Prytz Daniel (4 results)

Soft cover. Condition: Very Good. Periodical, softcover, 12 by 9 1/4 inches, paginated 643-708, illustrated. Articles include: Perino del Vaga by Wolk Simon, cleaning painting by Vaga by Gallagher, Barocci by Prytz, Testa by Herklotz, portraits of Thomas jenkins, James Byrnes and Gavin Hamilton by Cesaeo, Robert Smirke by Baker, Goya by Bull and too many authors . Also book and exhibition reviews and obituaries. Covers have very slight wear and the pages are clean.

gebundene Ausgabe, Leinen, 395 Seiten, Das Buch ist in einem sehr guten Zustand. 9783775739450 Sprache: Englisch Gewicht in Gramm: 1850.

Förlagsband, dek. skyddsomslag. Nyskick. Stockholm, Prins Eugens Waldemarsudde, 2015. 4:o. 31 x 23,5 cm. 240 sid. Rikligt illustrerad i färg. / Summary in English (3 pp.). Utgiven för en utställning på Waldemarsudde 19 september 2015-24 januari 2016. Med 203 katalognummer. - - - Innehåll: "Saga, myt och det narrativa" av Margaretha Rossholm Lagerlöf, "Det besjälade landskapet" av Tomas Björk, "När världen släcks ner" av Johan Lundberg, "Fursten bland våra symbolister" (Prins Eugen) av Karin Sidén, "Särpräglad svensk symbolistisk konst" av Daniel Prytz, "Finländsk symbolism" av Leena Ahtola-Moorhouse, "Symbolismens epok i Lettland" av Dace Lamberga och "Modellerad form & fantasi" av Daniel Prytz. - - - (Prins Eugens Waldemarsuddes utställningskatalog nr 116:15.) - - - "Symbolism & decadence", catalogue in Swedish for an exhibition at Waldemarsudde in 2015-16, richly illustrated in colour, 3-page summary in English. Essays and 203 catalogue entries. Hardbound with dustjacket, as new.

256 pages, illustrations : 30 cm. In the versatile art of sculptor and draftsman Johan Tobias Sergel (1740-1814) Neoclassicism and Romanticism coexist, as do the public and the private, sublimity and caricature, image and self-image, and, by extension, fantasy and reality. At the same time, in Sergel's life, there ran, like a common thread, the opposition between the obviously socially gifted, exalted and celebrated artist on the one hand, and an artist's artist on the other, melancholic, innovative and provocative. This book presents the artist in full, including these perceived contradictions in his life and art, where encounters between high and low are a recurring theme. Here, for the first time, a broader approach is taken to understand the phenomenon of Sergel and the significance of his work for the development of contemporary art and culture, both nationally and internationally: to ascertain why Sergel has been called "Sweden's foremost artist" ever since his own time.