Pollard James: First Edition (30 results)

Paperback. Condition: As New condition. First Printing of the First Edition. New York: Watson-Guptill Publications, 2001. 8.25" wide by 11" tall. Appears unread. Bright, clean, tight, square, unmarked copy. Flat spine. No creases. Not price clipped (24.95). No remainder mark No store stamp, owner's name or bookplate. No underlining. No highlighting. No margin notes. Illustrations throughout, nearly all in full-color. Step-by-step guide to bringing out lost detail; enhancing shapes and shadows; creating depth, reflections, and soft edges; changing perspective; adding a light source; applying textures; replacing background; exaggerating proportions, using filters in layers; fine-tuning architectural details; etc. Artist biographies. Index. First Printing of the First Edition. Oversize Softcover. As New condition. 144pp. Great Packaging, Fast Shipping.…

Hardcover (Original Cloth). Condition: Good (ex-library). 1st Edition. Ex-library copy. Quantity Available: 1. Category: Ohio; Pictures of this item not already displayed here available upon request. Inventory No: 17391.

Original Cloth. Condition: Near Fine. No Jacket. 1st Edition. Brown buckram, lettered in gilt. Spine panel slightly sunned, light shelf wear, typical toning to text block edges. Firm binding, clean and unmarked interior beyond former owner's signature on upper front pastedown (inside front cover). 380 pp., illus. w/ 75 plates, 41 illus. in text. Undated, ca. Size: 8vo - over 7¾" - 9¾" tall. Book. …

Hardcover. Condition: Very Good. 1st Edition. 866 pages, a very good hardback, publisher's original blue cloth binding, ex-library.

Cloth. Condition: Very Good. No Jacket. First Edition. x, 462 p. Illustrated. A thorough treatment of the American newspaper business as of the late 1930s. Really fascinating stuff, given what the author could not know about the later decades. A very nice, tight copy with a bright spine.

Hardcover. Condition: Very Good. First Edition. Presentation Inscription from author.

No Binding. Condition: Near Fine. Dust Jacket Condition: Very Good. 1st Edition. An original hand coloured print of the Cambridge Coach "in full flight". Size 31x22.5cms; print size 16.5x12cms. On embossed card - wide margins . Clean and very collectible/mountable. See scans. Originally painted By James Pollard (illustrator).…

Presidents-Press 1st. ed. v.g. d.j. Please email for info concerning any book or dust jacket. If d.j. does not appear in description, it means there is no dust jacket. Photos on request. Some books may have remainder marks. Heavy and/or oversized books require additional postage.

Hardcover. Condition: Very Good. 1st Edition. EXTREMELY RARE 1ST EDITION! pp.ix, 359 pages, a very good plus (near fine) hardback, publisher's original beige cloth binding with bright gilt lettering to the spine against a burgundy label, from a uk university library but it is nigh on impossible to tell.…

Hardcover. Condition: Near Fine. No Jacket. 1st Edition. Thick octavo bound in cloth and paper-covered boards. Contains bookplate of noted book collector Estelle Doheny. B&W illustrations. Condition: slight toning to endpapers; else near fine with many pages unopened. Pages: vi, 408 plus paper covers and ads bound in at the back of the book.…

Hardcover. Condition: Very good. Dust Jacket Condition: poor. First edition. 118p + 66 color pls. and a portrait of Pollard. Life and work of England's leading 19th-century coaching artist, with illustrations of all his known aquatints. With an introduction, "The Great Age of Coaching," by James Laver. Pollard, James (illustrator).…

Hardcover. Condition: Very Good. No Jacket. 1st Edition. Very good condition. Gift inscription dated 1975 to Jim Robey on front fly leaf. Spine tips are very lightly bumped. Cover corners are very lightly rubbed. 359 pages with index and bibliography plus seven illustrations.

Hardcover. Condition: Very Good. First Edition. 8vo. 380 pp. Light foxing of the fore-edges and also a smattering in the prelims. Mostly clean. A tight and handsome copy.

