Ralph Rumney (40 results)

Condition: As New. Unread copy in mint condition.

Condition: New. Brand New.

Paperback. Condition: New. Throughout his adventurous life, Ralph Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths with every avant-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney's traveling companions Guy Debord, Pegeen Guggenheim, Asger Jorn, Michèle Berstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E.P. Thompson, Victor Brauner, and many others are recalled in the oral history with sharp intelligence and dry wit.Profusely illustrated with Rumney's own photos, paintings, and collages and other documentary materials."The Consul regains that magnificent freedom that a handful of people enjoyed and shared with artists, writers and others, in a world whose password was total, unfailing rejection of the world." Judith Brouste, Art Press". . . fine compendium of the most poetic of political writings, albeit still a partial measure for fans, followers and future revolutionaries awaiting the complete translations of the journal Situationist Internationale." Publishers WeeklyRalph Rumney (1934 - 2002), was the sole member of the London Psychogeographical Society, a founding organization of the Situationist International (1957). He is the author of The Leaning Tower of Venice, a fabled psychogeographical exploration of that city.Malcolm Imrie is a literary agent and translator whose translations include Guy Debord's Comments on the Society of the Spectacle and Josè Pierre's Investigating Sex: Surrealist Discussions 1928 - 1932.

Paperback. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

paperback. Condition: Good. Used with some wear but no markings. Binding is tight.

Condition: New. pp. 130.

Paperback. Condition: New. Throughout his adventurous life, Raloh Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths every avante-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney's friends, lovers and travelling companions-Guy Debord, Pegeen Guggenheim Asger Jorn, Michele Bernstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E. P. Thompson, Victor Brauner, and many others-are recalled in the oral history of The Consul with sharp intelligence and dry wit.

Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Original Wraps. Condition: Fine. Dust Jacket Condition: No Jacket as issued. 1st Edition. Translated from the French by Malcolm Imrie. Virtually as new with a complete number string.

Paperback. Condition: Brand New. 129 pages. 8.82x5.98x0.39 inches. In Stock.

Condition: New. In.

M. zahlr. Abb. u. Faks. 143 S. OKart.

Unknown Binding. Condition: New.

Taschenbuch. Condition: Neu. Neu -Ralph Rumney (1934-2002) begann seine Karriere als Künstler in den schlecht beleumundeten Kreisen des linken Seine-Ufers in Paris. In der Bar Moineau traf er in den fünfziger Jahren Guy Debord, den Mann »mit der eleganten Sprache und dem magischen Charme«. Fünfzig Jahre lang bewegte er sich in den Künstlerischen Avantgarden Europas, er war befreundet mit Asger Jorn, Yves Klein, William Bourroughs, Félix Guattari und vielen anderen, über die er Zeugnis ablegt und Geschichten erzählt. Mit Marcel Duchamp spielte er Schach, mit Georges Bataille diskutierte er im Café Flore die Erotik, in London verdiente er seinen Lebensunterhalt mit Poker und in Venedig musste er vor den Nachstellungen seiner Schwiegermutter Peggy Guggenheim flüchten, nachdem seine Frau Pegeen Selbstmord begangen hatte. 144 pp. Deutsch.

Condition: Neuf.

Super octavo softcover (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book may reduce your overall postage costs. All online listings are held in Dunedin.

Paperback. Condition: New. In shrink wrap. Looks like an interesting title!

Paperback. Condition: New. Throughout his adventurous life, Ralph Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths with every avant-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney's traveling companions Guy Debord, Pegeen Guggenheim, Asger Jorn, Michèle Berstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E.P. Thompson, Victor Brauner, and many others are recalled in the oral history with sharp intelligence and dry wit.Profusely illustrated with Rumney's own photos, paintings, and collages and other documentary materials."The Consul regains that magnificent freedom that a handful of people enjoyed and shared with artists, writers and others, in a world whose password was total, unfailing rejection of the world." Judith Brouste, Art Press". . . fine compendium of the most poetic of political writings, albeit still a partial measure for fans, followers and future revolutionaries awaiting the complete translations of the journal Situationist Internationale." Publishers WeeklyRalph Rumney (1934 - 2002), was the sole member of the London Psychogeographical Society, a founding organization of the Situationist International (1957). He is the author of The Leaning Tower of Venice, a fabled psychogeographical exploration of that city.Malcolm Imrie is a literary agent and translator whose translations include Guy Debord's Comments on the Society of the Spectacle and Josè Pierre's Investigating Sex: Surrealist Discussions 1928 - 1932.

Condition: Used: Very Good. RARE ENVOI PAR PRO KA18NANT04/18.

Condition: New. Print on Demand pp. 130 2:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on Creme w/Gloss Lam.

Paperback. Condition: New. Throughout his adventurous life, Raloh Rumney was in constant flight from the wreckage of postwar Europe. Crossing paths every avante-garde of the past fifty years, he was one of the founding members of the Situationist International. Rumney's friends, lovers and travelling companions-Guy Debord, Pegeen Guggenheim Asger Jorn, Michele Bernstein, Bernard Kops, Yves Klein, Marcel Duchamp, Georges Bataille, William Burroughs, Félix Guattari, E. P. Thompson, Victor Brauner, and many others-are recalled in the oral history of The Consul with sharp intelligence and dry wit.

