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Published by Hamburg: Hamburger Sparcasse von 1827, 1969
Seller: Antiquariat Weber, Neuendorf b. Elmshorn, SH, Germany
Association Member: GIAQ
Book
gebundene Ausgabe. 29,5 cm ; Großformatige Hardcoverausgabe, dunkelblauer Kunstledereinband mit Golddruck, 83 Seiten Text, 68 Bildtafeln. Gutes Exemplar. pw437.
Published by Rowohlt, 1969
ISBN 10: 3499501538ISBN 13: 9783499501531
Seller: Buli-Antiquariat, Gumtow, Germany
Book
Taschenbuch. 188 S, Einband berieben Inhalt GUT Size: 19 x 11 Cm. 300 Gr.
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Published by Paul Hartung, Hamburg, 1969
Seller: Lewitz Antiquariat, Parchim, MVP, Germany
Book
Softcover/Paperback. Condition: Sehr gut. 83 Seiten mit 68 z.T. farbigen Tafeln Bucheinband minimal berieben. Sonst kaum Lese- und Lagerspuren. Ein sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 700.
Published by firstsite, 1996
ISBN 10: 0952907003ISBN 13: 9780952907008
Seller: Revaluation Books, Exeter, United Kingdom
Book
Paperback. Condition: Brand New. 48 pages. In Stock.
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Published by Yale University Press, 1985
ISBN 10: 0300033567ISBN 13: 9780300033564
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book First Edition
Condition: Good. First Edition. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
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Published by Hamburger Kunsthalle, 1969
Seller: Sonnets And Symphonies, Bristol, United Kingdom
Book
Soft cover. Condition: Good. Image shows actual book for sale. Book Condition: Good; firm binding; contents good; a little wear at head of spine. Soft Cover Hamburger Kunsthalle 1969 Art.
Published by Hamburger Kunsthalle, 1969
Seller: Sonnets And Symphonies, Bristol, United Kingdom
Book
Soft cover. Condition: Very Good. Image shows actual book for sale. Book Condition: Very Good; firm binding; contents very good; minimal wear. Soft Cover Hamburger Kunsthalle 1969 Art.
Published by National Trust for Scotland, 1995
Seller: mediafritze, Berlin, Berlin, Germany
Book
paperback. Condition: Wie neu. ****** mediafritze® | wir können günstig! | Der Versand ist schneller! | Die Qualität ist besser! | Unsere Produkte haben keine Klebelabels! | Sie bekommen, was Sie auf unseren Produktbildern sehen! | Ihre Bestellungen bis 14 Uhr versenden wir sofort am selben Tag, wir verschicken auf schnellstem Weg! | Ihre Rechnung, mit aktuell gesetzlicher MwSt., wird Ihnen sofort nach erfolgreichem Checkout bereitgestellt! ****** mediafritze® | we can do cheap! | shipping is faster! | The quality is better! | Our products have no adhesive labels! | You get what you see on our product pictures! | Your orders until 2 p.m. will be shipped immediately on the same day, we ship on the fastest way! | Your invoice, with current legal VAT, will be provided to you immediately after successful checkout! Sprache: Deutsch Gewicht in Gramm: 140.
Published by National Trust for Scotland, 2008
ISBN 10: 1906431027ISBN 13: 9781906431020
Seller: H4o Books, Market Rasen, LINCS, United Kingdom
Book
Softcover. Condition: Fine. Dust Jacket Condition: No Dust Jacket. Size: 12mo - over 6¾ - 7¾" tall. 36 pages. Item Type: Book. Clean and bright pages. Binding is tight, covers and spine fully intact. No inscriptions. Shipped Weight: Under 250 grams. Category: Travel & Places; ISBN: 1906431027. ISBN/EAN: 9781906431020. Please contact H4o Books if you require images or further information. Inventory No: 033961.
Published by Hamburg, Kunsthalle, 1969
Seller: Klaus Kuhn Antiquariat Leseflügel, Köln, NRW, Germany
Book
68 sehr gute Bildtafeln, 83 Textseiten, Zustand: sehr gutes Exemplar, minimale Gebrauchsspuren. Beilage: Anleitung für den Betrachter der Ausstellung. Sprache: Deutsch Gewicht in Gramm: 1100 29,0 x 23,0 cm, Broschiert, Softcover/Paperback.