8vo. 108pp Original cloth-backed boards in chipped dustwrapper, a very good copy. First edition. Mary Durrack, J.K. Ewers, Paul Hasluck, Gavin Casey et al. Produced for the benefit of the Australian Red Cross Society.

Condition: Very Good. First edition. Hardback. Quarto. 61pp + 40 pages of illustrations. Original yellow cloth with gilt spine titles. Fine in very good clear dust jacket. Limited edition of 500 copies.

Hardcover. Condition: Very Good Plus. Dust Jacket Condition: Very Good. First Edition. 1967. cvi, 180pp. Frontispiece facsimile of a Southwell MS. Previous owner's name to top of ffep. Otherwise the book is in excellent condition. The unclipped dust jacket has light wear and light soiling. "Southwell's poems in English were written during his work with the English Mission, from his return to England in July 1586 to his arrest in June 1592. Some are songs in traditional lyric forms adapted to religious themes, and others poems of meditative vision, such as his one long poem, 'Saint Peter's Complaint'. They were very popular with his con-temporaries, both Catholic and Anglican; from 1595, the year of his execution, to 1636, there were eighteen editions. The fifty-two short lyrics are printed here for the first time in the order in which they were arranged for spiritual instruction, and in which they were transcribed by Catholic copyists. This text is based on substantive editions, collated with the surviving MSS., or, for poems not included in early editions, on the Stonyhurst College MS.". …

soft cover. Condition: very good. first edition. In-8° broché, paginé de 283 à 382 - Articles originaux : In the Chair - On the Baal and Ashtoreth Altar discovered at Kanawat in Syria, now in the Fitz-William Museum at Cambridge. - Notes au Jour le Jour. - Remarks - Quelques lettres de Tell El-Amarna. - The Rind Mathematical Papyrus. - Sur différents mots et noms égyptiens, III. Le Menat et le nom de l'Eunuque. - Note de Philologie Égyptienne. - Ideograms Common to Accadian and Chinese.…

Soft cover. Condition: Fine. 1st Edition. 1st printing of softcover original. Inscribed to p/o on half-title page by author James Greer and Guided by Voices frontman Robert Pollard, at a rare New York Barnes & Noble signing event. Greer, a novelist and screenwriter, was a member of GBV in 1995-96. Foreword by Steven Soderbergh. A startlingly uncommon book signed. 320 pages. Inscribed by Author(s). …

Hardcover. Condition: Fine. First Edition. First edition. Red cloth, lettered in silver. 306pp. Illustrated. Bookplate front pastedown, with the owner's name effaced, and the boards very slightly bowed, else fine, issued without dustwrapper.

Hardcover. Condition: Very Good. No Dustjacket. 1st Edition. First edition, hardcover with 3 maps at back, binding is a little loose with slight skew to spine but completely solid, has slight bumps to spine ends and corners with paper over boards starting to split at corners, some slight edgewear with a few very small dings, and some slight rubbing with a few faint, stray marks, otherwise a solid VG copy.…

Hardcover. Condition: Very Good. Hardcover. With numerous articles and stories by various authors. Most notable are three articles by George Armstrong Custer about his early experiences when stationed in the Indian Territory at the end of the 1860s. This occupation ended in his battle of Washita in 1868 against the Cheyenne Indians. The articles appeared here three years before Custer's death at Little Big Horn in 1876. These and later articles were later issued in book form as My Life on the Plains. Also of particular interest is an article titled "Anti-Slavery Men of the South" by the Virginia journalist and Confederate sympathizer Edward A. Pollard. Pollard's pro-South views changed somewhat after the war and here he writes that there was significant if not conflicted opposition to slavery in the southern states before and during the war. There is also the first printing of "Roman Note-Book" by Henry James. It was included with several other pieces by James on his travels in Italy in Italian Hours in 1909. Bound in three quarter brown leather with raised bands and title and volume labels to the spine. Leather has some rubbing and scraping. Blue and black marbled paper covers. Previous owner signature on ffep. Tender hinges. Interior pages clean and bright. In very good condition 868 pages. PER/061918.…

Hardcover. Condition: Very Good. 1st Edition. Recently rebound in half-calf over marbled boards. New endpaper, with original fly-leaves retained. Some even toning to text. Otherwise clean, tight and unmarked. Very neat -- a sound and handsome copy. viii,235pp. Size: 12mo - over 6¾ - 7¾" tall. Book.

