Regina Hackett (29 results)

Condition: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condition: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condition: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover. Condition: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condition: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. First Edition. First Edition. F/NF. Hardcover, blue boards with silver gilt titles, DJ, 63 pp, color illustrations, faint edgewear, else a nice, clean and crisp copy.

Hardcover. Condition: Very Good. Hardcover with jacket in very good condition. HCW. Used.

Saddle-stapled wraps. Condition: Very Good. First Edition. A Very Good copy with light creasing and smudging. Single leaf, folding to form 6 pages. 2 Color Illustrations.

Paperback. Condition: Very Good. CRITIC'S CHOICE edited by Matthew Kangas with Northwest critics Kangas, Gary Reel, Regina Hackett and ron Glowen selecting artists for the exhibition. Artists were Tim Bennett, Michael Fajans, Elizabeth Sandvig, Ted Savinar. 24 pages, stapled sheets inside a stiff folder. Black and white reproductions. 11" x 8 1/2". Very good condition.…

Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover, staple-bound, 32 pages, very good condition; light rubbing to covers; no internal marks.

hardcover. Condition: New. In shrink wrap. Looks like an interesting title.

Condition: New. Much of Elizabeth Sandvig s work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminium and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transpar.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition. Signed by Artist Joseph Goldberg on title page. A fine copy of the first edition hardcover in jacket. Laid in loose are two exhibition guides for Goldberg's show at the Museum of Northwest Art. Signed by Artist.

Hardcover, 223 pages. Condition: Fine. Dust Jacket Condition: Near fine. Clothbound in teal cotton with title stamped in silver on front board and original dustjacket. Minor bumping to outer spine. Rubbing and bumping to dust jacket. Soiling to outer back of dust jacket. Pages are clean, binding is tight.…

Hardcover. Condition: As New. Dust Jacket Condition: As New. 1st Edition. University of Washington Press, Seattle, Wa. 2007. Hardcover in as new condition with as new dust jacket, protected in mylar. 1st edition, 1st printing. Flatsigned on title page by Goldberg. Signed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. University of Washington Press, 2007. Fine Hardcover in Fine, mylar protected dust jacket. Publication coincided with an exhibition at Francine Sedars Gallery, in Seattle. Exhibition card included. 1st Edition, signed and dated the year of publication by the artist. Photos available upon request. Signed by Illustrator(s).…

Soft cover. Condition: Very Good. 1st Edition. Nice clean copy with a tight binding. Mild cover wear, tiny tear on back cover corner.

Hardcover. Condition: New. No Dust Jacket as Issued. 1st Edition. 1st. Edition Limited Edition of 2500 copies, Hardcover in illustrated boards, 96 page book. A rare signed copy by Julie Blackmon signed only by her on the title page. The Dutch saying " A Jan Steen Household" , originated in the seventeenth century and has come to refer to a home in disarray , full of rowdy children and boisterous family gathering . the painting of Steen , along with those of other Dutch and Flemish genre painters, are the direct inspiration behind the layered domestic scenes of Julie Blackmon's photographic work. Raised as the oldest of nine children, and the Mother of three herself, Blackmon takes an approach to her work that is at once autobiographical and fictional. According to Ann Wilkes Tucker of the Museum of Fine Arts Houston, Blackmon has taken a subject that is ripe for cliche - mother photographing children - and through the subtle, digital manipulations, the use of color and highly graphic images, she's given it humor and edge and taken the subject somewhere fresh. Illustrated with 40 full page color plates. Condition : NEW. NOTE : No international Sales on the book. Size: 4to - over 9¾ - 12" tall. Julie Blackmon (illustrator). Signed By Photographer. Book.…

Hardcover. Condition: New. Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow.â"Elizabeth Sandvig Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light. Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966.…

Hardcover. Condition: New. Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow.â"Elizabeth Sandvig Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light. Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966.…

Paperback. Condition: New.

Paperback. Condition: Very Good. VG++, 1987 1st edition, large softbound, 60 pages, clean & tight with only very mild signs of use, no markings found, a nice copy. Ships with much care and respect.

Condition: Good. 4to. 63 pp. Very Good. Hard Cover. Blue cloth covered boards with silver lettering. Dust Jacket Very Good. Minor staining of DJ at tail of spine and along spine, else Fine. Pages fine. Color plates throughout. Inscribed in pencil on title page, and dated 2012.Much of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminium and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position. ISBN: 9780295987101 0295987103.From the Collection of the Art Historian Peter Selz.…

Hardcover with dust jacket. Condition: Very Good-. Dust Jacket Condition: Very Good-. First Edition. 4to. Pp. 223. Frontis. Mary Randlett b&w studio portrait. Illustrated with b&w and full color photo reproductions. Foreword by Phen Huang. With biography and exhibition history. Pale blue cloth with titles stamped in silver, blue endpapers: board upper corners gently bumped and cloth covering with light damp stains at the head edge front and back. In the color illustrated dust jacket with upper corners crimped. With sections on early, mid-career and late works from the Seattle painter and University of Washington art professor whose bold colors expanded the Northwest School palette. Published on the occasion of an exhibition at the Bellevue Arts Museum, May - October 2021.Jacket preserved in a removable clear archival sleeve.…

Printed glossy wrappers. Condition: Fine. First Edition. Square 4to. Pp. 60. Filled with reproductions of Mason's work. Chronology. Bibliography. Bound in stiff, glossy wraps. Inscribed by Mason on the title page: "To -- and -- Love, [signed] Alden" Increasingly uncommon. A bright, fresh copy.