Edizione originale. Ottimo esemplare (appena accennata la piegatura in quattro parti per spedizione postale; millimetrica lacerazione al centro del bordo esterno della prima carta). Rarissima edizione originale del secondo manifesto futurista di Valentine de Saint - Point. Completamente assente dal censimento ICCU, se ne segnala un esemplare nella collezione futurista del MART di Rovereto e poco più di una manciata di esemplari all'estero (BNFr, Bibliothèque Louis Aragon a Amiens [la copia di Nicolas Beauduin], Narodna in univerzitetna knjiznica a Lubiana, Kunsthaus Zürich, Bayerische Staatsbibliothek, Beinecke Library Yale, Getty Research Institute; diverse localizzazioni OCLC negli Stati Uniti fanno riferimento a copie digitali). In calce al titolo, in posizione di esergo: «RÉPONSE aux journalistes improbes qui mutilent les phrases pour ridiculiser l'Idée; à celles qui pensent ce que j'ai osé dire; à ceux pour qui la Luxure n'est encore que pécheé, à tous ceux qui n'atteignent dans la Luxure que le Vice, comme dans l'Orgueil que la Vanité». Fu ricevuto e commentato in Francia non più tardi del febbraio 1913, come dimostra «Les Tendances nouvelles» n. X/58, février 1913, pp. 1417-1418 (citato in «Nuovi archivi del futurismo»). -- «Il "Manifesto futurista della Lussuria", firmato da Valentine de Saint-Point, porta una data, 11 gennaio 1913, ed un recapito a Milano che è quello stesso di Marinetti, la famosa "casa rossa" di corso Venezia 61. A Marinetti [il manifesto] non piace: la sua concezione del sesso è, come dire? più aggressiva. Più maschilista. Più cosmica. [.] la prosa della Saint-Point, il suo modo passatista di argomentare, certi tratti tipicamente femminili che qua e là affiorano nel discorso non entusiasmano Marinetti, anzi lo lasciano dubbioso. Ma questa donna è amica di Boccioni ed è abbastanza spregiudicata per esibirsi a teatro in una serata futurista. Ed è una gran dama e un'attrice [.]. Il "Manifesto della Lussuria" è pronto a fine gennaio. Spedito per posta, lanciato dagli automobili e affisso nottetempo a qualche angolo di strada, non suscita eccessivo clamore. La bella Valentina resta a Parigi. Presto scomparirà dal cuore di Boccioni e anche per un contrasto con Marinetti a proposito di danza dagli elenchi dei futuristi in servizio effettivo. Addio» (S. Vassalli, Alcova elettrica, cap. 1.8). Tonini, I manifesti del futurismo italiano, n. 52.1; D'Ambrosio, Nuovi archivi del futurismo II: Manifesti, n. 1913/85; Salaris, Futurismi nel mondo: Futurisms in The World, pp. 475-476 290 x 230 mm, autocopertinato a bifolio, pp. [4]. Edizione originale. Ottimo esemplare (appena accennata la piegatura in quattro parti per spedizione postale; millimetrica lacerazione al centro del bordo esterno della prima carta).

In Folio (mm 290x230); pag. 4 non numerate. Prima edizione italiana di questo manifesto, letto [.] dalla Signora Valentine de Saint-Point nella Galerie Giroux di Bruxelles, in occasione dell'Esposizione ivi tenuta dai Pittori futuristi.ª pubblicato in volantino in francese dalla Direction du Mouvement Futuriste tra marzo e aprile del 1912, poi in tedesco con titolo Manifest der futuristischen Frauª sia sulla rivista DER STURM n. 108/1912 che in volantino a sÈ stante, nel maggio 1912, infine in italiano in un volantino datato 25 marzo 1912 (ma luglio 1912) presso gli stampatori Taveggia - S. Margherita a Milano."E' assurdo dividere l'umanit? in donne e uomini; essa Ë composta soltanto di femminilit? e di mascolinit? (.). Un individuo esclusivamente virile non Ë altro che un bruto; un individuo esclusivamente femminile non Ë altro che una femmina (.). CiÚ che manca di pi? alle donne come agli uomini Ë la virilit? (.). Donne, per troppo tempo sviate fra le morali e i pregiudizi, ritornate al vostro istinto sublime: alla violenza e alla crudelt?". La data della pubblicazione nel luglio 1912, diversa da quella di stesura del 25 marzo, si evince dalla nota editoriale posta alla fine, dove si citano la mostra dei pittori futuristi italiani alla Galerie Giroux (maggio 1912) e la conferenza alla Salle Gaveau (27 giugno 1912). All'inaugurazione della mostra Les peintres futuristes italiensª, Bruxelles, Galerie Gorges Giroux, prevista dal 20 maggio al 5 giugno 1912, Valentine de Saint-Point legge in anteprima il suo Manifeste de la femme futuristeª. Bibliografia: Paolo Tonini, I manifesti del Futurismo italiano, Gussago, Edizioni dell'Arengario, 2011: pag. 30, n. 42.4 Nr.cat: Cod 0205.

Madrid, Fundación Cultural Mapfre, 2008. 24x26, 307pgs. Muy ilustrado color y b/n. Cartoné con lomo en tela editorial. Muy buen estado. ARTE SIGLO XX. ARTISTAS FEMENINAS DE VANGUARDIA.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1924. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 244, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 244 244.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1885 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 810 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 810 International Polar Expedition to Point Barrow, Alaska (1881-1883),Ray, Patrick Henry, 1842-1911,Murdoch, John, 1852-,Riley, Charles V. (Charles Valentine), 1843-1895,Gray, Asa, 1810-1888,Dall, William Healey, 1845-1927,Schott, Charles A. (Charles Anthony), 1826-1901,United States. Army. Signal Corps.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1885. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 810, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 810 810.

Leather Bound. Condition: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1885. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: : - 810, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 810 810.

Leather Bound. Condition: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1801-2000. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages:- 345, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 345 345.