Published by Hamburger Sparcasse Von 1827, Hamburg, 1969
Seller: 100POCKETS, Berkeley, CA, U.S.A.
Book
Printed Black Boards. Condition: Very Good. No Jacket. "In der Zeit vom 30. August bis zum 19. Oktober 1969 fand anlasslich der Jahrhundertfeier der Hamburger Kunsthalle eine einzigartige Austellung unter dem Titel "Meister Francke und die Kunst um 1400" statt. Mit dem Katalog uber diese grossartige Sammlung von Kunstwerken hoffen wir, Ihnen eine Freude zu bereiten." Contributors are Alfred Hentzen (Vorwort); Jurgen Bolland (Hamburg um 1400); Hans Werner Grohn (Meister Francke Urkunden und Meinungen); Otto Pacht (Meister Francke - Probleme); Peter Streider (Das Fragment der Mitteltafel des Thomas-Altars von Meister Francke); Paul Pieper (Meister Francke und die niederdeutsche Kunst); and L. M. J. Delaisse (Das Problem der regionalen Stile in nordlichen Europa um 1400). 82 pages of text with Verzeichnis der ausgestellten Werke, Ausgewahlte Literatur zu Meister Francke, and Nachweis der Bildvorlagen; plus 68 plates, many in color. Covers are slightly bumped at lower leading corners, and cover printing has faded, covers otherwise sound; rfEP has been clipped at upper leading corner; text is strong and clean, though browning at edges.
Published by Yale Univ Pr, 1986
ISBN 10: 0300033567ISBN 13: 9780300033564
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Good. 1st Edition. Dustwrapper slightly browned and worn at edges.
Published by Yale University Press, New Haven, UK & USA, 1985
ISBN 10: 0300003366ISBN 13: 9780300003369
Seller: Marcus Campbell Art Books, London, United Kingdom
Book First Edition
Hardcover. First Edition. 16 x 24cm 144pp near fine hardback in dust jacket. Ex'Libris bookplate on the inside of the front board: 'On loan from Lenkiewicz Foundation. Robert Lenkiewicz (1941-2002).' One of the books acquired by Marcus Campbell Art Books from the Lenkiewicz Library. RL was an English painter. With black and white reproductions. Near fine in near fine dustjacket.
Werkstoff. Condition: Gut. 83 S. : mit Abb., 68 S. Abb, 30cm Zustand: Kunstledereinband, guter Zustand --- Inhalt: Ausstellung anläßlich 100 Jahre Hamburger Sparkasse; mit 68 Bildtafeln GEL1-1 Sprache: Deutsch Gewicht in Gramm: 851.
Published by Yale University Press, 2005
ISBN 10: 0300110006ISBN 13: 9780300110005
Seller: Recycle Bookstore, San Jose, CA, U.S.A.
Book
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Book has a very slight bow to covers, mild rubbing and faint smudges to covers, a faint smudge to outer textblock, light wear to edges and corners, brief pencil markings to index section. otherwise in very good condition, strong binding; some cosmetic wear including markings index section, but an overall sturdy copy. On the lower end of very good due to brief markings. Dust jacket has mild rubbing to front/back, modest wear to edges and corners with light bubbling. in very good condition, now in archival cover.
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Published by Yale University Press, New Haven & London, 1985
ISBN 10: 0300033567ISBN 13: 9780300033564
Book First Edition
Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Study of the theories of de Piles (1635-1709), "the most influential French art critic before Diderot" whose ideas remained popular with artists through the eighteenth century; he was "primarily concerned with liberating the theory of painting from the dominance of [the French Academy's] literary theory", believing that the visual impact of an artwork should be superior to the 'meaning' of its subject matter. Hardcover in jacket, as pictured; the first printing, listing no later printings. Light wear to book; jacket shows minor creasing, mostly to the head of the spine. Text clean; xii, 144 pages; index, bibliography, 16 b/w plates (24 images). Size: Octavo.