12mo. pp. vi, [1 leaf], 235. original cloth (spine & edges of front cover faded, ends trifle frayed, few marks to rear cover, title embrowned, but a good tight copy). First Edition.

Mixed edns. 51 vols. Original gilt lettered black cloth (near Fine), dustwrapper (some vols with small tear at head of spine - otherwise VG). Pp. various, illus with b&w plates, maps and figures in text (previous owner's neat inscription on front endpapers of each vol). Cambridgeshire (2nd printing 2002), Bedfordshire Huntingdon & Peterborough (2nd printing 2002), Berkshire (2nd printing 2002), Buckinghamshire (2nd printing 2003), Cheshire (2nd printing 2003), Cornwall (2nd printing 2002), Cumberland & Westmorland (2nd printing 2002), Derbyshire (2nd printing 2002), Devon (1st printing 2004), Dorset (2nd printing 2002), County Durham (2nd printing 2002), Essex (1st printing 2007), Gloucestershire 1 Cotswolds (2nd printing 2002), Gloucestershire 2 Vale & Forest of Dean (1st printing 2002), Hampshire & Isle of Wight (2nd printing 2002), Herefordshire (2nd printing 2003), Hertfordshire (2nd printing 2002), North East & East Kent (2nd printing 2002), West Kent & Weald (2nd printing 2002), North Lancashire (2nd printing 2002), South Lancashire (1st printing 2002), Lancashire Liverpool & South-West (1st printing 2006), Lancashire Manchester & South-East (1st printing 2004), Leicestershire (1st printing 2003), Lincolnshire (2nd printing 2002), London 1 City (3rd printing 2002), London 2 South (1st printing 2002), London 3 North-West (1st printing 2002), London 4 North (1st printing 2002), London 5 East (1st printing 2005), London 6 Westminster (3rd printing 2005), Norfolk 1 Norwich & North-East (2nd printing 2002), Norfolk 1 North-West & South (2nd printing 2002), Northamptonshire (2nd printing 2002), Northumberland (2nd printing 2002), Nottinghamshire (2nd printing 2003), Oxfordshire (1st printing 2002), Shropshire (1st printing 2006), North Somerset & Bristol (2nd printing 2002), South & West Somerset (1st printing 2003), Staffordshire (1st printing 2002), Suffolk (2nd printing 2002), Surrey (2nd printing 2002), Sussex (1st printing 2004), Warwickshire (2nd printing 2003), Wiltshire (3rd printing 2002), Isle of Wight (1st printing 2006), Worcestershire (1st printing 2007), Yorkshire York & East Riding (2nd printing 2005), Yorkshire North Riding (2nd printing 2002), Yorkshire West Riding (2nd printing 2003).…

