Radislav Matusitik (1 results)
More imagesLanguage: Slovak
Published by Slovenske Vydavatelstvo Krajnej Literatury Bratislava, 1965
- Hardcover
Seller: West Cove UK, Wellington, United KingdomWest Cove UK
Contact seller5-star sellerCondition: Used - Good
US$ 87.37
US$ 35.03 shippingShips from United Kingdom to U.S.A.Quantity: 1 available
Add to basketHardcover. Condition: Good. Immediate dispatch from Somerset. Nice older book in good condition. Some tanning wear and marking due to age. Plates and pages bright and good. Dustcover worn. Hardcover. Slovak. Pub Year 1965, See images for condition. About the book >.>.> Modernne slovenske maliarstvo 1945-1963 by Radislav Matustik… offers a thorough exploration of Slovak modern painting during the intricate period between the two World Wars and the post-war era. The year 1945 marks a significant boundary, reminiscent of the ancient cartographic term Hic sunt leones, highlighting the uncertainty and potential found in this artistic landscape. This work strives to understand the transformative nature of this art, revealing how, within a single decade, artists addressed and overcame nearly fifty years of stylistic stagnation. The text delves into the evolving artistic practices of the past seventeen years, seeking to identify a progressive chain of values within these creative pursuits. While the works of early founders may appear familiar, Matustik encourages readers to engage with these pieces critically. He argues for a shift in focus from mapping historical achievements to understanding the innovative pathways taken by artists, ultimately reflecting the images of their collective experiences. This discussion aims to shape contemporary thoughts, emotions, and ideas around modern art, recognising the pressing need for guidance in navigating this often-misunderstood domain.Matustik notes that the time has not yet arrived for a comprehensive history of the latest painting movements, but initial contributions and materials are being gathered. He acknowledges the difficulties in studying this field, pointing out the scarcity of monographs and cohesive analyses prior to 1945. Important references, such as attempts to summarise the state of recent Slovak painting and profiles of various artists from different generations, provide a foundation for understanding the artistic evolution during this time. This work serves as a vital resource for anyone seeking clarity in the rich yet complex realm of modern Slovak art.