Published by Yale University Press 1985, 1985
Seller: Peter J. Hadley Bookseller ABA ILAB, Ludlow, United Kingdom
First Edition Signed
VG bright copy in publishers cloth in slightly browned dustjacket. 1st edition, 1st issue. Signed Presentation copy from Puttfarken dated 1985 on endpaper with 'Remembering Thomas Puttfarken 4pp leaflet from 12 July 2007 tipped - in. ISBN 0300033567.
Published by Yale University Press, New Haven, CT, 2000
ISBN 10: 0300081561ISBN 13: 9780300081565
Book
Hardbound. Condition: VG/VG. Dark green cloth with color illustrated dustjacket. viii, 332 pp., 167 color and bw plates. A rare and useful title, which has the added benfit of containing some paintings and discussions which are not bound by the time frame indicated in the title. Before 1600, a painting's overall composition was hardly ever discussed. Attitudes toward pictorial composition changed between the early Renaissance and the early 19th century. The author investigates this change. Contents as follows: 1: Rudimenta -- Easel painting and pictorial order -- 2: Why the Renaissance did not talk about pictorial composition -- Alberti and the composition of bodies -- Perspective and composition I -- Figure and ground -- Scale and presence -- In search of the whole and its harmonies -- 3: The discovery of pictorial composition in France -- Borghini, van Mander and Junius: northern approaches to pictorial composition -- Poussin's thoughts on invention and disposition -- The beginnings of the French theory of painting: public discourse and the image in the mind -- Perspective and composition II -- Du Fresnoy and de Pile's De arte graphica: a primer in pictorial composition -- The rule of the Tableau and its losses.
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Published by Yale University Press, New Haven, 2000
ISBN 10: 0300081561ISBN 13: 9780300081565
Book First Edition
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 1st ed. 332pp. VG+/VG+ copy, corners gently bumped, now preserved in mylar jacket protector. From the library of Australian abstract artist Klaus Friedeberger (1922-2019), whose original receipt is laid in.
Published by Yale University Press, 2000
ISBN 10: 0300081561ISBN 13: 9780300081565
Seller: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
Book First Edition
Condition: Like New. Condition: Near Fine; Hardcover in dustjacket. First Edition. Condition is Near Fine in a Fine dustjacket. Book has clean covers and a square, tight binding. Jacket clean and bright without flaws.
Published by Yale University Press, New Haven, Conn., 2000
ISBN 10: 0300081561ISBN 13: 9780300081565
Seller: 84 Charing Cross Road Books, IOBA, Cambridge, CAMBS, United Kingdom
Association Member: IOBA
Book First Edition
Paperback. Condition: Collectable - Very Good. Dust Jacket Condition: Near Fine. First Edition. Near Fine/Near Fine 1st ed 2000 Yale hardback, unclipped DJ, profusely illustrated high quality edition. Previous owner name to fly-leaf corner, light edge-rub to DJ, VG+ bright and unmarked throughout. Size: cm. 288 pages. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Painting Technique; ISBN: 0300081561. ISBN/EAN: 9780300081565. Dewey Code: 750/.1/8. The photos provided are of our own book, further photos may be arranged upon request. Inventory No: 082681.
Published by Yale University Press, 2000
Seller: Collectors' Bookstore, Deurne, Belgium
Book First Edition
Hardcover. Condition: Fine. First Edition. First Edition thus, very fine condition. The Discovery of Pictorial Composition Theories of Visual Order in Painting, 1400-1800 Special Collection by Thomas Puttfarken. Published by Yale University Press in 2000. Hardcover. In this illuminating book, art historian Thomas Puttfarken examines how pictorial composition and attitudes toward it changed between the early Renaissance and the beginning of the nineteenth century. Before 1600, a paintings overall composition was hardly ever discussed. As far as art theory and criticism were concerned, pictorial composition was a discovery of the seventeenth century, the author explains. In the first part of the book, Puttfarken investigates why pictorial composition did not figur. Collectible item in excellent condition.