Hardcover. Condition: f to vg. First book form edition. Folio (14 1/4 x 9 3/4"). iv (i), 704, xii (iv)pp., 60 plates, including frontispiece. Original three-quarter calf over brown pebbled cloth with gilt lettering and tooling on spine; raised bands. Red edges. Burnt Sienna endpapers. Frontispiece engraving. Modern half calf over marbled paper covered boards, with gold lettering to spine. Raised bands. Modern endpapers and fly leaves. Engraved frontispiece. Originally published in 60 fascicles, William Hurd's brilliant work on comparative religion and obscure religious practices is a translation and abridgment of Bernard Picart's celebrated work "Cérémonies et coutumes religieuses de tous les peuples du monde." The author's goal was to record the religious rituals and beliefs of the world in all their diversity as objectively and authentically as possible. Breaking with all the previous models the work presented religions, even those of the "idolatrous peoples" as even-handedly as possible. It argued for religious toleration by showing the ill effects of fanaticism, wherever it could be found, and by praising those religions, such as Islam, that offered toleration to others. At a time of widespread anti-Semitism, it offered one of the most sympathetic portraits then available of European Jewry. The book is embellished with 60 stricking copper engravings depicting the rites, ceremonies and customs of over 40 world religions, including the ancient and present state of religion amongst the Jews, Egyptians, Assyrians, Babylonians, Persians, Chinese, Japanese, Peruvians, Floridans, Native Americans, Africans, Muslims, Greeks, Christians, etc. The plates have been engraved by the finest artists of the period, such as Robert Pollard (Frontispiece), James Walker, Joseph Collyer, and Charles Taylor. Contains list of Books in Divinity, printed for and sold by Alexander Hogg, Index, contents and list of subscribers at rear. ADD KEYWORDS Minor shelf wear. Light water-staining at top foredge of a few pages starting at page 237. The year of publication of the remargined title having been trimmed, it is hard to determine precisely which edition this copy is. However, a note at the end of the list of subscribers stating that "A new edition of the beginning numbers [of the fascicles] being now ready, this day is published, Dr. Hurd's Religious Rites and Ceremonies. Adorned with sixty elegant copper-plates, and neatly bound in calf and lettered" can be an indication that this copy is indeed the first book form edition. Binding in overall good+ to very good, interior in fair to very good.…

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

no binding. Condition: good. First Edition. Original Printed patent disbound with printed front blue wrapper present but not the back wrapper (both often lacking in early patents) About 27cm by 18cm some wear and tear due to the disbinding.

First Edition. Five Wonderful Hand Colored Aquatint Coaching Plates by James Pollard POLLARD, James. [Coaching Subjects]. London: R. Pollard & Sons, 1819-1823. Folio (15 1/4 x 19 7/8 inches; 386 x 504 mm.). Five hand-colored aquatint plates by and after James Pollard. Sizes varying slightly from 14 1/2 x 18 3/4 to 15 1/4 x 19 7/8 inches. All tipped into an album and interleaved. First plate with very small (5/8 inch) repaired tear at upper blank margin, the second plate with some scattered stains, mainly marginal. All but the second plate watermarked "J. Whatman/Turkey Mill". Bound ca. 1940s in quarter brown morocco over light brown buckram boards with dark blue morocco gilt cover label "Coaching: A Series of/Prints by James Pollard/London, 1819-1823", spine lettered in gilt, brown paper end-leaves. Bookplate of Joel Spitz on front paste-down. Housed in a light brown buckram slipcase. Fine. The plates: 1. "Cottagers Hospitality to Travellers/Or the Coach Broke Down" 2. "Stage Coach Passengers/at Breakfast" 3. "Stage Coach" 4. "Tandem" 5. "Four in Hand" Pollard's accomplished travelling scenes, published as separate engravings without title-page or running title. The first two, 'Cottagers Hospitality to Travellers' and 'Stage Coach Passengers at Breakfast' have the imprint of R. Pollard and Sons and date 27 March 1819; the pair are listed by Siltzer (p. 214) who notes that they were reissued in 1820 and 1824. The first of the two is also in the Mellon collection (Mellon/Snelgrove 35, p. 137). 'Tandem' and 'Four in Hand' are two of the three plates engraved by J. Gleadah and published by J. Watson in 1823 (Siltzer, p.216). James Pollard (1792-1867) was a British painter noted for his mail coach, fox hunting and equine scenes. Born in Baynes Spa Fields (later renamed Exmouth Street) in Islington, he was the son of the painter and publisher, Robert Pollard (1755-1838). Between 1821 and 1839, James Pollard exhibited at the Royal Academy. He exhibited at the British Institution in 1824 and 1844. During his career, he also worked with John Frederick Herring, Sr. on several horse racing paintings in which he painted the backgrounds and spectators while Herring painted the horses. Many of his compositions were published as aquatints, although, unlike his father, he engraved only a few plates himself.…