Reason David (26 results)

hardcover. Condition: Very Good. Savage, Ann; Ashby, David; Baker, Alan; Ferring, Rod; Field, James; Forsey, Chris; Green, John; Hook, Adam; Hussey, Lorna; Meadway, Wendy; Meadway, Clifford; Moore, David; Reason, Sallie; Stillwell, Stella; Tuhill, Joyce; Turner, Avril; Ward, Helen (illustrator). Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condition: As New. Unread book in perfect condition.

Soft cover. Condition: Fine. 51 pages : illustrations (some colour) ; 23 x 25 cm. Published on the occasion of the exhibition held at Brighton Museum and Art Gallery, 1995.

Condition: New.

Condition: As New. Unread book in perfect condition.

Condition: New.

Very tidy ex-library; octavo green cloth boards, gilt lettering to spine, xi+262pp, VG (usual stamps and markings) in d/w VG (usual markings, light scuffing and soiling).

Condition: New.

Condition: New.

Condition: New.

Condition: very good. First? Edition. First? Printing. 91, wraps, appendices, acronyms, endnotes, slight wear and soiling to covers.

Condition: Used - Very Good. VG paperback. 1st edition. 1st edition. Owner's name (Prof. Roger Cardinal) on title page. A clean, bright copy Used - Very Good. VG paperback.

Paperback. Condition: Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. This is both a general guide to teaching transference and an insight into the psychoanalytical approaches it has generated. The first section focuses on practical pedagogical, clinical, administrative and political issues, while the second section covers teaching and research in the subject.

Hardcover with dustjacket, 112 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condition: Fine. No Jacket. Laurie Clark (illustrator). 1st Edition. First Series, Volume 3 of Morning Star Folio series published in August 1990. Black and green designed poem printed on laid paper in a limited edition of 250 copies. This is copy #103 and is SIGNED by the illustrator, Laurie Clark. Outer cream paper covers with black lettering printed by Peter Knee, Merrow, Guildford, Surrey. The Folios, edited by Alec Finlay, appeared quarterly and were enclosed within a white printed envelope. Enclosed with the poem is a 2pp essay about Thomas A. Clark's poetry written by David Reason, entitled "Line And Line About". Also enclosed is a 4pp red and black printed catalogue detailing the four issues of the First Series. All contents are in fine condition. Signed by Illustrator(s).

Soft cover. Condition: Fine. No Jacket. Laurie Clark (illustrator). 1st Edition. First Series, Volume 3 of Morning Star Folio series published in August 1990. Black and green designed poem printed on laid paper in a limited edition of 250 copies. This is copy #102 and is SIGNED by the illustrator, Laurie Clark. Outer cream paper covers with black lettering printed by Peter Knee, Merrow, Guildford, Surrey. The Folios, edited by Alec Finlay, appeared quarterly and were enclosed within a white printed envelope. Enclosed with the poem is a 2pp essay about Thomas A. Clark's poetry written by David Reason, entitled "Line And Line About". Also enclosed is a 4pp red and black printed catalogue detailing the four issues of the First Series. All contents are in fine condition. Signed by Illustrator(s).

Soft cover. Condition: Fine. No Jacket. Laurie Clark (illustrator). 1st Edition. First Series, Volume 3 of Morning Star Folio series published in August 1990. Black and green designed poem printed on laid paper in a limited edition of 250 copies. This is copy #99 and is SIGNED by the illustrator, Laurie Clark. Outer cream paper covers with black lettering printed by Peter Knee, Merrow, Guildford, Surrey. The Folios, edited by Alec Finlay, appeared quarterly and were enclosed within a white printed envelope. Enclosed with the poem is a 2pp essay about Thomas A. Clark's poetry written by David Reason, entitled "Line And Line About". Also enclosed is a 4pp red and black printed catalogue detailing the four issues of the First Series. All contents are in fine condition. Signed by Illustrator(s).

