Condition: As New. Unread book in perfect condition.
Condition: New.
US$ 30.28
Quantity: 1 available
Add to basketPaperback. Condition: Brand New. Paperback.Width: 20 cm. Height: 27cm. 152 pages. English text.
Language: English
Published by Monacelli Press, New York, 1998
ISBN 10: 1885254865 ISBN 13: 9781885254863
Seller: Winged Monkey Books, Arlington, VA, U.S.A.
Second Printing. Large thick hardcover, no jacket, as issued, very good with light wear.
US$ 51.32
Quantity: 11 available
Add to basketCondition: New.
US$ 55.91
Quantity: 11 available
Add to basketCondition: As New. Unread book in perfect condition.
Hardcover. pp. xxxi, 1344. Thick 8vo. Bound in silver with yellow lettering to spine. Remainder mark to top edge. Replete with photographs and illustrations. Light shelfwear; very good+. Loose newspaper clipping with NYT Book Review by Douglas Coupland.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
Rotterdam, NAi Uitgevers, [2003].184 pp. Col. ills. Softcover. 8vo.
teNeues, Barcelona 2002. Small 8vo. 80 pages. Illustrations in colour. Orig. boards in dust wrapper. Owner's name to flyleaf. Light traces of use. Very good/very good.
Seller: Antiquariaat A. Kok & Zn. B.V., Amsterdam, Netherlands
Rotterdam, NAi Publishers, [2003]. 184 pp. Col. ills. Softcover. 8vo."What is OMA provides a clear insight into the role and significance of Rem Koolhaas and the Office for Metropolitan Architecture. Authors of international repute from beyond the province of architecture examine OMA's work in the light of social and economic developments. The many facets of Koolhaas come under review: his take on architectural theory and the conceptual apparatus he employs, his vision of urbanism and the contemporary city, the designs put into practice by OMA and the research projects of the AMO think tank, which exist outside the immediate boundaries of architecture. This book paints an intelligent picture of the sheer range of OMA's architecture and of Koolhaas's seminal role in the architectural world." [Cover]. - Text in English.
Encuadernación de tapa blanda. Condition: Nuevo. Idioma español. Ejemplar nuevo. New. Ilustrado. Dimensiones: 21x21 - 504 pp.
Published by Benedikt Taschen 1997, 1997
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
Super 8vo, pp. 1344; grey heavy card boards, spine & board lettered in orange & black; illus. eps, phoros, illus.; VG (light to moderate scuffing & soiling to boards; light to moderate bruising to spine & board edges & extrems; light tanning & soiling to pg edges; sl soiling to eps, prelims & terminals; light cracking to front & rear hinges).
Language: German
Published by Cantz Ostfildern-Ruit, Germany, 1997
ISBN 10: 3893229116 ISBN 13: 9783893229116
Seller: Specific Object / David Platzker, New York, NY, U.S.A.
830 pp.; 28.5 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in 1997. Artists include Vito Acconci, Marcel Broodthaers, Lygia Clark, Ed van der Elsken, Walker Evans, Öyvind Fahlström, Armand Gatti, Jean-Luc Godard, Dan Graham, Hans Haacke, Raymond Hains, Richard Hamilton, Maria Lassnig, Hélio Oiticica, Michelangelo Pistoletto, Gerhard Richter, Nancy Spero, Garry Winogrand, Robert Adams, Art & Language, Lothar Baumgarten, James Coleman, Toni Grand, Mike Kelley, Helen Levitt, Gordon Matta-Clark, Thomas Schütte, Jeff Wall, Martin Kippenberger, Ecke Bonk, Tony Oursler, Reinhard Mucha, Erik Steinbrecher, Rem Koolhaas, Bruce Mau, Johan Grimonprez, Gabriel Orozco, Carsten Höller, Rosemarie Trockel, Olaf Nicolai, Tunga, Peter Kogler, Philip Pocock, Florian Wenz, Udo Noll, Felix Stephan Huber, Yana Milev, Suzanne Lafont, Peter Friedl, Stephen Craig, Catherine Beaugrand, Jean-Marc Bustamante, Emilio Prini, Martin Walde, Collective La ciutat de la gent, Lois Weinberger, Matthew Ngui, Christine and Irene Hohenbüchler, Aya & Gal Middle East, and Marko Peljhan. Original texts by Sandra Alvarez de Toledo, Etienne Balibar, Andrea Branzi, Benjamin Buchloh, Peter Bürger, Jean-Marie Chauvier, Daniel Defert, Werner Durth, Fabrizio Gallanti, Serge Gruzinski, David Harvey, Andreas Huyssen, Benjamin Joly, Philippe Lacoue-Labarthe, Dominique Lecourt, Alain Lipietz, Masao Miyoshi, Peter Noller, Jacques Rancière, Klaus Ronneburger, Hans-Joachim Ruckhaeberle, Saskia Sassen, Gayatri Chakravorty Spivak, Francis Strauven, Paul Sztulman, Max Welch Guerra. Includes author biographies. "For the first time in the history of documenta, the companion publication attempts to go beyond a survey and interpretation of the exhibited works of art to document and analyze the cultural development of the western world from 1945 to 1997 in a rich selection of paintings, photos, plans, sketches, maps, essays, quotations, discussions, poems, philosophical essays and manifestos. The book unites the diverse forms of expression in an impressive collage. The artists of documenta X are introduced in a number of artist's inserts. A provocative, enlivening and thoroughly current reader and reference work for anyone interested in the art and culture of our times." -- publisher's statement. Fine. Covers, dust-jacket and contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Language: Multiple languages
Published by Walther König / Koenig Books, Köln/London, 2018
ISBN 10: 3960983441 ISBN 13: 9783960983446
Seller: Antiquariat UEBUE, Zürich, Switzerland
First Edition
Softcover. Condition: Sehr gut. 1. Auflage. Z : 340 Seiten/pages - Looking at a considerable range of works spanning the entire career of Sol LeWitt (1928-2007);from seven of his famous Wall Drawings to sculptures such as Complex Form and Inverted Spiraling Tower, and including the photo-series Autobiography; this book explores the deeply intertwined relationship between LeWitt's work and architecture. Featuring a collaboration by the architect Rem Koolhaas;as a curator, for the first time ever;in dialogue with the curator Francesco Stocchi, Between the Lines addresses broad aspects of LeWitt's oeuvre, with the aim of moving beyond the divisions that traditionally separate architecture from art history (the flouting of which characterizes the artist's entire body of work). In particular, this book reformulates the still-popular assumption that an artwork must adapt to the architecture.