Pound Daniel (97 results)

Soft cover. Condition: Very Good+. Illustrations by Gary Pound (illustrator). American First. Complete number line from 1 to 10; minor wear; otherwise a solid, clean copy with no marking or underlining; collectible condition; illustrated with black and white drawings and maps. Book.

Hardcover. Condition: Acceptable. Dust Jacket Condition: Fair.

Hardcover. Condition: Very Good. Ex-Library, leather spine.

1st edition. 8vo. Prelims. + 299pp. E.p. plans. Original boards. Pictorial d/w. with red and green lettering. ISBN 9781846558511 US$15.

1st edition. 8vo. Prelims. + 299pp. E.p. plans. Original boards. Pictorial d/w. with red and green lettering. ISBN 9781846558511 US$15.

Soft cover. Condition: Fine. 1st edition. Near Fine. 8vo, 144pp, printed wrappers. Issue includes a memoir of visit Pound in 1946 by Charles Olson, other prime content. Subscription card laid in. Tight and unmarked copy, light outer wear. Not Signed.

Paperback. 200p. + ads, poetry, essays, fiction, very good paperback literary journal in gray pictorial wraps.

Hardcover. Condition: Very good condition. Dust Jacket Condition: Very good. xxvi, 403 pp. LCC: 33552.

Softcover. Condition: Near Fine. First edition, trade issue. Square 16mo. 19pp. Illustrated frontispiece. Stapled French-folded wrappers. Modest wear, spine lightly sunned, and a tiny stain on the unprinted lower wrap, very good. One of 300 copies of the trade edition (of 350 total). Prints contributions by Charles Tomlinson, Elaine Feinstein, Omar S. Pound, Miles Burrows, Daniel Weissbort, John James, Anthony Rudolf, and Richard Burns.

Condition: As New. Red wraps with paper onlay to front cover. Much lit & poetry in translation, and three interviews, including Milosz. From the collection of Oregon Poet Laureate William Stafford.

Condition: New. Print on Demand.

Hard cover. Condition: Nearly Like New. 318 pages. Nearly like new, but aged, sunning to dj.

First edition. x+302 pages with index. Cloth. Fine in dustjacket. About the origins of Anglo-American poetic modernism, one thing is certain: it started with a notion of the image, described variously by Ezra Pound as an ideogram and a vortex. We have reason to be less confident, however, about the relation between these puzzling conceptions of the image and the doctrine of literary positivism that is generally held to be the most important legacy of Imagism. No satisfactory account exists, moreover, of what bearing these foundational principles may have on Pound's later engagement with fascism. Nor is it clear how figures such as the vortex and the ideogram might contribute generally to our understanding of modern visual culture and its compulsive appeal. "Radio Corpse" addresses these issues and offers a revision of one of the most powerful and persistent aesthetic ideologies of modernism. Focusing on the necrophilic dimension of Pound's earliest poetry and on the inflections of materiality authorized by the modernist image, Daniel Tiffany establishes a continuum between Decadent practice and the incipient avant-garde, between the prehistory of the image and its political afterlife, between what Pound calls the "corpse language" of late Victorian poetry and a conception of the image that borrows certain "radioactive" qualities from the historical discovery of radium and the development of radiography. Emphasizing the phantasmic effects of translation (and exchange) in Pound's poetry, Tiffany argues that the cadaverous - and radiological - properties of the image culminate, formally and ideologically, in Pound's fascist radio broadcasts during World War II. Ultimately, the invisibility of these "radiant" images places in question basic assumptions regarding the optical character of images - assumptions currently being challenged by imageric technologies such as magnetic resonance imaging and positron emission tomography.

1. Original-Stahlstich von Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 12 x 9 cm, Kartongröße ca. 25 x 19 cm, sehr gut erhalten 1100 gr.

Hardcover. First Edition; First Printing. Near Fine in a Very Good dust jacket.

Couverture souple. Condition: Très bon. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Movie mutations : correspondance avec et entre quelques enfants des années soixante par Jonathan Rosenbaum, Adrian Martin, Kent Jones, Alexander Horwath, Nicole Brenez et Raymond Bellour - Comment filmer l'ennemi ? par Jean-Louis Comolli - Reconstructions, recréations par Avi Mograbi - Comment fabriquer une étoile par Hervé Guibert - L'imagerie fantôme d'Hervé Guibert par Anne-Cécile Guilbard - L'arbre mort et le jeu de la flûte par Shiguéhiko Hasumi - Jean Renoir, conteur d?histoires par Alain Renoir - Figaro 1939 par Hans Mayer - Le compromis du rêve par Janet Bergstrom - Les fenêtres de chez Renoir par Jean Douchet - Les rêves d'Hercule par Daniel Percheron - Le corps, fabrication Hollywood par Eric de Kuyper - Lettre de Paris par Ezra Pound.