Soft cover. Condition: Fine. No Jacket. Laurie Clark (illustrator). 1st Edition. First Series, Volume 3 of Morning Star Folio series published in August 1990. Black and green designed poem printed on laid paper in a limited edition of 250 copies. This is copy #98 and is SIGNED by the illustrator, Laurie Clark. Outer cream paper covers with black lettering printed by Peter Knee, Merrow, Guildford, Surrey. The Folios, edited by Alec Finlay, appeared quarterly and were enclosed within a white printed envelope. Enclosed with the poem is a 2pp essay about Thomas A. Clark's poetry written by David Reason, entitled "Line And Line About". Also enclosed is a 4pp red and black printed catalogue detailing the four issues of the First Series. All contents are in fine condition. Signed by Illustrator(s).

Soft cover. Condition: Fine. No Jacket. Laurie Clark (illustrator). 1st Edition. First Series, Volume 3 of Morning Star Folio series published in August 1990. Black and green designed poem printed on laid paper in a limited edition of 250 copies. This is copy #97 and is SIGNED by the illustrator, Laurie Clark. Outer cream paper covers with black lettering printed by Peter Knee, Merrow, Guildford, Surrey. The Folios, edited by Alec Finlay, appeared quarterly and were enclosed within a white printed envelope. Enclosed with the poem is a 2pp essay about Thomas A. Clark's poetry written by David Reason, entitled "Line And Line About". Also enclosed is a 4pp red and black printed catalogue detailing the four issues of the First Series. All contents are in fine condition. Signed by Illustrator(s).

22 x 15. 90 Seiten. OKart. Guter Zustand. Sprache: Englisch Gewicht in Gramm: 300.

Hardcover. Condition: Very Good. About 100 B/w Photographs (illustrator). 1st Edition. Cloth bound hardcover, [120] p. : b/w illustrations ; 23x30 cm.Very good, unmarked, light age-toning to page-edges. First edition of 2000.

hardcover. Condition: Good. Good. Dust Jacket NOT present. CD WILL BE MISSING. . SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condition: New.

paperback. Condition: Acceptable. Acceptable. Dust Jacket NOT present. CD WILL BE MISSING. SHIPS FROM MULTIPLE LOCATIONS. book.

Taschenbuch. Condition: Sehr gut. 27x20 cm illustrierter Original-Karton-Band ohne Schutzumschlag, unpaginiert, sehr gut erhaltenes Exemplar mit minimalen Gebrauchsspuren am Einband--- Für Ihre Zufriedenheit versenden wir mit DHL und ausschließlich mit Trackingcode für eine sichere Sendungsverfolgung! Weitere Angebote unter antiquariat-kastanienhof , 72 Seiten. nein.

Signed Presentation from David Reason to Roger Cardinal, Near Fine in publishers decorated wrappers. 4pp + tipped - in Illustration by De Vries signed on reverse.Roger Cardinal was one of Britains most distinguished art historians, best known for defining what is generally known as Outsider Art - that is, art by people with no formal training. He began his career as a lecturer at the French department of the University of Manitoba, Canada, subsequently moving to Warwick University and finally to the University of Kent at Canterbury, where he taught for fifty years and held a professorship.Roger Cardinal was not only a leading authority on Outsider Art, but also on Surrealism. He was a prolific writer and a master of literary style. His eloquent, percipient writings include several books on a wide range of subjects such as Outsider Art (1972), German Romantics in Context (1975) Figures of Reality (1981), Expressionism (1984), The Landscape Vision of Paul Nash (1989), The Cultures of Collecting (1994), and Kurt Schwitters (2011). He also acted as a curator and was a regular contributor to art-historical publications.CardinalÕs interest in art lay in its margins - the neurodiverse, psychotic, uneducated, autistic, self-taught and ÔotherÕ. His fascination with artists such as the violently psychotic Adolf Wlfli lay in their creativity rather than in the sensationalism of their lives. Certainly, it did not lie in the resale value of their work. That outsider art should have its own multimillion-dollar annual fair in New York and specialist departments at ChristieÕs auctioneers ran quite contrary to CardinalÕs thinking.