Properce Sextus Aurelius (6 results)

XXI, 164, 175 S. Orig.-Broschur (= Collection des Universités de France). - Rücken mit Lesespuren und an den Kapitalen mit kleinen Einrissen. Buchblock liegt lose im Einband. Namenszug auf Vorsatz; handschriftliche Notizen auf letzter Seite. Text mit Bleistiftanstreichungen. - Zweisprachige Ausgabe (Französisch / Lateinisch).

no illustrations (illustrator). Paris: Jombert fils. Good plus condition-headcaps and corners chipped/No Dustjacket. 1784. In French . 12mo., 427 pp. . Good plus condition-headcaps and corners chipped/No Dustjacket.

Couverture souple. Condition: bon. RO40116737: 1832. In-8. Broché. A relier, 2ème plat abîmé, Dos abîmé, Intérieur acceptable. 708 pages. Texte et notes en latin. Dos fendu verticalement avec manques. 2e plat déchiré avec manque important. Premiers cahiers se détachant. . . . Classification Dewey : 470-Langues italiques. Latin.

pt. in-8vo, 2 ff. + XXIV + 427 p. (+ 1 blanche), reliure pleine basane, dos richement orné avec pièce de titre en maroquin rouge, plats avec encadrement de triple filet doré, coupe et dentelle intérieures dorées, garde et tranches marbrées à l?identique (caillouté veiné multicolore d?époque). Bel exemplaire. Properce (Sextus-Aurelius Propertins), poète élégiaque latin; né à Mévanie, ville d?Ombrie, aujourd?hui Bevagna, Duché de Spolète, vers l?an 52 avant J.C., mort vers l?an 12 avant J.-C. (Traduit par Plaisant La Houssaye). Quérard, dans le tome littéraire, tome 7, mentionne l?ouvrage avec une date de 1785.Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage. Quérard, 7, 357.

LeatherBound. Condition: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1655 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 597 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 597.

Condition: Fine. [Venezia; Venice; Venise; Venedig; Venecia] Venetiis, [Manuzio; Aldus Manutius; Alde Manuce; Aldo Manucio] «in aedibus Aldi», [1502 (gennaio)] «mense ianuario MDII», legatura in piena pelle marrone; titolo in tassello rosso in oro al dorso; lavorazioni in oro al dorso a quattro nervi; tagli spruzzati sui toni del rosso; fogli di guardia muti, in ottavo, pagine: [304]. Prima edizione aldina. Ottimo esemplare (fisiologici segni del tempo, concentrati in prevalenza alle prime alle ultime carte, come normale). Firma di possesso di antico proprietario al frontespizio. Terzo «libellum portatile» stampato da Manuzio, che segue gli «Opera» di Virgilio e quelli di Orazio stampati meno di un anno prima. Dedicato all'umanista veneziano Marino Sanudo (amico di lunga data di Manuzio e importante collezionista di testi antichi), il volume raccoglie i tre poeti elegiaci latini per eccellenza, accorpati già nell'antichità e stampati spesso insieme dagli albori della stampa. Venice, «in aedibus Aldi», [1502 (January)] «mense ianuario MDII», full brown calf binding; title lettered gilt to red label to spine; gilt patterns and four raised bands to spine, mottled edges; endpapers blank, octavo, pages: [304]. First Aldine edition. A fine copy (slight age-wear, especially to the pastedown and to thefirst and last leaves, as normal). Private ownership inscription to the title page. First edition, first issue, with the title page reading «Propetivs» [Propetius], later corrected to «Propertivs» [Propertius]. Manutius's third «libellum portatile» follows Virgil's «Opera» and Horace's «Opera», printed less than a year earlier. Dedicated to the Venetian humanist Marino Sanudo (a longtime friend of Manutius and an important collector of ancient texts), the volume presents the three preeminent Latin elegiac poets, whose works had already been grouped together since antiquity and have often been printed together since the dawn of printing. Sulpicia's poems (which appear, as they had traditionally, embedded within the third book of Tibullus' works) are the only surviving texts in Latin written by an Ancient Roman woman.