1. Original-Stahlstich von Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung 16,5 x 13,5 cm, Kartongröße ca. 27 x 20 cm, sehr gut erhalten 2100 gr.

Soft cover. Condition: Very Good. No Jacket. 1st Edition. Large paperback copy, no dustjacket as issued. 311pp. Not library copy, no inscriptions. (24/3).

1. großer Original-Stahlstich von Daniel John Pound (in der Platte signiert) auf rückseitig unbedrucktem Büttenkarton, bildliche Darstellung ca. 21,5 x 17 cm, Kartongröße ca. 40 x 26 cm, im breiten Rand außerhalb der bildlichen Darstellung leichte Alterspatina, wie immer bei dieser Edition geglättete Mittelfalz quer, ansonsten sehr gut erhalten 1100 gr.

Condition: Good. Stipple and line engraving on chine colle. 34 x 24.5 cm. (sheet). Very Good.

Condition: Good. Stipple and line engraving on chine colle. 35 x 26 cm. (sheet). Very Good. Some toning along sheet edges.

No Binding. Condition: Fair. Portrait of Samuel Carter Hall. Born 9 May 1800 in Waterford, Ireland. Died 11 March 1889 in London, UK. Steel engraving, and Stipple engraving by Daniel John Pound (fl. 1842 - 1877), after John Jabez Edwin Paisley Mayall (1813-1901), c. 1860. Reasonable condition. Ample margins. With some faint stains in the upper and lower margin. Faint horizontal fold in the center. Paper slightly browned and slightly soiled. Verso: blank. Dimensions: 215 x 170 mm. Samuel Carter Hall was Journalist, Victorian journalist, The Art Journal, Spiritualist, Chairman for the British National Association of Spiritualists, and Inner Temple. c. 1860. Print.

1st edition. Good copy only in the original half leather over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Spine compartments uniformly tooled in gilt. Spine bands and panel edges somewhat bumped and rubbed as with age. Front board detached. Remains quite well-preserved overall. Physical description; 1 volume : portraits ; 41 cm. Notes; Contains 26 portraits and memoirs. Subjects; Portraits Great Britain. 3 Kg.

1st edition. Very good copy in the original calf over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Gilt blocked title to spine with raised bands. All edges gilt. Impressively engraved throughout. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; plates ; 41 cm. Subjects; Portraits. 3 Kg.

1st edition. Good copy only in the original half leather over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Spine compartments uniformly tooled in gilt. Spine bands and panel edges somewhat bumped and rubbed as with age. Front board detached. Remains quite well-preserved overall. Physical description; 1 volume : portraits ; 41 cm. Notes; Contains 26 portraits and memoirs. Subjects; Portraits Great Britain. 1 Kg.

1st edition. Very good copy in the original calf over ribbed-cloth boards. Gilt blocked title to spine with raised bands. Gilt blocked title to spine with raised bands. All edges gilt. Impressively engraved throughout. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description; plates ; 41 cm. Subjects; Portraits. 1 Kg.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1860 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 16 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

No Binding. Condition: Poor. Portrait of William Keppel, 7th Earl of Albemarle. Born 15 April 1832 in London, England. Died 28 August 1894. Steel engraving, and Stipple engraving by Daniel John Pound (fl. 1842 - 1877), after John Jabez Edwin Paisley Mayall (1813-1901), c. 1860. Reasonable to mediocre condition. Paper with ample margins, but soiled and with some little stainings. Several folds. Verso: blank. Dimensions: 215 x 168 mm. William Keppel, 7th Earl of Albemarle was Politician, Soldier, Under-Secretary of State for War, and Treasurer of the Household. c. 1860. Print.

No Binding. Condition: Fair. Portrait of Raphael. Born 1483 in Urbino, Italy. Died 6 April 1520 in Rome, Italy. Steel engraving, and Stipple engraving by Daniel John Pound (fl. 1842 - 1877), after Raphael (1483-1520), c. 1845. Reasonable condition. Paper with ample margins, but slightly browned. With some minor, faint spotting, mainly in the margins. Verso: blank. Dimensions: 120 x 91 mm. Raphael was Painter, Architect, Artist, and Renaissance painter. c. 1845. Print.

No Binding. Condition: Fair. Portrait of Henry Montagu Villiers. Born 4 January 1813 in London, England. Died 9 August 1861 in Auckland Castle, Bishop Auckland, England. Steel engraving, and Stipple engraving by Daniel John Pound (fl. 1842 - 1877), after John Jabez Edwin Paisley Mayall (1813-1901), c. 1855. Reasonable condition. Paper slightly browned. Paper slightly soiled, with some minor faint stains. Some creasing. Some small tearsin the lower margin. Verso: blank. Dimensions: 214 x 165 mm. Henry Montagu Villiers was Bishop, Clergyman of the Church of England, Vicar of Kenilworth, Rector of St. George's Church in Bloomsbury, Doctor of Divinity, Bishop of Carlisle, and Bishop of Durham. c. 1855. Print.