Poletti Stefano (29 results)

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Brossura. Condition: new. Milano, 2026; br., pp. 160. Indispensabile per chi opera nel mondo creativo e audiovisivo, questo volume offre una panoramica chiara, aggiornata e multidisciplinare sull'impatto dell'intelligenza artificiale nei processi di produzione artistica. Attraverso un viaggio che unisce storia, tecnica, filosofia e pratica, il testo guida videomaker, artisti e professionisti della comunicazione a comprendere e sfruttare le potenzialità dell'AI, senza perdere di vista le sfide etiche e la centralità della visione umana. Dalle tecniche avanzate di prompting alle nuove estetiche digitali, dai rischi della standardizzazione alle possibilità di una creatività aumentata, questa guida fornisce strumenti concreti, riflessioni critiche ed esercizi pratici per orientarsi e innovare nell'era dell'algoritmo. Libro.

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Brossura. Condition: new. Milano, 2021; br., pp. 196, ill. b/n e col., cm 16x24.(Tecnologie Audio e Video). Come scegliere la giusta inquadratura? Come sviluppare un'idea creativa? Quali videocamere utilizzare e come? Informazioni, consigli, tecniche e suggerimenti imprescindibili per realizzare video professionali. Il libro affronta i vari aspetti della produzione: la grammatica dell'immagine, le tecniche di ripresa, la creatività, l'attrezzatura in commercio, le fasi di organizzazione, la fotografia e il montaggio. Un manuale che va "dritto al sodo". Perfetto per approfondire il mondo del videomaking. Destinato a chi è alle prime armi ma anche ai professionisti del settore. Libro.

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Paperback. Condition: new. Paperback. Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. On the other hand, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. This volume examines commentaries and scholia on poetry in terms of authorship and 'authoriality', and explores the tension between their heteronomous and collective nature and their need for authority Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condition: New. 2023. Paperback. . . . . .

Condition: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condition: new. Paperback. Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. On the other hand, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. This volume examines commentaries and scholia on poetry in terms of authorship and 'authoriality', and explores the tension between their heteronomous and collective nature and their need for authority Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Condition: Good. I ed. (ottobre 1994). Trad.: Laura Canonica; Paola De Albertis. VIII grande, quasi quadro/ 240/ bross./ sovraccoperta patinata con grafica a colori (copertina Massimo Caiazzo, liberamente ispirata alla Cubistic Chair. Nel secondo risvolto un ritratto fotografico in b/n di Alessandro Mendini). Illustrazioni a colori e in b/n anche in pagine doppie. Progetto grafico: Massimo Caiazzo; Fulvia Mendini. Elaborazioni di computer graphic: Luca Panaro; Sunset Studio. Stato buono-ottimo. Sommario: una fiaba: alessandro J. Mendini, regista straordinario e profeta malgrado se stesso; Emilio Ambasz - Frammenti (accompagnati da una scelta antologica); Alessandro Mendini (i testi "Frammenti" sono stati raccolti da Bruno Pedretti) - Anonimato eccezionale; Giacinto di Pietrantoniio - Progetti infiniti (Tradizione - Fabbrica - Sedia infinit - Caleidoscopio - Via Lattea - Neo-Pop - Vertigine superficiale - Vuoto - Miniatura - Enciclopedia) - Groningen: L'isola del Museo; Fulvio Irace - L'Atelier Mendini e la sua produzione; Stefano Casciani (a cura di Cristiana Vannini) - Design, arte e rock'n'roll - Soli tra la folla (Progetto con persone) - Assemblage - Multimedia - Alfabeto decorativo (Stilematica) - Dalla struttura all'ornamento - Architetture come oggetti - Arredo psicologico - Oggetti feticci - L'Atelier (L'Atelier e la sua poetica quotidiana; Mariapia Bobbioni - Apparati bibliografici (Atelier Mendini-Milano - Gruppi di lavoro - Architetture - Mostre-Allestimenti-Interni - Pittura - Pubblicazioni di Alessandro Mendini - Bibliografia). Book.

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Paperback, 480 pages, Size:156 x 234 mm, Illustrations:7 b/w, 6 tables b/w., Language(s):English, German, Italian. ISBN 9782503605340. Summary Ancient commentaries on poetry - due to their heteronomous nature, their miscellaneous character, and the fact that most of them are transmitted in abridged and anonymous form - are usually not considered 'authorial' texts in the same way as poems or literary prose are. Nevertheless, as didactic texts, they rely on authority to convey their interpretation, and they also often seem to have been perceived as products of authorial activity, as paratexts, references and pseudepigraphic attributions demonstrate. The aim of this volume is to explore this tension and to examine commentaries and scholia on poetry in terms of authorship and 'authoriality'. The contributions use several Latin and Greek corpora as case studies to shed light on how these texts were read, how they display authorial activity themselves, and how they fulfil their function as didactic works. They provide reflections on the relationship of author, authorship, and authority in 'authorless' traditions, explore how authorial figures and authorial viewpoints emerge in an implicit manner in spite of the stratified nature of commentaries, investigate the authorial roles adopted by commentators, compilers and scribes, and elucidate how commentators came to be perceived as authors in other exegetic traditions. TABLE OF CONTENTS Introduction: Authorship and Commentaries on Poetry (Ute Tischer, Thomas Kuhn-Treichel & Stefano Poletti) 1. Author, Authorship, and Authority as a (Critical) Problem Memoriae suae causa: Some Considerations on the Relationship between Author and Commentary in (Late) Antiquity (Luigi Pirovano) The Commentator as Curator: Parathesis, Authority, and Anonymity in the Greek Tradition (Joshua Smith) The Author(s) and the Authorship of the 'Philargyrian' Exegetical Corpus (Fabio Stok) Hucusque Iunilius. Autorfiguren und auktoriale Strategien in drei Textzeugen des Servius und des Corpus Bernense (Ute Tischer) 2. Authorial Viewpoints in Stratified Texts Per un lessico dei commenti tardoantichi a Virgilio. Il caso di Servio (Massimo Gioseffi) In Addition: The Rhetoric of Copia in Servius (Auctus) (D niel Koz k) Eine Frage der Perspektive. Servius und Servius auctus ber Vergils subjektiven Stil (Stefano Poletti) Respexit, transtulit, imitatus est: An Authorial Perspective on Dynamics of Allusion and Imitation? (Camilla Poloni) 3. Authorial Roles and Authority Aristarch aber?: Evokation von Autorschaft durch namentliche Verweise in den Pindarscholien und dar ber hinaus (Thomas Kuhn-Treichel) Alii dicunt. Servius and Virgil's Anonymised Readers (Frances Foster) Der Dichter und sein Richter - Die Autorit t des Dichtungskritikers in den kommentierenden Scholien zur ?????? ????????? des Dionysios Thrax (Markus Hafner) 4. Commentators as Authors within Exegetical Traditions M thodes grammaticales et auctorialit s ex g tiques dans le commentaire de Servius (Daniel Vallat) Il magister Servius nella tradizione scoliastica tardoantica (Concetta Longobardi) Asper's Commentary in Servius and the Scholia Veronensia: Between Authority and Anonymity (Janyce Desiderio) Index locorum About the Authors 0 g.

paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.

in brossura. 255x180mm, XXIV- 410pagine, fig. b/n, Bello stato. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Paperback. Condition: New.

Paperback. Condition: New.

Paperback. Condition: New.