Condition: New. PRINT ON DEMAND pp. 130.

1st edition softback with stiff wrappers Fine octavo 124pp., b/w pls.,

PAP. Condition: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

flessibile. Condition: Ottimo (Fine). 127 p., f.to cm 24 x 16, ill. b/n, brossura, ottimo stato di conservazione. Book.

hardcover. Condition: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Brossura. Condition: ottimo. prima edizione. London, Royal College of Art, Ed. R. Maude-Roxby, October 1958. In-4° (27,4 cm x 21,8 cm). Pp. (16), 46, (14). Brossura editoriale cartonata con copertina anteriore arancione brillante, DayGlo orange, a stampa eseguita su disegno di Lucio Fontana, "squarciata" con tagli e perforazioni sempre diversi che rendono ogni copi unica, in basso firma e anno in lastra "L Fontana 58". Esiste anche una variante con la copertina verde fluorescente. Contiene il volantino promozionale stampato in oro su carta nera lucida, che era destinato ad essere avvolto attorno alla copertina. Inserti in carta colorata rosa di peso diverso. Esemplare in ottimo stato di conservazione. Prima edizione del rarissimo numero di Ark con la copertina "squarciata" creata da Lucio Fontana. Un numero leggendario della rivista studentesca del Royal College of Art di Londra fortemente ispirata ai movimenti artistici e letterari radicali degli anni '50, creando un ponte tra la prima Pop art, i progetti geometrici e la psicogeografia. Questo No 24 del 1958 di Ark è curato da Rody Maude-Roxby, studente di pittura al Royal College of Art, e con la direzione artistica di Denis Postle; Ark 24 è considerato una pietra miliare nella storia del graphic design. Secondo Neil Parkinson, responsabile degli archivi e delle collezioni del RCA, Rody Maude-Roxby, che all' epoca aveva stretti legami con gli artisti dei movimenti situazionista e spazialista, commissionò a Lucio Fontana il disegno per la copertina, stampata su uno sfondo arancione fluorescente, una tecnica di stampa inventata da poco. Gli strappi sulla copertina, come quelli presenti nelle opere di Fontana, furono realizzati dal team di Ark trascinando ogni singolo foglio su una tavola di legno chiodata, ottenendo quindi ogni volta un risultato differente. ARK, attiva dal 1950 al 1973, fu una rivista accademica pubblicata dagli studenti del Royal College of Art di Londra, che spesso presentava i lavori dei suoi laureati. Questo numero della rivista include il Manifesto Tecnico dello Spazialismo di Fontana, presentato al I Congresso Internazionale di Proporzione alla IX Triennale di Milano del 1947, commentato da Lawrence Alloway, e contributi di Michael Davies, Robyn Denny, Richard Smith e Ralph Rumney. Ark No 24 contiene la prima pubblicazione di The Leaning Tower of Venice, l' opera più importante dell' artista inglese Ralph Rumney, oggi considerato un classico esempio precoce di psicogeografia. Originariamente destinata a essere inclusa nel primo numero di Internationale Situationniste nel 1957; Guy Debord usò il mancato rispetto della scadenza di pubblicazione della relazione psicogeografica su Venezia da parte di Rumney, annunciato nel numero 1 di IS, come pretesto per escluderlo dall' Internazionale Situazionista. Rumney fu invitato dal direttore di ARK, Roderick Maude-Roxby, a fornire materiale per la pubblicazione, e il numero della primavera del 1958 contiene la prima parte dell' esplorazione psicogeografica di Venezia da parte dell' artista, proseguita nei due numeri successivi, tutti e tre in formato a più riquadri estraibili. Il progetto di Rumney assume la forma di un fotoracconto ispirato alle riviste fotoromanzi, con l' intento di creare una mappa psicogeografica di Venezia, to show where no one has ever gone, far from the Grand Canal, che documentava una delle prime drifts dell' Internazionale Situazionista. Invece di una mappa tradizionale, presentava una topografia affettiva e sovversiva che esplorava l'impatto psicologico ed emotivo della città. Altri contributi includono EV' RY-WHICH WAY project for a film di Robyn Denny e Richard Smith; Image World di Eduardo Paolozzi (7 pp.); oltre a pubblicità per l' ICA e la rivista New Departures. Bibliografia: Ruhé-Rigo, Lucio Fontana: Graphics, Multiples and More., p. 204. Cfr. Mellor, The Sixties Art Scene in London, (1993), p. 212; Smilles-Pratt, Two-way Traffic British and Italian Art, 1880-1980, (1996), p. 37.

PAP. Condition: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch, 143 Seiten. Diskrete Lagerungsspuren. *** Ansonsten neuwertiger, ungelesener Zustand. *** Von diesem Titel sind vier Exemplare vorrätig.

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