Rabuzin Ivan (12 results)

Hardcover. Condition: Very Good. Dust Jacket Condition: Good. The book has slight overall fading, light edge wear, and minor rubbing. Otherwise, it is clean, crisp, and unmarked. The dust jacket has fair edge wear, two significant tears on the front cover, light tearing along the edges and on the headband, light fading, and slight rubbing. Otherwise, it is clean, crisp, and adorned with mylar.

Soft Cover. Condition: Good. First Edition; First Printing. 8 illustrations. Text in French. Published on the occasion of the exhibition at Galerie Mona Lisa, Paris, November 15 to December 31, 1963. ; Tight and clean. Moderate foxing to covers, otherwise a gently used catalogue. No inscriptions. Not ex-library. ; 8vo 8" - 9" tall; 8 pages.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran January 20 through February 13, 1971. Text by Raffaele Carrieri in Italian. Includes 31 illustrations with 6 in color along with a black and white photograph of Rabuzin. A close to near fine copy in stapled wrappers that are lightly soiled. Uncommon.

Encuadernación de tapa blanda. Condition: Bueno. 1ª Edición. (24)p. ; 24x17 cms., ilustraciones en color, retrs. 100 grs. (BN-7)AV-4°.

Soft cover. Condition: Near Fine. Small sq. 4to, circa 16pp, one color litho.vv4/1.

Condition: Buono (Good). Eseguito per BOLAFFIARTE (timbro in basso a sinistra). Serie de "Lo Zodiaco". riproduzione fotolitografica foglio cm. 21.3 x 28.2 Buono (Good) Buon es. Book.

Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. 1972/2116, L1176 hu Gewicht in Gramm: 400.

stapled softcover. Condition: Sehr gut. [18] p. Introduction by Radoslav Putar. hr Gewicht in Gramm: 84.

Condition: Ottimo stato. pp.120, con illustrazioni Rivista italiana d'arte con allegata una riproduzione fotolitografica firmata dell'Artista (4 colori offset). Opera "IL CAPRICORNO" espressamente eseguita per la serie "LO ZODIACO" di BOLAFFI ARTE. Esemplare numerato 359/5000. Brossura editoriale. Copertina illustrata a colori.

No Binding. Condition: Fine. Original lithograph by Ivan Rabuzin. 19/160 edition, signed by the artist. 47 x 58 cm, in fine condition. Ivan Rabuzin (27 March 1921  18 December 2008) was a Croatian naïve artist. French art critic Anatole Jakovsky described him in 1972 as "one of the greatest naïve painters of all times and countries". Rabuzin's father was a miner, and Ivan was the sixth of his eleven children. Ivan worked as a carpenter for many years, and did not begin painting until 1956, when he was thirty-five years old. He had little formal training as an artist, but his first solo exhibition in 1960 proved successful and he changed careers, becoming a professional painter in 1962.[4] His 1963 exhibition in Galerie Mona Lisa in Paris marked the beginning of the rise of his international reputation. Rabuzin's art is characterized by dense geometric patterns of vegetation and clouds that form rich, arabesque-like structures painted in gentle pastel colors.[3] His motifs were described as an "idealistic reconstruction of the world".[3] He took a stab at industrial design in the 1970s with a 500-piece run of the upscale Suomi tableware by Timo Sarpaneva that Rabuzin decorated for the German Rosenthal porcelain maker's Studio Linie. Rabuzin was active in politics as a member of Croatian Democratic Union, and from 1993 to 1999 he was also a member of the Croatian Parliament (in the second and third assemblies). Rabuzin stopped painting in 2002 due to an illness. He died on 18 December 2008 in a hospital in Vara din, Croatia.

No Binding. Condition: Fine. Original lithograph by Ivan Rabuzin. 19/160 edition, signed by the artist. 47 x 58 cm, in fine condition. Ivan Rabuzin (27 March 1921  18 December 2008) was a Croatian naïve artist. French art critic Anatole Jakovsky described him in 1972 as "one of the greatest naïve painters of all times and countries". Rabuzin's father was a miner, and Ivan was the sixth of his eleven children. Ivan worked as a carpenter for many years, and did not begin painting until 1956, when he was thirty-five years old. He had little formal training as an artist, but his first solo exhibition in 1960 proved successful and he changed careers, becoming a professional painter in 1962.[4] His 1963 exhibition in Galerie Mona Lisa in Paris marked the beginning of the rise of his international reputation. Rabuzin's art is characterized by dense geometric patterns of vegetation and clouds that form rich, arabesque-like structures painted in gentle pastel colors.[3] His motifs were described as an "idealistic reconstruction of the world".[3] He took a stab at industrial design in the 1970s with a 500-piece run of the upscale Suomi tableware by Timo Sarpaneva that Rabuzin decorated for the German Rosenthal porcelain maker's Studio Linie. Rabuzin was active in politics as a member of Croatian Democratic Union, and from 1993 to 1999 he was also a member of the Croatian Parliament (in the second and third assemblies). Rabuzin stopped painting in 2002 due to an illness. He died on 18 December 2008 in a hospital in Vara din, Croatia.

No Binding. Condition: Fine. Portfolio with 3 original lithographs numbered 17/160 and signed by the artist. With an introductory text by Grytzko Mascioni. 47 x 58 cm, in fine condition. Ivan Rabuzin (27 March 1921  18 December 2008) was a Croatian naïve artist. French art critic Anatole Jakovsky described him in 1972 as "one of the greatest naïve painters of all times and countries". Rabuzin's father was a miner, and Ivan was the sixth of his eleven children. Ivan worked as a carpenter for many years, and did not begin painting until 1956, when he was thirty-five years old. He had little formal training as an artist, but his first solo exhibition in 1960 proved successful and he changed careers, becoming a professional painter in 1962. His 1963 exhibition in Galerie Mona Lisa in Paris marked the beginning of the rise of his international reputation. Rabuzin's art is characterized by dense geometric patterns of vegetation and clouds that form rich, arabesque-like structures painted in gentle pastel colors.His motifs were described as an "idealistic reconstruction of the world". He took a stab at industrial design in the 1970s with a 500-piece run of the upscale Suomi tableware by Timo Sarpaneva that Rabuzin decorated for the German Rosenthal porcelain maker's Studio Linie. Rabuzin was active in politics as a member of Croatian Democratic Union, and from 1993 to 1999 he was also a member of the Croatian Parliament (in the second and third assemblies). Rabuzin stopped painting in 2002 due to an illness. He died on 18 December 2008 in a hospital in Vara din, Croatia.